La storia d'amore di tre anni tra il poeta del diciannovesimo secolo, John Keats e Fanny Brawne, verso la fine della sua vita.La storia d'amore di tre anni tra il poeta del diciannovesimo secolo, John Keats e Fanny Brawne, verso la fine della sua vita.La storia d'amore di tre anni tra il poeta del diciannovesimo secolo, John Keats e Fanny Brawne, verso la fine della sua vita.
- Candidato a 1 Oscar
- 16 vittorie e 54 candidature totali
Trama
Lo sapevi?
- QuizJohn Keats' poems used in the film are: Endymion, When I Have Fears That I May Cease to Be, The Eve of St Agnes, Ode to a Nightingale, La Belle Dame Sans Merci and Bright Star.
- BlooperThe large blue butterflies featured in the 'butterfly' sequence are tropical and would not have been found in Britain at that (or any other recent) time.
- Citazioni
Fanny Brawne: I still don't know how to work out a poem.
John Keats: A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore but to be in the lake, to luxuriate in the sensation of water. You do not work the lake out, it is a experience beyond thought. Poetry soothes and emboldens the soul to accept a mystery.
Fanny Brawne: I love mystery.
- Curiosità sui creditiBen Whishaw recites Keats' "Ode to a Nightingale" over the closing credits.
- ConnessioniFeatured in At the Movies: Cannes Film Festival 2009 (2009)
- Colonne sonoreSerenade in B flat, K361, Adagio
(1781)
Written by Wolfgang Amadeus Mozart (as Mozart)
Arranged by Mark Bradshaw
One is some of the dialogue. Not all mind, most of it is wonderfully poetic and moving, but then there is some of the more abstract language that feels more stilted and not as feasible to understand. My main problem is the pace, which throughout is rather slow making one or two scenes in the middle act a tad dull.
However, as a depiction of the joy of first love and the heart break that succeeds it, Bright Star is very effective. The final twenty minutes are heart-breaking, and the mood of the film compliments Keat's sensuous style beautifully. Jane Campion directs very competently, with each scene and season moving pretty much seamlessly to the next.
Bright Star has a beautiful, moving story, beautifully told and tells the story of Keats, his love and his beautiful poetry lovingly. The film looks exquisite, with lovely photography and authentic costumes and the painterly, watercolour-like scenery is spellbinding. The music adds to the poignancy, the background scoring is effective without overpowering and I liked the use of the Mozart piece if not the arrangement and how it was performed, some of the singing lacked support and the piece works much more as a chamber work.
The acting is fine and appropriately understated. Ben Whishaw is dashing and compellingly misty-eyed, while Paul Schneider adds a slight touch of menace and perhaps even realism to the picture. It was Abbie Cornish though who gave the best performance, one minute she is appropriately stern, another minute she is very poignant.
All in all, a lovely movie, could have been more, but one movie I would see again willingly. 7.5/10 Bethany Cox
- TheLittleSongbird
- 30 mar 2011
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Ngôi Sao Sáng
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.444.637 USD
- Fine settimana di apertura Stati Uniti e Canada
- 189.703 USD
- 20 set 2009
- Lordo in tutto il mondo
- 14.374.652 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1