Sosuke, un bambino di cinque anni, libera una pesciolina incastrata in un vasetto. I due trascorrono una giornata insieme e Sosuke sceglie di chiamarla Ponyo. Da quel momento la strana pesci... Leggi tuttoSosuke, un bambino di cinque anni, libera una pesciolina incastrata in un vasetto. I due trascorrono una giornata insieme e Sosuke sceglie di chiamarla Ponyo. Da quel momento la strana pesciolina desidererà diventare una bambina per poter giocare con il suo amico.Sosuke, un bambino di cinque anni, libera una pesciolina incastrata in un vasetto. I due trascorrono una giornata insieme e Sosuke sceglie di chiamarla Ponyo. Da quel momento la strana pesciolina desidererà diventare una bambina per poter giocare con il suo amico.
- Premi
- 12 vittorie e 20 candidature
Cate Blanchett
- Gran Mamare
- (English version)
- (voce)
Matt Damon
- Kôichi
- (English version)
- (voce)
Liam Neeson
- Fujimoto
- (English version)
- (voce)
Tomoko Yamaguchi
- Risa
- (voce)
Yûki Amami
- Granmamare
- (voce)
George Tokoro
- Fujimoto
- (voce)
Yuria Nara
- Ponyo
- (voce)
Hiroki Doi
- Sôsuke
- (voce)
Rumi Hiiragi
- Fujin
- (voce)
Kazuko Yoshiyuki
- Toki
- (voce)
Tomoko Naraoka
- Yoshie
- (voce)
Tokie Hidari
- Kayo
- (voce)
Eimi Hiraoka
- Kumiko
- (voce)
Nozomi Ohashi
- Karen
- (voce)
Trama
Lo sapevi?
- QuizThe opening twelve seconds, involving vast schools of fish and undersea creatures, required 1,613 pages of conceptual sketches to develop.
- BlooperIn the English dubbed version, when Ponyo and Sosuke come across the Devonian-era fish while riding in the toy boat, Ponyo incorrectly calls one of them a Bothriocephalus. The correct name for that specific fish is Bothriolepis. Bothriocephalus is actually the name of a genus of tapeworm.
- Versioni alternativeThe Japanese theatrical release had the Toho logo at the start of the movie (Toho was the distributor for this release). The U.S. theatrical release removes the Toho logo and replaces it with the 2006 Disney logo, followed by the Studio Ghibli logo. All other international theatrical versions have the film simply beginning with the Studio Ghibli logo.
- ConnessioniEdited into Miyazaki Dreams of Flying (2017)
- Colonne sonoreGake no ue no Ponyo
(Ponyo on the Cliff by the Sea)
Lyrics by Katsuya Kondô & Hayao Miyazaki
Composed by Joe Hisaishi
Arranged by Joe Hisaishi
Japanese version performed by Takaaki Fujioka (as Fujioka) Naoya Fujimaki (as Fujimaki) & Nozomi Ohashi
English version performed by Noah Cyrus (as Noah Cyrus) & Frankie Jonas
Courtesy of Yamaha Music Communications
Recensione in evidenza
Quite simply, i was tickled pink watching this in the movie theatre and grinned from ear to ear; eyes wide open whilst trying to take all the details in that are at the same time insanely simple, fresh, yet incredibly sophisticated, breathtaking and in imaginative.
In terms of audience age range, it is probably pre Totoro. The plot works because of the pure heart of 5 years olds who are focused in what they want and conscientious in their pursuit. They lives in a world that is unspoilt by cynicism and cultural learning of how everything is 'suppose' to work. While most critics might disregard this film due to the lack of a 'message' or 'plot' film (Although it is in there somewhere), it is precisely for this reason the film should be cherished. Too often our judgement are impeded by our own limitations of cinematic and cultural standing. Like most of Miyasaki's film, each is totally unique but undeniably Miyasaki. Ponyo may at times feel so unique and fresh, it may feel alien like.
The viewing experience provide a wonderful change from all the generic children's products that are generally commercialised to please the adult demographics (ie/ Animals that talks like their human counterparts, Eddie Murphy in Shrek.) It is perhaps comforting to know that good old fashioned hand drawn cells still work so incredibly well in this digital era where Toystory/WallE/Shrek/Cars generally triumph. It therefore feeling rather nostalgic at the same time makes the film feels timeless, a bit like how Totoro and Jungle Book hasn't really aged.
The subtleties of each character's expression and body language is captured in such nuanced interpretation that digital films like Wall-e can never compete on, or if it does, it would be a very expensive process. It would be a big pity for Wall-E to win over this one at the Oscars, and it probably will this year. Yet it might be quite unfair to compare the 2 mediums, as it is really the craftsmanship and the story telling that wins at the end of the day. For this, Miyasaki is a true master of
In terms of audience age range, it is probably pre Totoro. The plot works because of the pure heart of 5 years olds who are focused in what they want and conscientious in their pursuit. They lives in a world that is unspoilt by cynicism and cultural learning of how everything is 'suppose' to work. While most critics might disregard this film due to the lack of a 'message' or 'plot' film (Although it is in there somewhere), it is precisely for this reason the film should be cherished. Too often our judgement are impeded by our own limitations of cinematic and cultural standing. Like most of Miyasaki's film, each is totally unique but undeniably Miyasaki. Ponyo may at times feel so unique and fresh, it may feel alien like.
The viewing experience provide a wonderful change from all the generic children's products that are generally commercialised to please the adult demographics (ie/ Animals that talks like their human counterparts, Eddie Murphy in Shrek.) It is perhaps comforting to know that good old fashioned hand drawn cells still work so incredibly well in this digital era where Toystory/WallE/Shrek/Cars generally triumph. It therefore feeling rather nostalgic at the same time makes the film feels timeless, a bit like how Totoro and Jungle Book hasn't really aged.
The subtleties of each character's expression and body language is captured in such nuanced interpretation that digital films like Wall-e can never compete on, or if it does, it would be a very expensive process. It would be a big pity for Wall-E to win over this one at the Oscars, and it probably will this year. Yet it might be quite unfair to compare the 2 mediums, as it is really the craftsmanship and the story telling that wins at the end of the day. For this, Miyasaki is a true master of
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Dettagli
Botteghino
- Budget
- 34.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.543.471 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.585.852 USD
- 16 ago 2009
- Lordo in tutto il mondo
- 205.901.802 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Proporzioni
- 1.85 : 1
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What is the streaming release date of Ponyo sulla scogliera (2008) in Brazil?
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