Bart Got a Room

I remember seeing a preview for this movie on The Movie Channel, I think that was the channel. Then about 2 days later I saw the movie for sale at Wal-mart. That night I actually watched it. I thought it was hilarious in so many ways. Yeah, some of the humor is kind of ridiculous but it's directed towards teens and young adults. In so many ways I can relate to this movie and so can other people i'm sure. I was very pleased with William H. Macy's performance. I also liked it because it had both actors we already know, and some that we have never seen before, or at least I haven't. All in all I think this film was very good and I hope that everyone gets a chance to see it.

I started off disliking 'Bart Got a Room' due to its painfully obvious set up, clichés and predictable storyline where you knew where this was going from the get-go. For the most part, it unfolded to where you thought so with just a hint of surprises. The idea behind the film, and hence the title, involves high schoolers scrambling to get a date and a "room" for prom night, since *Bart* got a room. Sure, when Bart's revealed in the room, they overshoot his nerd-factor, but the movie's clearly mean-spirited from all angles on a person that's different from the "norm." Again, they did dress up Bart as the stereotypical arrogant "Napoleon Dynamite," but it was a pretty harsh reality the parents were teaching their kids to be judgmental. Some segments were funny, I'll admit, but those few and far between scenes involved Macy (namely the woman running for her life and the older female with a housewarming gift.) And it was touching how down-on-his-own-bad-luck divorced father Macy would give up everything, including a date with poker-great Tilly, to aid his son's quest for a date. 'Bart' was a sweet, innocent movie (other than few scenes knocking down different people) and you could do worse, but there are far better high school comedies. Such as 'Election,' 'Ferris Bueller's Day Off,' and 'Juno.' You have to give kudos to the lead, Kaplan for trying to carry the movie, but not so much for the supporting case, like the overly clichéd "heavy-set" buddy, the pretty blonde cheerleader and the plain-Jane BFF that, shocking, should be his first pick for the prom. We've seen this plot dozens of times over, and one of my favorites was 'Some Kind of Wonderful.' Ironically, director Hecker, did seem to attempt (unsuccessfully) the heart of most Hughes movies.

Looking back at this film, there are quite a number of scenes that seem as if they, and the movie that they are in, should be superb. Actually watching the scenes, and watching the film as a whole however, the effect is rather lackluster. Objectively, I can't say that the movie is a bad one, and some people will probably love, it, but for many or most people, I suspect that the film will not live up to its potential. Its difficult to say exactly why, but I can nominate three potential reasons.

1.

Comparative lack of comedic follow-through. In many comedic scenes in film, you can see an embarrassing situation emerging a few seconds or minutes before the specific situation ends. Rather than playing each scene through from beginning to bitter end, 'Bart Got A Room" tends to lay out the scene, and clip off the last uncomfortable moments. This device does not render the scenes unfunny, and it could make the film a bit more subtle. "Bart Got A Room" is not the most exciting or unpredictable film however, and the closely trimmed scene endings make the movie more boring.

2.

A vast proportion of the world's humor comes from people and the world as a whole not living up to expectations. Much humor represents an idealistic implicit criticism of these failures and imperfections.

The creators of this film seem to embrace, rather than criticize imperfection however, particularly in the ending, and not so much by defiantly embracing an alternate standard of perfection, but by saying that "hey, settling for ______ is okay." Obviously the difference between different sorts of acceptance (of imperfection) are subtle, but but this film seems to be more "settle for it" than usual, and the implicit lack of idealism leads to less ideal-driven humorous criticism.

3.

This film has a very clear Florida setting and cultural identity, and ordinarily this would be a strict virtue, adding a bit of realism instead of pretending to a placeless universality. Unfortunately, the film is so subtle/dull overall, that the setting and specific characterization overwhelms the overall story and other elements to a degree. Most likely the filmmakers should have made the story and characters a bit more interesting, rather than make the background less interesting, but something should have been done.

It's 2 months before prom and Danny Stein (Steven Kaplan) is running out of options. Even unpopular Bart Beeber got a date and a room. Danny is a nerd in charge of prom with his longtime friend Camille (Alia Shawkat). He doesn't want to ask Camille who he wants to be platonic with but everybody just expects it. He wants to ask hot sophomore cheerleader Alice (Ashley Benson) who he drives to school. His divorced parents Ernie (William H. Macy) and Beth (Cheryl Hines) are both out there dating.

This is more sad and pathetic than funny. Kaplan isn't charming enough to lead this and bring out the humor. Alia Shawkat is charming enough and provides some of the best scenes. There are some great comic actors but the jokes aren't hitting. The story isn't anything new or special. Nothing is truly funny but it's a passable amateur effort from writer/director Brian Hecker.

A modest little independent comedy that would like to be quirky but doesn't quite know how to be, Bart's Got a Room isn't about Bart at all – although he does make a couple of brief appearances. The fact he has got a room (for the school prom) is used as a benchmark against which our young hero Danny can measure how badly he has failed in his attempts to get a date for that bizarre American ritual called prom night. Of course, as an aside, it's true that inappropriately extravagant prom nights are no longer an exclusively American custom: having adopted the 'extortion with threats' routine known as Trick or Treat, the 350-channel TV (342 of which you will never watch), and the 'no win-no fee' legal representation when our own stupidity causes us to injure ourselves while at work, the Americanisation of Britain continues apace with our school-kids now dressing up and hiring rented limousines for their 'school leaver's disco.' I am absolutely certain that before my life is over Britain will be celebrating every fourth of July.

Anyway, Danny has had a loyal friend for ten years who just happens to be a pleasant – but not spectacularly beautiful or popular – girl who would love him to ask her to the prom. He also has a mother who is on the verge of marrying a decent but unsuitable man and a father who is desperately seeking love on the internet. Now, given this template it isn't difficult to figure out how this film is going to end. That doesn't necessarily have to be a bad thing though, as long as the journey to that predictable conclusion is an original and entertaining one. Sadly, Bart's Got a Room is only partially successful. Many of the incidents here have been seen countless times before (although usually handled with less sensitivity). The film seeks to make points about the futility and self-defeating nature of trying too hard to find the perfect mate, and it does this in a straightforward manner, but it's a message that most of us innately understand from youth, anyway – and those that don't are usually still struggling to find that perfect one thirty years after their prom date and will never listen to messages like this. While there's nothing wrong with preaching the message, it's hardly an earth-shattering revelation, and you can't help thinking that surely the filmmakers could find something a little more insightful to build a film around.

The performances are pretty good. William Macy stands out (as usual) as our hero's father who, sporting a perm from hell, strives to find a perfect mate while refusing to accept that, just maybe, he used to be married to her. Jon Polito is also good as mum's new beau, striking just the right level of likability for the role. The film's running time is fairly brief and it has its moments, but the end result doesn't measure up to its potential.