Un vedovo torna nella sua città natale per cercare delle risposte sull'agghiacciante omicidio della moglie, che può essere collegato al fantasma di una strana ventriloqua assassinata che si ... Leggi tuttoUn vedovo torna nella sua città natale per cercare delle risposte sull'agghiacciante omicidio della moglie, che può essere collegato al fantasma di una strana ventriloqua assassinata che si diceva avesse degli strani poteri...Un vedovo torna nella sua città natale per cercare delle risposte sull'agghiacciante omicidio della moglie, che può essere collegato al fantasma di una strana ventriloqua assassinata che si diceva avesse degli strani poteri...
- Billy
- (voce)
- Clown
- (voce)
- Michael Ashen
- (voce)
- (non citato nei titoli originali)
- Bos
- (non citato nei titoli originali)
Recensioni in evidenza
While the shocks are somewhat muted, perhaps in an attempt to avoid the boggle-eyed wrath of hissy missy Mary, the film's more endearing qualities are the delicious comedy stylings of a deadpan Donnie Wahlberg as the wryly disdainful cop Detective Lipton, his colourful performance increasing the faux-Gothic campery herein. For me, as a horror film-maker, Wan is a somewhat pallid practitioner, but the dude has legit comedy chops, to whit, the blackly funny, wickedly witty 'Tales From The Crypt' twist, and if all noughties horror titles were replete with a similarly cartoonish cynical cop like Donnie I'd be more of a fan! While 'Dead Silence' is about as scary as a mislaid till receipt, it proved to be all so fabulously absurd I couldn't help but dig it! Usually I relish the dire misfortune that descends so fatally upon the expensively coiffed heads of Hollywood's perfectly plastic protagonists, but in this rare instance I had enormous empathy for the dotty old dear gibbering benignly away in the mortician's cobwebbed cellar, this truly darling, whimsical white-haired octogenarian Marion Walker (Joan Heney), and dynamic cop Donnie got me rooting for 'em right till the final curtain, mayte! One of the more aesthetically pleasing aspects of 'Dead Silence' is the splendidly evocative chiaroscuro photography of talented DP John R. Lionetti, this gifted fellow also lensed the deliciously skewed, greatly underappreciated Lindsay Lohan oddity 'I Know Who Killed Me'.
The story's intriguing enough. There just aren't enough horror films these days about menacing old ventriloquist ladies that are buried with their creepy dolls, who have come back from the dead to seek vengeance on the families that put her in the grave, by tearing out their tongues. The atmosphere is heavy, the creepy music is provided by SAW'S Charlie Clouser, the colors are washed out, and the sets are surreal.
Many will dismiss it as a formulaic, clichéd horror film. The SAW creators, who are huge horror fans, have fun making their own version of the American horror film by throwing in plenty of classic tropes such as the wise-cracking detective (Donnie Wahlberg) and the crazy old lady that knows more than she should.
I was pleased that the film didn't shy away from gore: it wasn't gratuitous, but it did enhance the horror. Most ghost stories tend to be separate from the gore flicks (I'm a fan of both), but I always enjoy seeing them combined. Another aspect that was interesting was the "silence" mode that signaled the presence of evil.
It's got plenty of horror elements to provide scares: aged film, folk tales, singing children, antique furniture, voice recordings fading out, flickering lights, dead loved ones beckoning from beyond the grave, photographs of dead families, cackling old women, wide-eyed dolls, billowing curtains, plenty of thunder and lightning, open caskets, dank crawlspaces, and a pervading sense of evil throughout.
Critics won't dig it, but I've shown it to two groups of friends and the majority were terrified and claimed it to be one of the scariest movies they'd seen. If you're a fan of atmospheric horror that aims to creep you to the bone, you should be more than pleased.
The movie itself isn't any kind of a masterpiece. The acting, writing and plot are all rather average but there is some effective horror atmosphere and effects packed in and while the plot is nothing original or fresh its played straight in way that will keep you interested. Its a breezy movie that you can watch and enjoy with a roommate late night.
This picture is directed by James Wan (Saw) and stars Ryan Kwanten (True Blood), Amber Valletta (Hitch), Donnie Wahlberg (Saw II), Michael Fairman (Mulholland Drive), Bob Gunton (Shawshank Redemption) and Julian Richings (Urban Legend).
This is a very well done movie. The storyline is fairly straightforward but fun to watch unfold. The opening kill and demise of the ventriloquist was a great way to set the tone for the picture. The cast is well selected and portray their characters to perfection. Donnie Wahlberg was perfect as the cop and his demise was tremendous. The twist at the end was clever and set itself up for a worthwhile sequel. I will say some of the CGI was better than others.
Overall, this is a tremendous addition to the horror genre with enough unique elements to make it an absolute must see. I would score this a 7.5/10 and strongly recommend it.
Lo sapevi?
- Quiz(at around 1h 10 mins) During the climax, in the storage area with all 101 dolls, you can see Jigsaw's doll from the "Saw" films sitting on the floor, and Edgar Bergen's doll Charlie McCarthy on one of the shelves. The doll that Detective Lipton throws over his shoulder in this scene is a replica of ventriloquist Jimmy Nelson's doll, Danny O'Day.
- BlooperJamie states that in his hometown, receiving a ventriloquist dummy out of nowhere is a bad omen. If so then why didn't he get rid of it when it arrived at his doorstep?
- Citazioni
Children's Rhyme: Beware the stare of Mary Shaw / She had no children only dolls / And if you see her in your dreams / Be sure to never ever scream.
- Curiosità sui creditiThe 1930s Universal Pictures logo is used in the opening credits.
- Versioni alternativeUnrated DVD contains the following extended shots which were omitted from the "R" rated version.
- Mary Shaw has a creepy, disgusting, long tongue.
- A gorier death for Henry, as Mary Shaw is shown eating Henry's tongue and saying "I now have your voice, Henry."
- The tongue comes out and licks Jamie after the clown admits the "secret" to him about his wife.
- ConnessioniFeatured in Oh, We Review!: Dead Silence (2012)
- Colonne sonoreLet It Go
Written by Bob Mair, Dino Soldo
Performed by Bob Mair, Dino Soldo
Courtesy of Black Toast Music
I più visti
Dettagli
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.809.076 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.842.725 USD
- 18 mar 2007
- Lordo in tutto il mondo
- 22.382.047 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1