House of Saddam

Next to Hitler or Stalin, no modern figure has been as vilified as Saddam Hussein. And with the Iraqi despot's atrocities so well known and oft-repeated, it becomes easy to forget that there was a flesh-and-bones man behind the monster.

What makes HOUSE OF SADDAM so compelling is its humanization of the title character. Yigal Naor delivers a subdued brilliance as Saddam, developing the character over a 27-year elapsed period that begins with his ascension to power and ends with his hanging. Naor brings Saddam to the screen without bias. He's as convincing with Saddam the caring family man as he is with Saddam the cold-hearted executioner.

Producers of this four-hour miniseries faced the same challenge as those who have brought other notable world figures to film: what hits the screen and what stays on the cutting room floor? The choice here was to shed light on a quartet of important eras in Saddam's life: his rise to power, his war with Iran, his invasion of Kuwait and his evasion of US forces after the fall of his government. This approach is not perfect - it would have been fascinating to see the final chapter focus more on the process that led to Saddam's fall - but it works well nevertheless.

A rich back story, with emphasis on unstable sons Uday (an amazing Philip Arditti) and Qusay (Mounir Margoum), helps flesh out the story of a complex man in a complex situation. At times the film feels like THE SOPRANOS, with loyalties constantly questioned and bullets planted in the heads of recusants. Given that there is so much about Saddam we will never know, some dramatic license was taken, but none of it screams of pure fiction.

HOUSE OF SADDAM sheds important light on a man whose impact on the world was as devastating as it was profound. With no political agenda, it makes for irresistible viewing.

If viewers are expecting a factual summary of Saddam Hussein's life, they will be disappointed. I'm sure there are better documentaries on the subject. But for pure casting pleasure, I would heartily recommend HoS. Director Jim O'Hanlon has assembled a truly international cast, including celebrated Iranian actress Shohreh Aghdashloo (so marvelous in "House of Sand & Fog"), Indian actress Shivani Ghai, and Palestinian actor Makram Khoury (great as Tariq Aziz).

Most impressive is celebrated actor Yigal Naor as Saddam. He exudes the perfect combination of ruthlessness and charm that propelled the tyrant into power. That Hussein is portrayed by a Jew-- and Israeli-born Jew-- is probably sending the old goat into cartwheels. Pure poetic justice!

in fact , am watching this drama and writing in the same time. i couldn't wait me and my husband for this to start , we are iraqi and we lived most of our lives under Saddam's regime , this is a good drama about Saddam , it starts when he came to power in 79 , so scary , so unpredictable as he always used to be , we watched him on TV , lived in a country ruled by him , and in this series i am remembering my childhood , and my life in Iraq, i believe this drama is so real offcourse except for the language which is Arabic in reality ,all characters resemble the real ones , with the music and all.

i'll give it 9 starts.

I can't judge whether House of Saddam is historically accurate in every detail, but it seems to follow the version of events as they were largely perceived in the Western world at the time. That said, it's a well-crafted and engaging miniseries.

The characters are strong, and where needed, you get just enough background to understand their motivations and relationships. The pacing is excellent, the story moves steadily without ever feeling rushed or stretched. Visually, the series looks great, with solid camerawork that captures both the grandeur and the tension within Saddam's inner circle.

Overall, House of Saddam balances drama and realism effectively. Even if not every historical detail can be verified, it remains a gripping and believable portrayal of a dictator's rise and fall.

The rise and fall of the Iraq dictator Saddam Hussein.

What a big project this must have been. Trying to distil the best bits of Saddam's twenty four years in power in to four hours and not losing those not steeped in Middle Eat politics would appear impossible to some - but my word, they have pulled it off!

Here you have it all: Power, sex, family, violence, politics, war, madness, you name it. The complete drama play box. Yet this is a personal drama that is more interested in family and politics than needless bloodshed. Not that it isn't very gory at times. This is not for children.

You also have a fantastic lead performance from Yigal Naor. Utterly mesmerising: Deluded, multi-faced, sometimes charming and yet ruling by fear. Trusting nobody - and certainly not his friends or family. Hitler meets Idi Amin in a country with rich oil fields and - therefore - "important" to the West.

Pick of the highly convincing support cast is Philip Arditti as "first son" Uday. The mad-as-a-hatter "heir". The camera lingers/glaces on him for no reason at council and cabinet meetings, sneering or (inappropriately) looking unconcerned. He even makes Saddam look straight!

Yes, it had loads of things to crib and copy from: The Sopranos and the Godfather Trilogy among them, but it is amazing how the format fits around a story that is almost entirely true. In its major facts at least.

If there is a better mini-series played on TV this year I would be very surprised. You'll want to watch it more than once - I know I did.