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Masai bianca

Titolo originale: Die weiße Massai
  • 2005
  • 2h 11min
VALUTAZIONE IMDb
6,4/10
4245
LA TUA VALUTAZIONE
Nina Hoss and Jacky Ido in Masai bianca (2005)
A girl, Carola, whose vacation in Kenya takes an interesting turn when she becomes infatuated with a Masai. Carola decides to leave her boyfriend to stay with her lover. There, she has to adapt to the Masai's way of life and get used to their food which includes milk mixed with blood. She also has to face her husband's attitude towards women and what he expects from a wife. Nonetheless, Carola is welcomed warmly into the tribe she has chosen to join.
Riproduci trailer2:20
1 video
41 foto
DrammaRomanticismo

Aggiungi una trama nella tua linguaA girl leaves her boyfriend to stay with a Masai man she meets on vacation in Kenya. She adapts to the tribe's customs, foods and gender roles as she integrates into her new community.A girl leaves her boyfriend to stay with a Masai man she meets on vacation in Kenya. She adapts to the tribe's customs, foods and gender roles as she integrates into her new community.A girl leaves her boyfriend to stay with a Masai man she meets on vacation in Kenya. She adapts to the tribe's customs, foods and gender roles as she integrates into her new community.

  • Regia
    • Hermine Huntgeburth
  • Sceneggiatura
    • Corinne Hofmann
    • Johannes W. Betz
    • Nadia Fares
  • Star
    • Nina Hoss
    • Jacky Ido
    • Katja Flint
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    4245
    LA TUA VALUTAZIONE
    • Regia
      • Hermine Huntgeburth
    • Sceneggiatura
      • Corinne Hofmann
      • Johannes W. Betz
      • Nadia Fares
    • Star
      • Nina Hoss
      • Jacky Ido
      • Katja Flint
    • 33Recensioni degli utenti
    • 28Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    Trailer
    Trailer 2:20
    Trailer

    Foto41

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    + 35
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    Interpreti principali25

    Modifica
    Nina Hoss
    Nina Hoss
    • Carola Mamutelil geb. Lehmann
    Jacky Ido
    Jacky Ido
    • Lemalian Mamutelil
    Katja Flint
    Katja Flint
    • Elisabeth
    Antonio Prester
    • Pater Bernardo
    • (as Nino Prester)
    Janek Rieke
    • Stefan
    Helen Namaso Lenamarken
    • Lemalians Mama
    Nicholas Sironka
    • Mini-Chief
    • (as Nicolas Sironka)
    Damaris Itenyo Agweyu
    • Asma
    • (as Damaris Agweyu)
    Barbara M. Ahren
    • Carolas Mutter
    • (as Barbara Magdalena Ahren)
    Robert Dölle
    Robert Dölle
    • Frank
    Barbara Herschbach
    • Jenny
    Morgan Lematampash
    • Tom
    Kiriniyaga Lenamatiyo
    • John
    Christine Namkuny
    • Saguna
    John Erick
    • Mike
    Charles Magati Ongeri
    • Moses
    Maya Akinyi Spybey
    • Sarai
    Salim
    • Samburukrieger 1
    • Regia
      • Hermine Huntgeburth
    • Sceneggiatura
      • Corinne Hofmann
      • Johannes W. Betz
      • Nadia Fares
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti33

    6,44.2K
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    Recensioni in evidenza

    8bak_europe

    Fantastic scenery and interesting depiction of how we in the "western civilized" world impose our ways upon others

    Although I did not read the book, I saw the film tonight at the German cinema (with a mix of subtitles). Having been to SOuth Africa myself, I recognized the land and endless horizon (some was filmed in SA, as well as Kenya itself).

    The film leaves you with the feeling that you are not sure why this woman wanted to even stay in Kenya with this man, despite "hardships" of no showers, no electricity, no amenities as we know. It was her loves to this man from a totally different culture, a warrior, that made her decide to live in such a God-forsaken place, so far from her former reality. This Swiss woman, who had owned a shop in Switzerland, sold her store, and then after some time, thought she could best help her new husband's people by opening a shop herself and selling wares to the people in the surrounding areas. However, she really had no feeling for what her husband was going through, losing face for having his wife work, as well as being able to drive a car (which he thought was so easy to learn until he ran the jeep against the tree). One can at times sees that she is not very sensitive to the cultural issues regarding tribal life and position, and this makes this relationship quite tense. On the other hand, one can see that the African man makes quite a bit of effort to understand her and ease her way into his world, even though he is not so aware of her upbringing and needs.

    Perhaps reading the book would give more insight to their other trials and tribulations. However, I will have to say that I will now read the book, and I thoroughly enjoyed the movie. It makes one think if two people from diverse cultures ever have a chance of survival. On the other hand...........what is diversity.
    7bebop63-1

    Love Conquers All...Well, Almost

    Having just finished reading The White Masai in paperback, I waited in anticipation of getting the DVD from the local library, albeit with some trepidations, knowing that film adaptations of books don't always follow true to the written work. That is certainly the case with this one. Firstly, why the change of names of the characters in the book - from Corinne to Carola, Lketinga to Lemalian, Napirai to Sarai, etc? Everyone who has read the book will know the characters anyway no matter what their names are. Also, there seem to be some vital points in the book that were not depicted in the movie. The novel extensively describes how Corinne's physical health was greatly affected from having to live in near-primitive conditions with nil in basic amenities like proper drinking water and sanitation, tropical diseases and inadequate diet. Doesn't it seem incongruous that in the movie this doesn't seem to be the case with Carola - she emerges from the hut cum loveshack each day fresh as a newly-budded rose, skin aglowing & hair shining like gold in the morning sun? She merely appears to be in a reality TV tour group rather than having assimilated herself into the tribe. It would certainly have helped to have a Westernized educated Samburu character to help bridge the (communication) gap between Carola and Lemalian, which in the book would have been James (Lketinga's brother). That said, the bottom line that both book and film raise is: can two people of contrastingly different cultures live together in harmony and genuine affection? How much is one prepared to sacrifice in the name of love? The film is aware of all these questions but does not give a definite answer - it all remains up to the viewer to put himself/herself in the heroine's shoes and ask "would I have done the same as Carola? Would I give up all the creature comforts of life that I've known and been accustomed to and live in woop-woop with a man I hardly know from a totally alien background?"

    While the movie does portray non-whites in a more positive light than other movies with a similar theme, it continues the long history of inequivocal relations between whites and blacks in general and it concludes that the Africans have been and always will be culturally inferior to whites. Even though the film is sympathetic to the Samburu people and evidently shows how naive and clueless as far as cultural sensitivities go with Carola, it's telling her side of the story. It would be very interesting indeed if the movie would be (re)made from Lemalian's point of view, but alas that is just a pipe dream.
    9diane-34

    An exceptionally difficult film to bring to the screen.

    Corinne Hofmann's absorbing filmed autobiography is an extremely confronting film and, at least to this viewer, therefore became an uncomfortable couple of hours to watch. It's a tough story that lies before the viewer full of cultural confrontation, personal confrontation and the burial of some individual long-held believes and values. All of this drama is carried out with bare-knuckle subtlety in many cases and also with just as much beauty and softness in often back to back scenes. Anyone watching this wonderfully engaging film will be batted from one extreme to another-hence my use of the words "difficult" and "confronting".

    It's a fabulous film to mentally play with after leaving the theater; there are so many aspects that must be filed away, in comfort-hopefully, after the total confrontation of values and ideas that will bombard anyone who watches The White Masai. I hope that i am not being nor will be branded as sexist when I write that I thought Lemalian, the Masai, had the harder row to hoe of the two of them-his traditions were continually being assaulted while Hofmann's, although similarly assaulted, were at least those of a visitor rather than as a resident of an extremely isolated and traditional society. Both paths were exceptionally hard and I left the theater feeling privileged that Huntgeburth made the film so that I could peek into events that would tax anybody.

    Go out of your way to see this film because it is rare and insightful; you will not be disappointed.
    8offenes_meer

    Good film - don't get worked up on character flaws!!

    I was curious to see this film seeing the split type of reviews it got on IMDb. It has been showing at our small town cinema for full two weeks. And, yes, there were still quite a number of viewers - mostly women. I believe the problem is that people get worked up on the main character and get to dislike her strongly, then reflecting this on the film as a whole. Which of course is not fair, but maybe understandable. So if you want to see a marvelous, well made, well photographed and even well written film with an intriguing plot - this will be it. If you want to agree with all moves of the main characters and seek harmony, happiness and want to relax - just stay away. My boys, for instance, hated 'Gegen die Wand' for the lack of happy ending and the pain the main characters live through. So does this mean that we Germans have an affinity to 'difficult' plots? (including our German-Turkish compatriots in 'Wand') Maybe. What makes the film less understandable - but very much more realistic - is that it is based on a true story. So why complain? The Carola character has her flaws and gets stuck between wanting to Europeanise the Massai life and adapting to their customs. Which in itself would render enough material for several films. The Massai accept her but are also stuck with their traditions - what else would you expect. But this film is not about how this dilemma can be solved - it is about Carola and Lemalian - and if you come to think of it, two very brave characters, no matter how they behave in detail. They exist(ed)!!! And the film gives you an opportunity to partake in their torment. Just take this as ONE possible outcome and ponder on the potential and possibilities such a setting can offer. Enjoy.
    InterMedia-1221

    Kindness Story

    The concept is incedible, the movie execution is also good, the adaptation lacks but don't except much just enjoy this lovely adventure story.

    The amazing thing is Based on true Story.

    Warning : Spoiler !!

    (Carola Hoss, a German woman living in Switzerland, is on holiday with her boyfriend in Kenya. She falls in love with Maasai warrior Lemalian, who is visiting dressed in the clothing of his area. At the airport on the way home she decides to stay. It turns out that Lemalian has gone to his home village in the Samburu District. Carola travels to the area, and stays at the house of another European woman. Lemalian hears about her stay and comes to meet her. Eventually they start living together.)

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    Trama

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    Lo sapevi?

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    • Quiz
      The cast and crew lived in tents among the Samburu during the entire shoot. They also studied their language and customs.
    • Connessioni
      Featured in Smagsdommerne: Episodio #3.14 (2006)

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    Domande frequenti16

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    Dettagli

    Modifica
    • Data di uscita
      • 22 febbraio 2008 (Italia)
    • Paese di origine
      • Germania
    • Sito ufficiale
      • Constantin Film (Germany)
    • Lingue
      • Tedesco
      • Swahili
      • Inglese
      • Masai
    • Celebre anche come
      • La Princesa Masai
    • Luoghi delle riprese
      • Kenya
    • Aziende produttrici
      • Bayerischer Banken-Fonds
      • Constantin Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 7.000.000 € (previsto)
    • Lordo in tutto il mondo
      • 22.632.255 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 11min(131 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • Dolby SR
    • Proporzioni
      • 2.35 : 1

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