Dopo essersi abituato alla vita a Londra, Tarzan viene richiamato nella giungla per indagare sulle attività in un accampamento minerario.Dopo essersi abituato alla vita a Londra, Tarzan viene richiamato nella giungla per indagare sulle attività in un accampamento minerario.Dopo essersi abituato alla vita a Londra, Tarzan viene richiamato nella giungla per indagare sulle attività in un accampamento minerario.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Rory J Saper
- Young Tarzan (18 Years)
- (as Rory J. Saper)
6,2195.7K
1
2
3
4
5
6
7
8
9
10
Recensioni in evidenza
The spirit of Tarzan is alive!
Many people today can argue, that Tarzan is somewhat a forgotten character and property. I believe, that kids today, are not all that familiar with the character Tarzan. So it was a matter of time, that one day we would get a reboot. That kids would get schooled on Tarzan, keep it fresh for the people. I believe that this movie does a good job of keeping the character, & the legend of Tarzan fresh.
In this tale of Tarzan, we don't get the wild man version at first. We get an older, more civilized, easy going man. Who has left his old lifestyle behind him. But things don't stay this way forever. Tarzan is trying to keep his cool, but Leon Rom played by Christoph Waltz (Inglourious Basterds, Django Unchained) has to go around, and mess with Tarzan's homeland. By stealing diamonds, and killing people. At first, Tarzan doesn't seem interested in helping. However, a former civil war fighter, Samuel L. Jackson (According to Ted in Ted 2. If you've seen any movie ever he's the black guy) is basically saying "You have to save them...Motherfu#ker!"
From the trailers, and T.V. spots, I was expecting the tone of Tarzan to be very dark and gritty. But, it's not that dark. In my opinion this movie has two very different tones. We have some dark and dangerous visuals of the jungle, and Samuel L. Jackson brings the comedy to this movie. Samuel L. Jackson was awesome as always. He really did a fantastic job at delivering the comedy. I literally laughed like the joker when he said "You want me to lick his nuts too?" (referring to the Gorillas nuts) This was okay at times, but it sort of felt like two different people directing at times.
This film has some very snazzy visuals, and beautiful cinematography of the jungle. I'm not sure if they traveled to Africa to film. Nonetheless, if the didn't it is because they really didn't need to go. Everything looked very real, and it really is gorgeous scenery throughout the film.
Also, the wardrobe was fantastic. Whoever did, the wardrobe, and makeup design should get some serious praise. Djimon Hounsou (Blood Diamond, Furious 7) looked like a badass, along with his tribe. Even Marvels Black Panther, would look at them like damn, you guys bad.
Surprisingly, my only real complaints about the film are the performances by Christoph Waltz, and Jane, played by Margot Robbie (The Wolf of Wall Street, Suicide Squad). I believe that Margot Robbie delivered a good performance. However, the way the character was written, could have been more interesting. She could have been more of a bad-ass chick, like we all know she can be, and not be underused. Christoph Waltz as well, could have been written just a little bit better. In my opinion, he will go down in history as an actor famous playing villainous roles. However, this role, came off to me as a little cartoonish.
So these are my final Bitchin' Buddha thoughts on the Legend of Tarzan. Superhero movies are very popular at the moment, and this movie does a good job at making Tarzan feel like a superhero. It keeps the character fresh, and interesting. Tarzan is fun for the moment, but sadly I don't think i will remember it a couple of months from now. I would love to see it again, on T.V. or streaming. That doesn't mean it is a bad film; it's just not a perfect film. It has it's moments, and I love the films message. On how know matter what you do, your past is a part of you. At the end of the day it was fun, and as Phil Collins once sang, "You'll be in my heart". I believe The Legend of Tarzan earns a...
7/10.
This review is brought to you by Boogie Buddha, and remember, don't just get down, but get Boogie. Thank you for reading/viewing, and I hope you all have an amazing day as always. :)
In this tale of Tarzan, we don't get the wild man version at first. We get an older, more civilized, easy going man. Who has left his old lifestyle behind him. But things don't stay this way forever. Tarzan is trying to keep his cool, but Leon Rom played by Christoph Waltz (Inglourious Basterds, Django Unchained) has to go around, and mess with Tarzan's homeland. By stealing diamonds, and killing people. At first, Tarzan doesn't seem interested in helping. However, a former civil war fighter, Samuel L. Jackson (According to Ted in Ted 2. If you've seen any movie ever he's the black guy) is basically saying "You have to save them...Motherfu#ker!"
From the trailers, and T.V. spots, I was expecting the tone of Tarzan to be very dark and gritty. But, it's not that dark. In my opinion this movie has two very different tones. We have some dark and dangerous visuals of the jungle, and Samuel L. Jackson brings the comedy to this movie. Samuel L. Jackson was awesome as always. He really did a fantastic job at delivering the comedy. I literally laughed like the joker when he said "You want me to lick his nuts too?" (referring to the Gorillas nuts) This was okay at times, but it sort of felt like two different people directing at times.
This film has some very snazzy visuals, and beautiful cinematography of the jungle. I'm not sure if they traveled to Africa to film. Nonetheless, if the didn't it is because they really didn't need to go. Everything looked very real, and it really is gorgeous scenery throughout the film.
Also, the wardrobe was fantastic. Whoever did, the wardrobe, and makeup design should get some serious praise. Djimon Hounsou (Blood Diamond, Furious 7) looked like a badass, along with his tribe. Even Marvels Black Panther, would look at them like damn, you guys bad.
Surprisingly, my only real complaints about the film are the performances by Christoph Waltz, and Jane, played by Margot Robbie (The Wolf of Wall Street, Suicide Squad). I believe that Margot Robbie delivered a good performance. However, the way the character was written, could have been more interesting. She could have been more of a bad-ass chick, like we all know she can be, and not be underused. Christoph Waltz as well, could have been written just a little bit better. In my opinion, he will go down in history as an actor famous playing villainous roles. However, this role, came off to me as a little cartoonish.
So these are my final Bitchin' Buddha thoughts on the Legend of Tarzan. Superhero movies are very popular at the moment, and this movie does a good job at making Tarzan feel like a superhero. It keeps the character fresh, and interesting. Tarzan is fun for the moment, but sadly I don't think i will remember it a couple of months from now. I would love to see it again, on T.V. or streaming. That doesn't mean it is a bad film; it's just not a perfect film. It has it's moments, and I love the films message. On how know matter what you do, your past is a part of you. At the end of the day it was fun, and as Phil Collins once sang, "You'll be in my heart". I believe The Legend of Tarzan earns a...
7/10.
This review is brought to you by Boogie Buddha, and remember, don't just get down, but get Boogie. Thank you for reading/viewing, and I hope you all have an amazing day as always. :)
The new Tarzan looks good on paper or when he's standing still, but as it moves with shallow gimmicks and abundance of CG, it reverts back into bland predictable safari.
The story of Tarzan has been known for decades, the movie tries to capitalize this in expectation that audience will follow its two timelines and many branching subplots. Unfortunately, the admittedly nice view is encumbered by myriad of issues, contrasting tones and shallow social and political showing. It becomes an overly familiar sighting that barely presents the characters above their stereotypical roles.
Tarzan or John (Alexander Skarsgård) returns to Africa after reclaiming his birthright, a conflicting homecoming as he deals with slavery and conspiracy. The story plays after the events of his origin, and the past is retold with several flashbacks. This different path is a welcomed change and surprisingly the little touch on these scenes are effective in setting his character. Alexander Skarsgård also looks the part for the brawny slightly beastly protagonist from his speech and mannerism.
The problem is Tarzan and both his foes and allies are entirely predictable. Christoph Waltz as Leon Rom is almost identical to his other villain roles, down to the creepy table exchanges and only differs in attires. Margot Robbie is the new Jane, an attempt for more spunky and powerful female, but she's trapped in usual pretty damsel in distress role, which ironically the movie points out hoping for the opposite effect.
Samuel L. Jackson performs as the sidekick William, also a vehicle for audience as he's new to the jungle. Expect the same charmingly brash Samuel here. Humor is relatively decent for light adventure, mainly In Samuel's expense, but the delivery is implemented in wrong way, thus it sometimes ruins the supposed intense atmosphere or just misses completely. It wants to have strong characters, social backdrop and occasional light comedy, although it throws them together, even in the same span of five minutes, more often than not it is not effective.
For the exotic location, it does showcase some good cinematography. However, it doesn't take off as the focus on CG affects the authenticity. When the movie gives an organic camera angle or rapid motion, it eventually turns in CG fest. There's attempt to mask this with flash editing, not only that it doesn't work this rustic camera cut negates any impact on the action scene.
A fairly nice trek muddled by disjointed narrative and clash in styles. With too much reliance in shallow gimmicks and abundance of CG, the beautiful scenery reverts back into bland predictable safari.
Tarzan or John (Alexander Skarsgård) returns to Africa after reclaiming his birthright, a conflicting homecoming as he deals with slavery and conspiracy. The story plays after the events of his origin, and the past is retold with several flashbacks. This different path is a welcomed change and surprisingly the little touch on these scenes are effective in setting his character. Alexander Skarsgård also looks the part for the brawny slightly beastly protagonist from his speech and mannerism.
The problem is Tarzan and both his foes and allies are entirely predictable. Christoph Waltz as Leon Rom is almost identical to his other villain roles, down to the creepy table exchanges and only differs in attires. Margot Robbie is the new Jane, an attempt for more spunky and powerful female, but she's trapped in usual pretty damsel in distress role, which ironically the movie points out hoping for the opposite effect.
Samuel L. Jackson performs as the sidekick William, also a vehicle for audience as he's new to the jungle. Expect the same charmingly brash Samuel here. Humor is relatively decent for light adventure, mainly In Samuel's expense, but the delivery is implemented in wrong way, thus it sometimes ruins the supposed intense atmosphere or just misses completely. It wants to have strong characters, social backdrop and occasional light comedy, although it throws them together, even in the same span of five minutes, more often than not it is not effective.
For the exotic location, it does showcase some good cinematography. However, it doesn't take off as the focus on CG affects the authenticity. When the movie gives an organic camera angle or rapid motion, it eventually turns in CG fest. There's attempt to mask this with flash editing, not only that it doesn't work this rustic camera cut negates any impact on the action scene.
A fairly nice trek muddled by disjointed narrative and clash in styles. With too much reliance in shallow gimmicks and abundance of CG, the beautiful scenery reverts back into bland predictable safari.
Lord of the Apes
The story of Tarzan is so ingrained into the brains of moviegoers that it's difficult to really put a new stamp or add something fresh to something so well-known. While Legend of Tarzan certainly attempts to take a new approach structurally, it never swings off the screen as gracefully as I had hoped.
2016 has been a rough year for big budgeted films. So many bombs and duds overshadow some of the great ones we've had through the first half. This film isn't necessarily in either camp. It begins the second half of this year with a formidable installment in the long-running ape-man franchise. David Yates, director of the last four Harry Potter films, does absolutely nothing special with the characters of Tarzan and Jane, but I was nonetheless entertained by the film from beginning to end.
Alexander Skarsgård and Margot Robbie portray Tarzan and Jane respectively. Both give solid performances but neither brought anything new to the characters. It took me awhile to adapt to Skarsgård's more guarded portrayal. In fact, for a good portion of the first half, I found his performance to be quite stiff. Tarzan isn't supposed to be running around cracking jokes, but I would have liked to have seen a bit more lightness to him. Although Robbie is very good as Jane, she doesn't get a whole lot to do as she's tied up by the villainous Leon Rom (Christoph Waltz) for half the film. She's far from a damsel in distress, because she's definitely not helpless, but the plot constantly puts her in position to be a device or Tarzan's motivation to do something. I think Robbie could have done something special given the chance.
Undeniably good, however, is everything to do with the apes. I've seen the backstory before, but I loved watching his ever-changing relationship with his family of apes and the various flashbacks to what came before Tarzan's venture into home life in England. It's also where the film succeeds the most visually. While some animals, including a pretty bad ostrich, are weak on CGI, the apes are animated tremendously. The cinematography through the jungle and in the African mountains is quite beautiful. However, there are several moments of awful green screen footage. I'm talking cringe worthy background visuals.
Having said all this, I was definitely invested in the story they were telling. Tarzan is thrust into a choice to return home and chaos ensues when Leon Rom, a corrupt Belgian captain who tricked him into returning to the Congo in the first place. At times the tone blurs the lines from taking its source material too seriously and supplementing it with some weak dialogue with an average romance. I think that's the best way to describe most of the film, average.
I appreciate the filmmakers approach in taking the Tarzan story in a different direction in having it be about his return home and to his animalistic ways. But the best part about this film is Tarzan's relationship to his ape family and the background to that. I would have just liked to see more of that side of things rather than just bits and pieces here or there. Christoph Waltz was exactly what I needed out of a Tarzan villain and Samuel L. Jackson's humorous sidekick to Tarzan worked seamlessly. To me, there's plenty good here, but there was potential for greatness.
+Solid performances from the leads
+Samuel L added some much needed humor
+Apes Apes Apes
+Some visuals and fight scenes
-Others were too noticeably green screen
-Struggles to balance tone at times
-Needed more apes
7.4/10
2016 has been a rough year for big budgeted films. So many bombs and duds overshadow some of the great ones we've had through the first half. This film isn't necessarily in either camp. It begins the second half of this year with a formidable installment in the long-running ape-man franchise. David Yates, director of the last four Harry Potter films, does absolutely nothing special with the characters of Tarzan and Jane, but I was nonetheless entertained by the film from beginning to end.
Alexander Skarsgård and Margot Robbie portray Tarzan and Jane respectively. Both give solid performances but neither brought anything new to the characters. It took me awhile to adapt to Skarsgård's more guarded portrayal. In fact, for a good portion of the first half, I found his performance to be quite stiff. Tarzan isn't supposed to be running around cracking jokes, but I would have liked to have seen a bit more lightness to him. Although Robbie is very good as Jane, she doesn't get a whole lot to do as she's tied up by the villainous Leon Rom (Christoph Waltz) for half the film. She's far from a damsel in distress, because she's definitely not helpless, but the plot constantly puts her in position to be a device or Tarzan's motivation to do something. I think Robbie could have done something special given the chance.
Undeniably good, however, is everything to do with the apes. I've seen the backstory before, but I loved watching his ever-changing relationship with his family of apes and the various flashbacks to what came before Tarzan's venture into home life in England. It's also where the film succeeds the most visually. While some animals, including a pretty bad ostrich, are weak on CGI, the apes are animated tremendously. The cinematography through the jungle and in the African mountains is quite beautiful. However, there are several moments of awful green screen footage. I'm talking cringe worthy background visuals.
Having said all this, I was definitely invested in the story they were telling. Tarzan is thrust into a choice to return home and chaos ensues when Leon Rom, a corrupt Belgian captain who tricked him into returning to the Congo in the first place. At times the tone blurs the lines from taking its source material too seriously and supplementing it with some weak dialogue with an average romance. I think that's the best way to describe most of the film, average.
I appreciate the filmmakers approach in taking the Tarzan story in a different direction in having it be about his return home and to his animalistic ways. But the best part about this film is Tarzan's relationship to his ape family and the background to that. I would have just liked to see more of that side of things rather than just bits and pieces here or there. Christoph Waltz was exactly what I needed out of a Tarzan villain and Samuel L. Jackson's humorous sidekick to Tarzan worked seamlessly. To me, there's plenty good here, but there was potential for greatness.
+Solid performances from the leads
+Samuel L added some much needed humor
+Apes Apes Apes
+Some visuals and fight scenes
-Others were too noticeably green screen
-Struggles to balance tone at times
-Needed more apes
7.4/10
FINALLY - A Tarzan closer to way he was in the books!
I recently read (or re-read) about twenty of the original Tarzan books. I always wondered why we never saw a Tarzan movie that portrayed the character as he was written in the books.
In the books, the adult Tarzan was very well educated and spoke several languages, but in the movies he hardly knew any English and rarely spoke in complete sentences. In The Legend of Tarzan, Alexander Skarsgård plays the character much like I imagined him when I read the books. Tarzan's command of language is competent, and his interaction with other people is never awkward or stilted as it had been in earlier movies.
Some changes from the books that The Legend of Tarzan makes is the way Tarzan communicates with animals. Instead of using words (as in the books), Tarzan can read an elephant's eyes, and he calls crocodiles by mimicking a mating call. Another change is the removal of many of the more racist elements the books had in the depiction of African tribesmen, and they are not missed at all. One other element missing from the books is the science fiction or supernatural slant that several of the stories had. The Tarzan stories that had those elements were never my favorite ones anyway, so I don't mind that they are absent from this movie.
One aspect of Jane's character that was often ignored in the earlier Tarzan movies, is that Jane lived in the USA before she married Tarzan. Earlier movie Janes were often given a British accent and occasionally had a pampered upbringing. It was refreshing to see Margot Robbie's take on the character. This Jane is American, and is feistier than we usually see her.
Christoph Waltz and Samuel L. Jackson looked like they had a lot of fun in their roles. I enjoyed watching them, but it sort of seemed like they were there as "stunt" casting - nice but unnecessary. They were each good, but every time they appeared on the screen, I never really saw the characters they were playing, I saw the actors.
Overall, I liked the movie. At times it was a little more "epic" than it needed to be, but I guess that just added to the fun. Of all the film versions of Tarzan I have seen, this one is my favorite. I think anyone who enjoyed the books would most likely agree that this is the closest to the book character of Tarzan that we have ever seen.
In the books, the adult Tarzan was very well educated and spoke several languages, but in the movies he hardly knew any English and rarely spoke in complete sentences. In The Legend of Tarzan, Alexander Skarsgård plays the character much like I imagined him when I read the books. Tarzan's command of language is competent, and his interaction with other people is never awkward or stilted as it had been in earlier movies.
Some changes from the books that The Legend of Tarzan makes is the way Tarzan communicates with animals. Instead of using words (as in the books), Tarzan can read an elephant's eyes, and he calls crocodiles by mimicking a mating call. Another change is the removal of many of the more racist elements the books had in the depiction of African tribesmen, and they are not missed at all. One other element missing from the books is the science fiction or supernatural slant that several of the stories had. The Tarzan stories that had those elements were never my favorite ones anyway, so I don't mind that they are absent from this movie.
One aspect of Jane's character that was often ignored in the earlier Tarzan movies, is that Jane lived in the USA before she married Tarzan. Earlier movie Janes were often given a British accent and occasionally had a pampered upbringing. It was refreshing to see Margot Robbie's take on the character. This Jane is American, and is feistier than we usually see her.
Christoph Waltz and Samuel L. Jackson looked like they had a lot of fun in their roles. I enjoyed watching them, but it sort of seemed like they were there as "stunt" casting - nice but unnecessary. They were each good, but every time they appeared on the screen, I never really saw the characters they were playing, I saw the actors.
Overall, I liked the movie. At times it was a little more "epic" than it needed to be, but I guess that just added to the fun. Of all the film versions of Tarzan I have seen, this one is my favorite. I think anyone who enjoyed the books would most likely agree that this is the closest to the book character of Tarzan that we have ever seen.
Wow! Was not expecting it to be so spectacular!!
Was not expecting it to be so good.
I did go into it thinking I did not want to see a movie about a white dude becoming King of an African Jungle, and I think the filmmakers themselves tried to be favorable of that opinion.
If you have any familiarity with Tarzan, especially movies that came before, this film acts as a continuation of that. It tells the origin of Tarzan, a boy lost in the jungle and raised by apes to become a ghost like figure, but this film more focus on the life after Tarzan left the jungle and joined civilization were his legend became the stories that Edgar Rice Burroughs wrote about.
Samuel L Jackson plays a doctor who needs Tarzan's help when Tarzan gets an invitation to come back to the Congo, the doctor needs to come with him to find out if slavery is being practice there, but it turns out the invitation was a trap laid out by the the villain, Rom, played by the brilliant Christoph Waltz in his element, to deliver Tarzan to an old enemy, also played brilliantly Djimon Hounsou.
Jackson's role in this keeps it from being some white dude who saves Africa from other white dudes. This is one of his better supporting roles as he was funny and dramatic when needed. The chemistry between Jackson and Alexander Skarsgård works like a charm.
I love Djimon Hounson character as an African Chief seeking vengeance with Tarzan's death. It was very Black Panther like (or more like Black Cheetah, as the costume design shows).
I like Margot Robbie as Jane as well. At first it seem they tried too hard to to make Jane not just the chick Tarzan saved, but as the movie went on and her character developed , she went on a small adventure herself that was as exciting as Tarzan.
It's an action packed adventure through the Congo. The visual effects worked to make the terrain beautiful and dangerous and epic.
It's also fun an exciting, it will have you laughing throughout all the action.
It still floors me how fantastic this thing turned out. Worth seeing
I did go into it thinking I did not want to see a movie about a white dude becoming King of an African Jungle, and I think the filmmakers themselves tried to be favorable of that opinion.
If you have any familiarity with Tarzan, especially movies that came before, this film acts as a continuation of that. It tells the origin of Tarzan, a boy lost in the jungle and raised by apes to become a ghost like figure, but this film more focus on the life after Tarzan left the jungle and joined civilization were his legend became the stories that Edgar Rice Burroughs wrote about.
Samuel L Jackson plays a doctor who needs Tarzan's help when Tarzan gets an invitation to come back to the Congo, the doctor needs to come with him to find out if slavery is being practice there, but it turns out the invitation was a trap laid out by the the villain, Rom, played by the brilliant Christoph Waltz in his element, to deliver Tarzan to an old enemy, also played brilliantly Djimon Hounsou.
Jackson's role in this keeps it from being some white dude who saves Africa from other white dudes. This is one of his better supporting roles as he was funny and dramatic when needed. The chemistry between Jackson and Alexander Skarsgård works like a charm.
I love Djimon Hounson character as an African Chief seeking vengeance with Tarzan's death. It was very Black Panther like (or more like Black Cheetah, as the costume design shows).
I like Margot Robbie as Jane as well. At first it seem they tried too hard to to make Jane not just the chick Tarzan saved, but as the movie went on and her character developed , she went on a small adventure herself that was as exciting as Tarzan.
It's an action packed adventure through the Congo. The visual effects worked to make the terrain beautiful and dangerous and epic.
It's also fun an exciting, it will have you laughing throughout all the action.
It still floors me how fantastic this thing turned out. Worth seeing
Margot Robbie Through the Years
Margot Robbie Through the Years
Take a look back at Margot Robbie's career on and off the screen.
Colonna sonora
Visualizza l'anteprima della colonna sonora qui e continua ad ascoltarla su Amazon Music.
Lo sapevi?
- QuizAlexander Skarsgård said that one of the main reasons he took this role was to impress his father Stellan Skarsgård. He said, "My dad is a massive Tarzan fan. Growing up, we had these VHS cassettes of the Johnny Weissmuller films, and that was my introduction to the character. But those films are seventy years old, and so much time has passed, that I think mine is a fresh take. I'll never compete with Johnny Weissmuller, but I just wanted to impress my father. He was thrilled. He was more excited than I was." Oddly enough, his father was considered to play Tarzan in Greystoke - La leggenda di Tarzan, il signore delle scimmie (1984).
- BlooperThe film mentions that the Force Publique is a European mercenary force and it is depicted as (almost) exclusively white (European). In reality the Force Publique was a native (i.e. black) force commanded by European officers (some regular, some mercenary).
- Citazioni
John Clayton: Your son killed the only person who ever cared about me.
Chief Mbonga: It was an animal.
John Clayton: She was my mother.
Chief Mbonga: How was he to know? My son was just a boy! Not like you! Where was your honor?
John Clayton: I... I had none. I had none.
- ConnessioniFeatured in Hozier: Better Love (2016)
- Colonne sonoreOpar Advance
Written & Produced by Rupert Gregson-Williams & Lebo M. (as Lebo Morake)
Performed by Zoe Mthiyane
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Legend of Tarzan?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- La leyenda de Tarzán
- Luoghi delle riprese
- Gabon(Aerial jungle scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 180.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 126.643.061 USD
- Fine settimana di apertura Stati Uniti e Canada
- 38.527.856 USD
- 3 lug 2016
- Lordo in tutto il mondo
- 357.243.061 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti






