Paul Simon/Randy Newman/Phoebe Snow

I wonder about this episode. I loved the first five seasons of this show , but this episode had to be the worst episode ever. It seemed to me that Lorne Michaels lost a bet to Paul Simon and had to feature him for most of this episode. Basically this episode had few comic moments and even the one funny skit with Paul Simon playing basketball with an NBAer, had Pauls music blasting. This was basically a Paul Simon concert with a number from Randy Newman and Phoebe Snow as well as Art Garfunkle doing duets with Paul. This was an atrocious episode and the only time the cast did not bow out at the end. My guess is that even they were upset at the direction of the show and refused to be a part of the final curtain. I can not say I blame them. What were they thinking or maybe not thinking at all? I do not know . Maybe Paul Simons label paid for the production of the episode to promote Pauls latest concert or record.

In the Cold Open of this second episode of "NBC's Saturday Night" that aired on October 18, 1975, guest host Paul Simon sang "Still Crazy After All These Years" (which peaked at # 40). At the end of that, Chevy Chase, while carrying a guitar, stumbled on stage and fell before staring at the camera and saying, "Live from New York, it's Saturday Night!" which established his trademark falls and him saying that phrase every week for the duration he's on the show though there will be an exception in a few weeks. When the Not Ready for Prime Time Players list is printed in the opening credits, neither George Coe nor Michael O'Donohue are on it though neither appear on this episode, either. When Don Pardo intros Paul Simon, he is back on stage with the Jesse Dixon Singers performing their hit "Loves Me Like a Rock". Paul then sings a bit of "Marie" before introing the writer of that one, Randy Newman, who performes "Sail Away". Jerry Rubin does a taped piece about selling wallpaper filled with many '60s graffiti slogans. We get the first zoom of an audience member with this caption under her: "A good friend of David Eisenhower". The rest of the cast comes on stage dressed as bees as Paul tells them that sketch has been cut because it didn't work last week! This turned out to be their only appearance in this episode. The second "Weekend Update" begins as Chevy is talking on the phone with his girlfriend saying something risqué about her before abruptly hanging up. Thus beginning a regular feature. I like Chase during this period. First joke is about another accident involving President Gerald Ford. After another about Muhammed Ali changing his name again, Chase then goes to a tape of Paul Simon playing basketball with Connie Hawkins with Marv Albert interviewing the participants. Pretty funny that part especially with Simon's "Me and Julio Down by the Schoolyard" playing during it. Then, as "Mrs. Robinson" is playing, we see photos of Paul and his former partner Art Garfunkel during their time as successful recording artists. Paul introes him on stage and they then perform "The Boxer" and "Scarborough Fair". When they come back from commercial, they then perform "My Little Town" which is from Paul's latest album and peaked at # 9. The Muppet's "Land of Gorch" concerns that place defaulting and Ploobis and Scread going to Favad to ask what to do about it. Not great, but amusing enough. Art sings solo for "I Only Have Eyes for You". Albert Brooks' short film has him showing old movies of him over the years in not-very-flattering situations. Pretty funny. Phoebe Snow performs a vintage Billie Holliday song before dueting with Paul on "Gone at Last" which peaked at # 23. Another commercial parody about a Try Hard battery out lasting others when a pacemaker keeps going for one of the elderly people standing. Another amusing bit. Paul performs one more song before Bill Bradley comes on stage and awards a giant trophy for his one-on-one with Hawkins earlier in the show. Once again, the cast does not appear with him on stage, as happened last week when George Carlin hosted. This resembled more "The Midnight Special" which NBC aired early on Saturday morning after "The Tonight Show with Johnny Carson" than what "SNL" would eventually become. It was a pretty nice change of pace from the previous week. The following weeks show will be hosted by Rob Reiner. Oh, and I just found out yesterday was Art Garfunkel's birthday, so Happy Birthday, Art!

The second episode of SNL seems to show that the guys in charge weren't quite sure yet of what the program was all about. We start out with a Paul Simon song; then Chevy shows up briefly to fall down and say "Live from NY..." The bees arrive on stage at one point, only to be told by Paul that there's no time for their sketch. There is a brief Weekend Update with a couple of Gerald Ford jokes by Chevy; then it turns into about the only sustained funny piece of the evening: Marv Albert (!) serves as commentator for a one-on-one b'ball tournament between Paul Simon and an NBA player, which of course Simon wins. The other comedy segments (a weak commercial parody, a dreadful Muppet episode, and a sub-par Albert Brooks short) don't feature the regular cast at all. It's funny to see how nervous Simon looks when he's not singing, compared to his more "in control" attitude after he did the show a few times.

But here's what makes this one of the best first-season episodes: the music! Who could complain about this? Several Paul Simon solos, an extended duet segment with Garfunkel, SOLOS by Garfunkel, plus additional musical guests Randy Newman, Phoebe Snow, and the Jessy Dixon Singers. And the BAND! Richard Tee on keyboards, a very young David Sanborn (I'm pretty sure here) playing sax, Steve Gadd drumming, and on and on. And Howard ("Lord of the Rings") Shore directing the group.

Who cares if there weren't any sketches? This was an amazing night of 70s music, a conjunction of creative stars worth staying up late to see. And speaking of music, just read the list of musical guests for the entire first season of SNL and compare it to the weekly dose of musical garbage the show CURRENTLY airs. Almost all of the guests are still household words after over 30 years, unlike the forgettable parade of rappers, alternative whiners, etc. who clog the air today.

This was the first SNL episode I ever saw (the night it first aired) and it's an unforgettable one. A definite download for those who love the best of the 70s.

I've been watching the amazing box set they put out of the first season of Saturday Night Live and this episode totally confused me. I still can't really understand it.

To summarize, while this was technically the second ever episode of Saturdy Night Live (known then as "NBC's Saturday Night" to avoid conflict with another sketch comedy program run on ABC called "Saturday Night Live" and starring, of all people, Howard Cosell), the cast members barely appear in the program at all apart from two brief cameos. This episode features, almost entirely, the music of Paul Simon and his guests -- one of whom is Art Garfunkel.

Now you have to wonder what the network executives were thinking when they planned this show, because it doesn't really make sense in any way.

First of all, you have what is ostensibly a sketch comedy show. The producer of the show, Lorne Michaels, has proved himself in a variety of different venues already. You have a talented cast which has also proved itself (Chevy Chase, John Belushi, and Dan Ackroyd in particular were well known from Second City and the National Lampoon Radio Hour). Additionally, you have a well-known talent like Michael O'Donahue as the head writer. You basically have a really strong team, and on their second show, instead of giving them a chance to spread their wings and show what they are capable of, you basically ignore them all in favor of an musical show which contains almost no comedy.

This is not to belittle Paul Simon either. He picked some great acts to perform with on the show. His public reconciliation with Art Garfunkel was also pretty amazing to watch (I believe that this was their first performance together since their break-up). So, you basically have a strong musical show planned by one of the top talents of the day, and instead of giving it a prime-time spot, you air it late at night in a spot you had previously reserved for a sketch comedy show which you didn't think was going to make it.

This was an episode which was unfair to both the comedians and the musicians. The musicians should have had a venue better suited to their talent, and the comedians should have been given the chance to perform.

I give it a five because I was wanting comedy, and I got nothing but music.

NBC execs were not sure when they aired the first episode of this series about it's success. This show got loaded with Music instead of comedy. The shows traditional opening is totally different here as Simon opens with "Still Crazy After All These Years" & then Chevy chase opens with the signature "Live From NY - It's Saturday Night!" With a rare appearance by Randy Newman, & a 7 month Pregnant Phoebe Snow, the Jessie Davis singers, plus the reunion with Garfunkel, this show hits a solid popular music show which almost certainly got great ratings. There were not many programs done live with this much music. There is a slip when Simon & Garfunkel are very obviously Lip Synching one song which shows at the end of the tune where their lips are still moving after the playback is over. I think this is the only tune they lip sync in this show but you have to watch it on the DVD really close to notice which tune it is.

There is a little comedy stuck in. Weekend Update with Chase is here along with the Muppets & the Albert Brooks film. The most creative feature is Simon going One-On-One with NBA star Connie Hawkins with sportscaster Marv Albert. This is pretty well done including the Simon tune Me & Julio down in the school yard being played as a background tune.

While folks now are confused by the amount of music on this episode, that Music had to draw big ratings when it first ran as there are a lot of very good songs on this episode.