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IMDbPro

Vampire Diary

  • 2006
  • R
  • 1h 30min
VALUTAZIONE IMDb
4,2/10
853
LA TUA VALUTAZIONE
Anna Walton in Vampire Diary (2006)
Official Movie Trailer.
Riproduci trailer1:50
1 video
7 foto
DrammaFantasiaOrrore

Aggiungi una trama nella tua linguaWhilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks t... Leggi tuttoWhilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks that Vicki could be her soul mate and soon the two embark on a passionate affair. However V... Leggi tuttoWhilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks that Vicki could be her soul mate and soon the two embark on a passionate affair. However Vicki's lust for blood is growing and when Holly discovers that Vicki is pregnant with a 'v... Leggi tutto

  • Regia
    • Mark James
    • Phil O'Shea
  • Sceneggiatura
    • Phil O'Shea
  • Star
    • Anna Walton
    • Morven Macbeth
    • Jamie Thomas King
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,2/10
    853
    LA TUA VALUTAZIONE
    • Regia
      • Mark James
      • Phil O'Shea
    • Sceneggiatura
      • Phil O'Shea
    • Star
      • Anna Walton
      • Morven Macbeth
      • Jamie Thomas King
    • 17Recensioni degli utenti
    • 27Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie totali

    Video1

    Vampire Diary
    Trailer 1:50
    Vampire Diary

    Foto6

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali26

    Modifica
    Anna Walton
    Anna Walton
    • Vicki
    Morven Macbeth
    • Holly
    Jamie Thomas King
    Jamie Thomas King
    • Adam
    • (as Jamie King)
    Kate Sissons
    • Haze
    Justin McDonald
    Justin McDonald
    • Brad
    Keith-Lee Castle
    Keith-Lee Castle
    • Eddie Strode
    Keith Lancaster
    • Vagrant
    Gregor Truter
    Gregor Truter
    • Lift Victim
    Jack Thomas
    • Wasteground Victim
    Rupert Baker
    Rupert Baker
    • Kerb Crawler
    Mike Lucas
    • Car Park Victim
    Grahame Fox
    Grahame Fox
    • Security Guard
    Zoe O'Shea
    • Young Holly
    Josephine Walton
    • Vicki's Baby
    Shinnya Cargill
    • Vicki's Daughter
    Milly Walton
    • Vicki's Daughter
    Richard Stanley
    Richard Stanley
    • Spanish Rapist
    Mark James
    Mark James
    • Doctor
    • Regia
      • Mark James
      • Phil O'Shea
    • Sceneggiatura
      • Phil O'Shea
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

    4,2853
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    10

    Recensioni in evidenza

    3nrjohns

    Let the right one in does it better

    I usually enjoy anything with vampires and zombies in it - this was the exception. The story is not very interesting, and the central theme about dependency and vampire-human relationships was better explored in Let the Right One in.

    It all feels very small which I suppose reflects the fact that one of the main characters is supposed to be making a documentary about weekend vampires. Still, small locations, small cast, small number of ideas.

    The acting is not too bad, but there is just too little to work with. For instance, a fairly intense and straight-laced young woman (albeit the product of a troubled youth) suddenly becomes a serial killing accomplice as a result of her passion for a lesbian vampire. Just doesn't work - no soul searching just a total and immediate commitment to murder.

    It is sexy though, so if this is a priority for you then you might enjoy it. Not for me though... My copy will be finding a new home :)
    5derek-duerden

    Shame About the Sound Design

    This is one of these films where - often - the dialogue is spoken in some kind of breathless whisper, such that one needs the volume turned up to hear what's being said; and then - CRASH - in comes the music at now-deafening volume. This is very irritating.

    It also has a "found footage" approach (despite being 8 years after Blair Witch, when I thought we'd all calmed down a bit..) - which is OK but occasionally distracting.

    Having said that, it's not awful. The story, acting and cinematography could be worse and there's some nice use of English locations, which adds to the quasi-authentic context.

    If you're in the market for modern lesbian vampire fare though, I'd recommend something like "Theresa and Allison" over this.
    4toleraptorst

    Juvenile and Ridiculous

    So, there has been this vampire thing going on for some time. Vampire clubs, vampire clothes, vampire movies, vampire this, vampire that. Largely drawn to by young people apparently between the age of fascination and hero worship. After watching this movie I found it so sad that so much of this seems to be nothing but the product of 90 plus years of intense and evolving entertainment. Radio, books, movies, television... all growing increasingly more sophisticated as the decades pass. Couple that with an era in human history never before experienced, at least as far as the industrialized western world is concerned where wealth, modernization, and more time to entertain ourselves and in almost any way we can imagine has done more to stunt our evolution than help it. People so lost, bored, confused, over-comfortable, and with far more choices of everything imaginable than any generation has ever had.

    How does a phenomenon such as this where people begin to idolize, romanticize and fantasize about being vampires? Worse yet, of all things to be drawn to, the human spirit is drawn to the cruelest and most based creatures. Are they evil, or are they just surviving like any other animal? Does that question even matter? Are we really thinking existentially about the basic necessity of survival on such an animalistic level? As if it is required still? Or is it all the drama, the fantasy of preternaturalism that goes along with it. The anti-superhero fetish.

    Why, after so long the idea of striving to evolve along the paths of compassion, generosity, kindness, etc., do we still romanticize ruthless killing for survival wrapped up in an aura of darkness, evil, cruelty, demons, etc? Why is that so big a draw to people? So much so, that even in this era to try to be kind or compassionate or even sincerely happy is too often seen as weakness, goody two-shoes, or a sign of mental deficiency.

    It really makes me wonder just how much time we have left as a species, so bent on our own destruction that we are taking the whole lot down with us. For all those centuries of philosophical and religious arguing in favor of the idea that the basic nature of man is good... I've come to the conclusion that argument is piffle. Sure, there are those out there who do strive for such things, but just like the wise, they are few and far between. The vast number of us, the whole of humanity is nothing more than barely more than animals, except that animals kill to survive not by choice, we do it entirely by choice. Worse is that we don't have to. Whether it is actual killing, or doing anything to achieve, or gain, or draw to us whatever our cold little hearts desire and doing so in any way possible. Sometimes choosing the cruel ways entirely when it isn't even necessary. Call that mental illness if you need an excuse. Then think about your own actions, who you vote for, your willingness to cut the feet out from someone else if necessary to keep your house, your cars, your clothes, your toys. Then tell me how pious even you are.

    After seeing this ridiculous excuse for what some consider deep, or experimental, I am certain now more than ever than we as a species are indeed no better than a virus. Vampires in our own right, except with out all the glamor, black clothes, and eye liner. And no matter how sophisticated our toys may seem, no matter how they may give us the illusion we are an evolved and evolving species, they're nothing but just that. An illusion. It's all just stuff. With them, we're still animals bent on our own wants and needs over others. Without them, we would revert to killing each-other wantonly for just the basics in a heartbeat.
    10pagrn1-1

    An Inexplicable Pleasure

    This film should be very average, it is massively derivative and amateurish - BUT it is in fact excellent as both a Vampire horror and as a Lesbian romance. The rawness of the direction is in fact a huge plus and combines Jose Ramon Larraz's 'Vampyres' and 'The Blair Witch Project' transposed to an urban setting. The conceit of using the documentary-making format is trotted out again so that amateur acting can be passed off as realism. And yet - the energy and enthusiasm of cast and crew carry the film along to its satisfying conclusion. One can only hope that when or if this gets a release in the USA it is not censored out of existence.
    4oneguyrambling

    When the plot revolves around idiot wannabe vampires even making one real can't save it.

    Plot: A young woman sets out to make a documentary about a group of people who spend their weekends pretending to be vampires, only she meets another woman who claims that she actually is a vampire.

    Budget: About $85.00.

    What was so horribly wrong then Smart-Guy? I think I can understand why they thought there might be a movie in this, only they forgot that in real life there is NOTHING cool about people who think that they are really vampires, not for one second. And boy does that show through here with the bunch of dickheads that play the weekend bloodsuckers.

    The lesbian vampire angle (always) shows promise, and there is some T&A, but now two weeks on I battle to recall anything about this flick. It is so lightweight and yawn-worthy in its own indie little way that they forgot to make anything interesting.

    Also, I have two words if you desperately need to see the lesbian bits, p & orn.

    I have actually seen worse than this, but then I absolutely hated those films too, so that is faint praise.

    Final Rating – 4.5 / 10. A bit of T & A can't derail this fast train to Sh*tsville.

    If you liked this review (or even if you didn't) check out oneguyrambling.com

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      The Feeling Skinned Us (Skinless Remix)
      Performed by Interlock

      Written by Hal Sinden / John Tyrell / Louis Codier

      Published by Interlock

      Courtesy of Anticulture.co.uk

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    Dettagli

    Modifica
    • Data di uscita
      • 10 aprile 2008 (Italia)
    • Paese di origine
      • Regno Unito
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Дневник вампира
    • Luoghi delle riprese
      • Isle of Sheppey, Kent, Inghilterra, Regno Unito
    • Aziende produttrici
      • Bard Entertainments
      • Sterling Pictures Ltd.
      • Widestream Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 650.000 £ (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 30min(90 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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