Aggiungi una trama nella tua linguaA horror film told in three parts, from three perspectives, in which a mysterious transmission that turns people into killers invades every cell phone, radio, and television.A horror film told in three parts, from three perspectives, in which a mysterious transmission that turns people into killers invades every cell phone, radio, and television.A horror film told in three parts, from three perspectives, in which a mysterious transmission that turns people into killers invades every cell phone, radio, and television.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
- Rod
- (as Sahr)
- Jerry
- (as Matt Stanton)
- Janice
- (as Suehyla El-Attar)
- Jim Parsons
- (as Chadrian McKnight)
- Screaming Man
- (as Dave Bruckner)
- Deaf Woman
- (as Nikki Hansen)
- …
Recensioni in evidenza
The idea is very cool, and the first two acts are solid. The first act feels like a tense horror film, which is what I expected. The second act was very funny and had a totally different tone, which was a cool change.
The third act, however, was a total mess. It honestly felt like the writer had a pretty tenuous grasp on what they wanted the story to be. They couldn't commit to what they wanted the signal to actually do, so some people were effected in a drastically different way than every other character had been previously.
Act 3 started fine, but quickly felt forced, and confusing in a non-mysterious way. Every character becomes an unreliable narrator, and you have no idea what's actually happening. That sounds cool, but it wasn't done well, so the entire ending feels like a chaotic mess. The answers you want aren't provided, and the story you get isn't good.
Additionally, Act 3 jumped the shark when it comes to over the top lighting. Expect every moment for the last 20+ minutes to be 90% bright, blinking lights, full of quick cuts to different bright, blinking lights and loud noises.
First off, the begginning of the film got my attention right off the bat, It was quick, stylish and bold. The following first sequence was just as striking. It moved with lightening pace and with intensity. The middle section added some great dead-pan humour, that I found myself laughing out loud at, then literally jumping back into suspense and intensity. The last third of the film, rounded the story out in a realistic and grim style, that also stood out on it's own. I didn't want this movie to end.
The characters were very well developed throughout the story, and added to the humour and chills, slipping seamlessly from humorous situations, to the insane and horrific. The fx were excellent and not over used.
Overall, I'd have to say the story, though conceived before in other ways, worked soo damn well here because of the way it was brought about by the directors. Kudos to the filmmakers for a very sic, groundbreaking and inspiring piece of work.
Let's hope that with "The Signal" however, this doesn't happen.
Why? Because this movie is powerful, thoughtful and downright terrifying in its execution.
The movie opens with a young couple, Mya and Ben, in a tryst where it soon becomes apparent that Mya is married but very much not in love with her husband, Lewis.
Suddenly the TV is blasted on, transmitting a noisy psychedelic signal which is echoed throughout every other media form from radio to mobile phones.
Mya leaves Ben to return home to her husband only to find everyone going crazy... possibly even her own husband. Thrown into a violent and chaotic world, the story focuses on the three of them and the truth about their intertwining relationship as the city of Terminus literally goes to hell around them.
The film's three directors each take on board a different aspect of the overlapping narrative, with the running time evenly divided into 3 parts. Transmission 1 examines the initial outbreak and its effects on the main protagonists. Transmission 2 looks at the ensuing madness from the perspective of one of the afflicted (a very creepy concept which is notoriously tough to execute, but is worked to almost perfection here), and laces it with more than just a smattering of very black humour. Transmission 3 ties up the loose ends of the plot and weaves them all together in order that all main characters collide in a chaotic but much needed denouement.
Brutal, dark and completely absorbing, this grainy DV effort is always believable and therein lies its power. In a society where media has taken over every facet of our lives, technology is rife for abuse, and this movie exploits that paranoia to great dividends.
This original chiller is the American equivalent of "28 Days Later" mixed with Romero's "The Crazies" via Stephen King's novel "Cell".
Some visual and plot aspects may have suffered due to budgetary constraints, but therein also lies its charm.
"The Signal" will surprise, thrill and terrify. In short, another example of modern horror at its brutal and most thoughtful best.
When i saw this for the first time, i found it to be surreal n a different take on the "crazies". But aft revisiting it recently, i found it to be a bit lengthy with some irritating flickering lights n non linear approach and a not so cool ambiguous ending.
The film has lots of gore, some scary situations n a hilarious decapitated head talking scene.
Lo sapevi?
- QuizThe name of the city in the film is Terminus. The movie was filmed entirely in Atlanta, Georgia which was originally called Terminus when it was settled in 1837.
- BlooperWhen Mya and Rod flee the building and head to the car you can see the corpse with the yellow blouse breathe and move. However, it is never established that it is a corpse. It could very well be someone dying, but not yet dead.
- Citazioni
Anna: What if my party guests show up?
Clark: Anna, I don't know if you know this, but there is some seriously insane shit going on out there right now. People are losing their minds.
[Clark goes to turn off the TV]
Clark: There's a bad sector in the electromagnetic spectrum which is causing a rift in logical thinking. Rational behavior has given way to primal... primordial action.
[Anna sees someone on fire outside]
Clark: We've reached a critical juncture in the consistency of everyday living. Societal norms are being completely abandoned. Anarchy has replaced etiquette. Chaos is the ruling class of this civilization, so I think coming to a goddamn New Years Eve party is the last thing on people's minds!
[doorbell rings]
- Curiosità sui creditiAbout 1 minute into the credits, a video effect similar to "the signal" is shown for a few seconds, and then the credits roll on.
- ConnessioniReferenced in Film Junk Podcast: Episode 291: Red (2010)
- Colonne sonoreAtmosphere
Written by Ian Curtis (as Ian Kevin Curtis), Peter Hook, Stephen Morris (as Stephen Paul David Morris) & Bernard Sumner
Published by Universal-Polygram International Publishing, Inc. on behalf of Universal Music Publishing Ltd.
Performed by Ola Podrida
I più visti
Dettagli
Botteghino
- Budget
- 50.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 251.150 USD
- Fine settimana di apertura Stati Uniti e Canada
- 144.836 USD
- 24 feb 2008
- Lordo in tutto il mondo
- 1.040.386 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1