Volver - Tornare

Volver is a movie centering on women, for the woman.

Volver (pronounced Bol-ber in Spanish) means "Return". The theme "return" revolves around the film. Three generations of women: The granny (Carmen Maura) returning from the dead, the mother Raimunda (Penelope Cruz) returning from her discordant life, and daughter (Yohana Cobo) recovering from abuse from her step father.

Penelope Cruz is colorful and affecting playing Raimunda, probably her best role to date. This role will assure others of her capability to act, napping several Best Actresses nominations to date. She may have lost the Oscars to the Queen, but she won't be just known as the ex-girlfriend of Tom Cruise.

This is a culturally rich movie which brings us to the back alleys of Spain, looking at lives from the rich to the poor. The cinematography is vibrant as well, as the screen is littered with the rich tomatoes, floral dresses and a top-angle view of Penelope Cruz assets. All done on purpose and beautifully definitely.

There are many 'woman' issues – from motherhood, single hood, sister hood, self worth and independence. Male actors are almost non-existence, playing only bit parts and there is no hint of any impending love stories. Perhaps this is also why I didn't identify much with this movie. For the males, do not worry as Volver isn't any soapy melodrama. With its twists and fun, it is still an enjoyable comedy about second chances.

Volver – The women scores, and so does Penelope http://themovieclub.blogspot.com

Great movie Pedro!!!

Volver is by far one of the best movies of Almodovar. The way he narrates the story with the camera is just perfect: gently and with character. You will see how feelings and emotions are driven smoothly by a great group of actresses (Penélope does a GREAT job along with Carmen Maura) which perfectly understand what the director wants to deliver and how to do it.

It is another of those twisted bitter stories of life that Almodovar knows well and enjoys developing and producing them. Don't miss it.

One side note: I read that Penélope had to place some cushion to make her rear bigger according to the character!!

'Volver' starts at a cemetery where the women are cleaning the graves on a windy day. Young mother Raimunda (Cruz), who after attending her mother's grave, finds herself widowed, thanks to her daughter. Her sister, Sole (Lola Duenas) sees a ghost of her dead mother and their battling-with-cancer friend Augustina is in search of her own truth about her mother. Almodovar's colourful canvas is a wonderful portrait of women in Spain. Though it is a colourful portrait, it's dark but somewhat humorous and appealing. Almodovar tells the story in a sensible but somewhat simpler tone. There are some shocking revelations but 'Volver' does not dwell on any one particular incident. It's the story of the women.

Penelope Cruz gives one of her finest performances. It's been evident in her recent film choices (that also include 'Bandidas' that she's experimenting with different roles. As Raimunda, she speaks her mind, she's energetic, she's brave and a risk taker but at the same time she's vulnerable and is hiding a dark 'shameful' secret. Lola Duenas's Sole is a loner (but she loves her sister and niece). She's independent and satisfied with her life. The actress does nothing short of a great job. Carmen Maura is equally great as the 'ghost' bringing lots of laughter but even during Irene's own vulnerable sad moments she is outstanding. Portillo's Agustina, is a quieter lonely character who loves the sisters. The actress skillfully underplays her part and her immense talent is especially evident in the darkly humorous and somewhat sad talk-show scene. Like Almodovar's 'Todo Sobre Mi Madre', 'Volver' is about distinctive female characters and the viewer loves these women and feel involved in their stories.

Like most Almodovar's films, the soundtrack is part of the narration that adds to his slightly weird chaotic world. Similarly, Iglesias's score brings out the richness of the atmosphere created by the wonderful cinematography (thanks to excellent photography). The Spanish streets, the vivacious culture is just presented in Almodovar's unique style.

'Volver' is witty, warm, funny, colourful, disturbing, uplifting and lightly dark with a well told story and lovable characters portrayed wonderfully by the actresses.

EPIC COMEDY If we get to forget the delirious and delicious comedy side of the film, we find an epic story of what the second half of the past century was for so many women in Spain. Moving from the town to the city(from La Mancha to Madrid, from great patio houses full of architectural wisdom to terrific social housing apartments in the suburbs of the city), fighting against the elements(fire that burns down like love, wind that drives you crazy, water that used to fill our rivers and now is gone), having bad luck with men as the only possible fate, exercising companionship, imagination, tenderness and shrewdness as their only weapons for surviving. Keeping dignity untouched inside them.

ACTRESSES Pedro Almodovar in this film is like a top ten chef reinventing the most popular dishes of his own culture! The movie is a tasting menu of the greatest playing actresses with the best possible direction. The wild instinct of Penelope to construct a suburban animal, with strong links to Italian mommas, the touching interpretation of Blanca Portillo, simply mind blowing, the master lesson from Chus Lampreave that fills the theater with rivers of affection, the young actress Yohana Cobo that achieves success in some of the most difficult takes in the film, and Lola Dueñas that gets the plainest part and gives it a huge dimension with high level performance for comedy. And Carmen Maura, that stars the story like a Japanese terror movie star, she is like the Obi-Wan Kenobi of La Mancha.

DENSITY AND GRATITUDE So we have an epic story, great actresses, and a refined comedy that fills the spectator with gratitude, at least that is my case. I just have no defense in front of a film like this, that tells me a great story, makes me laugh, and has the highest detail density in objects colors, comments, views, gestures, references, movements and subplots. That is probably the only trouble with it, more than one view is necessary to catch it all, if possible!

An extremely kind, compassionate and tender film noir, from Spain's most internationally acclaimed filmmaker, might lack some of the suspense his other movies are famous for, but still it keeps the spectator thrilled and anxious until the very last moments. Anyone who likes Almodovar movies should see this one, and you can bring your family along, for a change (kids and grandmas alike).

Indeed, the movie lacks some of the usual Almodovar suspense, and whatever mysteries it contains, are generally solved by the viewer some 20 minutes before they are explicitly and verbally elaborated on screen. It looks like Almodovar lost some of his interest in the telltale part of his movies, paying more attention to acting and emotions. Well, acting is fully worth the shift.

Penelope Cruz is predictably brilliant and gorgeous, but performance by other ladies (from the elderly Chuz Lampreave to teenage Cobo) is also worth applause.