Bruno, il figlio di otto anni del comandante di un campo di concentramento tedesco, stringe un'amicizia proibita con un bambino ebreo che si trova dall'altra parte della recinzione nel conte... Leggi tuttoBruno, il figlio di otto anni del comandante di un campo di concentramento tedesco, stringe un'amicizia proibita con un bambino ebreo che si trova dall'altra parte della recinzione nel contesto della Seconda guerra mondiale. Il film si concentra sulla storia di questa amicizia vi... Leggi tuttoBruno, il figlio di otto anni del comandante di un campo di concentramento tedesco, stringe un'amicizia proibita con un bambino ebreo che si trova dall'altra parte della recinzione nel contesto della Seconda guerra mondiale. Il film si concentra sulla storia di questa amicizia vista con gli occhi innocenti di Bruno, ma si tratta di un legame che porterà a conseguenze ... Leggi tutto
- Premi
- 7 vittorie e 7 candidature totali
- Leon
- (as Zac Mattoon-O'Brien)
Recensioni in evidenza
There will be the predictable comparisons with Schindler's List but you might also want to compare this movie to "The Counterfeiters" which also deals with the conflicts necessary to survive. Watching this movie I kept being drawn back to Primo Levi's book "If This is Man" the story of his time as a prisoner suffering from this evil.
The great success of the film is its simplicity, it does not seek to over analyse but simply allows the development of the characters to tell the story.
One of the contributers spoke of how he was in screen 9 (if I remember correctly) in Cineworld Dublin - I was in Screen 11 and I can had the same experience, the film ended and no one moved, all were in a state of shock, no, sorrow. This is not a film for young children, but older children and adults familiar with the evil addressed in this movie should go and see it. This movie deserves great success. I rate it 9 out of 10 and would have given it a perfect score except for some small technical questions, but none that take away from this fantastic piece of cinema - All associated with this movie should be rightly proud of there work and if any of you read these comments - Thank You!
Perfectly weighted film in every way, from pace to acting and all framed with a wonderful score. The subtlety of the looks passing between the actors and a finale that ensured silence until the final credit rolled, makes this one of the best films i've seen in a long time.
This is the first review I have never written and i cannot think of a better way to have opened my account.
Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence. The boys have a great friendship talking every day, enjoying the company. But when the father gives Bruno a Nazi propaganda loving tutor, Bruno becomes confused, is his father an evil man or is his friend the evil one? Love his country and do his duty or don't judge and just stay true to his friend? Bruno must decide all this with some scary consequences ahead of him.
The Boy in the Striped Pyjamas is a fantastic film, though if you see it, I do recommend bringing the tissues. I couldn't believe the chemistry they had with these two young actors, they worked so well together as these innocent boys who both have no idea what's going on. Bruno doesn't know why his friend is behind fences, and his friend doesn't know why he's there either. The ending is extremely powerful and the story keeps you interested. I do recommend seeing The Boy in the Striped Pyjamas, it's a treasure from 2008.
9/10
The film is mainly shot through the eyes of Bruno played by Asa Butterfield growing up in war time Germany during the holocaust. After relocating at the will of the German Army, the film then centres on the friendship between Bruno and Shmuel (Jack Scanlon). I will end it there as I don't wish to spoil the rest of the film.
Putting to one side the fact that everyone has a flawless English accent (which does make it difficult to hate them at first), the cinematics, sound, editing and above all acting are a credit to the British film industry.
Asa Butterfield is fine young actor and I'm sure will be destined for even greater things in the future.
As I mentioned above, I won't give anything away, but I will say that this is the first time I have been to the Cinema and everyone sat quiet right up until the end of the credits.
Please, please see this film. It will remain with you for a long time.
The story is told from the perspective of 8 year old Bruno, which provides the audience with a different perspective to the war that isn't seen too often. From an innocent mind. This only helps to make the movie's ending so much more powerful. Without giving anything away, this movie will stick with you for a long time.
The movie itself has been created beautifully. The cinematics, sound and editing is amazing and really helps create the perfect picture. I want to mention separately how good the actors were though. Some of these scenes wouldn't have been anywhere near as effective if it wasn't for the acting. 10/10. Makes me so proud of the British film industry :')
I highly suggest you watch this movie. Just have some tissues ready.
Lo sapevi?
- QuizBruno's parents are named Ralf and Elsa, but in the credits of the film they are listed as "Father" and "Mother." This is a tribute to the novel, in which the narrative focuses solely on Bruno's point of view.
- BlooperThe Nazi banners at the film's beginning are sheer and translucent: silk, nylon or rayon. Nazi banners were constructed of wool and were never translucent.
- Citazioni
Shmuel: I wish you'd remembered the chocolate.
Bruno: Yes, I'm sorry. I know! Perhaps you can come and have supper with us sometime.
Shmuel: I can't, can I? Because of this.
[points the electric fence]
Bruno: But that's to stop the animals getting out, isn't it?
Shmuel: Animals? No, it's to stop people getting out.
Bruno: Are you not allowed out? Why? What have you done?
Shmuel: I'm a Jew.
- Curiosità sui creditiQuotation displayed before the opening titles: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows - John Betjeman"
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El niño con el pijama de rayas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.046.156 USD
- Fine settimana di apertura Stati Uniti e Canada
- 253.085 USD
- 9 nov 2008
- Lordo in tutto il mondo
- 40.416.563 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1