Una giovane insegnante ispira la propria classe di studenti problematici ad apprendere il valore della tolleranza, ad applicarsi e a proseguire l'istruzione al di là della scuola.Una giovane insegnante ispira la propria classe di studenti problematici ad apprendere il valore della tolleranza, ad applicarsi e a proseguire l'istruzione al di là della scuola.Una giovane insegnante ispira la propria classe di studenti problematici ad apprendere il valore della tolleranza, ad applicarsi e a proseguire l'istruzione al di là della scuola.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
- Eva Benitez
- (as April Lee Hernandez)
Recensioni in evidenza
Woodrow Wilson High School is located in Long Beach, California. The school is voluntarily integrated, and it isn't working. The Asians, the Blacks, the Latinos, and a very few whites not only don't get along, but also stay with their own and are part of protective and violent gangs. There isn't much teaching or learning going on at the school. It is a warehouse for young teenagers until they can drop out or are kicked out.
With this background, an idealistic teacher (Hilary Swank) arrives to teach Freshmen English. She is very educated, pretty, middle class, non-ethnic, well-dressed, and smart. From day one, she doesn't fit in the classroom with these tough kids, and she doesn't fit in with the faculty, who have all but given up and resigned themselves to being the keepers of the student warehouse.
But our idealistic teacher will not give up. She slowly and painfully tries to teach by first learning about " the pain " the students feel. She encourages each of her students to keep a journal of their painful and difficult life, and then to share the journal with her. She also attempts to get the four ethnic groups to come together by getting them to recognize what they have in common; specifically, their music, their movies, their broken families, and their broken community surroundings.
While struggling with the students, she has to deal at the same time with two complicated and demanding male relationships. Her husband (Patrick Dempsey) is often supportive, but often jealous of her time commitments. Her father (Scott Glenn) is often disappointed of her career choice, but often proud of her courage and tenacity.
This story feels real. It is beautifully done. The acting of Swank, Dempsey and Glenn is professional and believable. More importantly the story highlights our society's challenges in schooling the children of poor and one-parent families.
The movie doesn't give miracle answers. But it does give hope. And in the end, sincere effort appears to count for something maybe everything.
FYI There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.
I'm a male teenager and this movie made me cry. I can't remember the last time a movie made me cry... in fact, I don't think I have (teary-eyed doesn't count). Freedom Writers moved me.
It was so much better than I expected. All I can say is that it is definitely worth at least a matinée viewing.
The movie reminded me that all of America isn't like white middle-class suburbia, of which I am a part. Regardless of how many times the same movie has been done before, the white middle-class can use as many reminders as possible that education is not that easy to obtain everywhere. Even in America, opportunity is not equal, and I think it's important for people to see that.
Don't judge the movie without seeing it.
It would be easy to criticize Freedom Writers as just another cliché-infested classroom redemption story, more Blackboard Jungle than History Boys. But because it is based on a true story of at-risk students attending Woodrow Wilson High in Long Beach, a voluntarily integrated school, I have to avoid accusing it of being derivative and offer that it relates the essential truth about education: Most students have a voice if a teacher can find it; most students can thrive when a teacher creates a sense of family amid chaos, as Emily Gruwell did in the early '90's of Rodney King riots in Los Angeles. The diaries her students wrote inspired students around the country to do the same.
Seeing the photo of the real Gruwell with her students as the end credits roll, I can understand cynics saying this is typical Hollywoodno teacher can look like Hillary Swank! But rising above the petty carping that includes skepticism about transformation of unruly kids into real students within a year, I have to admit it happened because of the transforming power of love and words. As in Charlotte's Web, both ingredients are potent reformers of the disaffected.
Gruwell sacrifices, as cases of true love sometimes require, her personal freedom and loses her marriage for the higher good of the young people she teaches. Admittedly, her slacker husband, Scott (Patrick Dempsey), doesn't deserve such a gifted wife, and her crusty dad, Steve (a monumentally weathered Scott Glenn), has some stereotypical responses to his daughter's choices. Most of all I object to those actors as students: They are way too old to be playing 14 and 15 year olds. Surely there are gifted teens who could do the job! Overall, however, the film rings true about the magic a dedicated teacher can do with rebellious but malleable teens.
For those of us who still toil in the fields of education, Freedom Writers reminds us why we love a profession that gives us a chance to save souls in the only way we can certify outside the uncertain faith of religion. This film is a superior entry in a long history of teaching brought to its ideal form in film.
Lo sapevi?
- QuizThe real Erin Gruwell honors Hillary Swank for saying that she doesn't care about the money. She took a very sizable pay cut to do the film.
- BlooperThe scene where Miep Gies tells the day Anne Frank was captured was told with some factual errors. Gies never went back to her house that very day to get bribery materials.
- Citazioni
Erin Gruwell: The evaluation assignment was to grade yourself on the work you're doing. You gave yourself an F. What's that about?
Andre: It's what I feel I deserve, that's all.
Erin Gruwell: Oh really?
[pause]
Erin Gruwell: You know what this is? This is a Fuck You to me and everyone in this class. I don't want excuses. I know what you're up against. We're all of us up against something. So you better make up your mind, because until you have the balls to look me straight in the eye and tell me this is all you deserve, I am not letting you fail. Even if that means coming to your house every night until you finish the work. I see who you are. Do you understand me? I can see you. And you are not failing.
- ConnessioniFeatured in Common Feat. Will.i.am: A Dream (2006)
- Colonne sonoreWhen The Shit Goes Down
by DJ Muggs (as Larry E. Muggerud), Lawrence Dickens & B-Real (as Louis M. Freese)
Performed by Cypress Hill
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment
Contains a sample of "Deep Gully" by Lawrence Dickens
Performed by The Outlaw Blues Band
Courtesy of Geffen Records
Under license from Universal Music Enterprises
I più visti
- How long is Freedom Writers?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Escritores de la libertad
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.605.602 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.405.582 USD
- 7 gen 2007
- Lordo in tutto il mondo
- 43.095.175 USD
- Tempo di esecuzione
- 2h 3min(123 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1