La famiglia omicidi

I saw this film recently and I was pleasantly surprised. It reminded me of the old Ealing Comedies as it was charming but had a definite sense of delicious wickedness running through it. All of the main characters are funny in their own way particularly Rowan Atkinson and Maggie Smith. It reminded me so much of and Ealing Comedy that after a while I could only see Alec Guinness in drag when Maggie Smith was on screen. Kristin Scott Thomas started out as being being a bit of a female Hugh Grant in Four Weddings and a Funeral and showed that she can be quite funny but towards the end she gets a little unconvincing once some revelations unfold. All in all it has it's minor misgivings and gets a little too silly and unbelievable in places but I'd give it a go.

You could drive a horse and cart through the plot holes in this movie. It doesn't matter, just splash about in the humour. It has the predictability of a Stan and Ollie routine, Morecambe & Wise or any other such comedians who mix story telling with visual and verbal humour. Rowan Atkinson is of course the comedian cast in the straight part trying to regain a sense of humour. Maggie Smith is absolutely superb as the straight actress playing the clowning criminal. A bit of sound effect filched from Reeves and Mortimer's frying pan sketch would have heightened the humour even more. Never mind, this is harmless, charming, and engaging entertainment. Entertainment - now we don't get much of that to the pound usually.

I went to this movie looking forward to a mindless comedy. I was very pleasantly surprised. Very! I was first introduced to Rowan Atkinson in the 70's and have only seen him in silly, caricature ( a caricature of himself) type roles and I love him in these roles. But he did an amazing job as a serious, thoughtful (bordering on glum) Vicar, and was absolutely believable as his journey and his attitude changed ... I would never have put him in such a role, but he really pulled it off. I was also surprised, pleasantly, at the intense spiritual undertones (okay, at times overtones) woven throughout this most enjoyable film. It was interesting to see a movie use religion as a backdrop for such a deep look into what (in my humble opinion) is clearly a non-religious aspect of human spirituality.

Niall Johnson's 'Keeping Mom' is a delightful black comedy. Russo and Johnson's innovative screenplay, the pleasant score and the surprising cast and the dark humour is brilliantly put together. At the same time, the characters are very identifiable. After all, Grace is just a mother who's protecting her children, Gloria just wants her husband's affection, Walter just wants to excel in his 'profession' and Lance is a sleaze you might have met once. Yet, the story cleverly takes them to extreme ends that results in murder, infidelity and voyeurism. Pretty much all the actors are cast in roles you have never seen them play before. Kristin Scott Thomas is the heart of the film (as the director himself stated) and she performs very naturally. While Atkinson has played Reverend earlier, he actually delivers a very subtle performance where he downplays the comedy (unlike his regular in-your-face comedy sketches). He is proving to be a versatile comedian. I loved how Patrick Swayze makes fun of his iconic status in an indirect way. The actor is excellent as the jerk and it has been ages since he has been in something worthwhile. Liz Smith is fun to watch as the annoying and nosy flower committee member. Emilia Fox is very good as the nonchalant killer and Maggie Smith is hilarious! This lady has never let down and she is a complete delight to watch as she goes on 'protecting' her family. 'Love the actress! The location shots are amazing. The fictitious town looks lovely yet the director manages to successfully bring out the coldness and boredom. The stunning cinematography deserves mention too. 'Keeping Mom' is a small but wonderfully innovative film that had me laughing all the way.

I thoroughly enjoyed this gentle comedy which as other reviews have mentioned is in the best traditions of British film comedy, pre "Carry On". The action is gentle paced and contains no surprises, as the plot opener spells out the likely twists and turns. The characters are stock British parts, almost "off the peg". It is not a film for belly laughs but the comedy is there, but not from Rowan Atkinson who plays the role of vicar with as straight a bat as one could wish. The other well knows actors all ham it up beautifully and the Isle of Man looks wonderful and, like the film, twenty years out of date. I particularly liked Patrick Swayze's reptilian lothario and Maggie Smith was her usual immaculate self.