VALUTAZIONE IMDb
5,8/10
165.933
LA TUA VALUTAZIONE
L'erede di una grande società, Britt Reid, si coalizza con Kato, l'assistente del defunto padre di Britt, per combattere il crimine con il volto coperto da una maschera.L'erede di una grande società, Britt Reid, si coalizza con Kato, l'assistente del defunto padre di Britt, per combattere il crimine con il volto coperto da una maschera.L'erede di una grande società, Britt Reid, si coalizza con Kato, l'assistente del defunto padre di Britt, per combattere il crimine con il volto coperto da una maschera.
- Premi
- 4 vittorie e 7 candidature
Chad L. Coleman
- Chili
- (as Chad Coleman)
Joshua Erenberg
- Young Britt
- (as Joshua Chandler Erenberg)
Lio Tipton
- Ana Lee
- (as Analeigh Tipton)
Trama
Lo sapevi?
- QuizSeth Rogen proclaimed the film was a "nightmare", chalking it up to studio executives paying little attention to the most expensive portions of the film, and its inflated budget.
- BlooperWhen Britt and Kato arrive back at the Reid mansion right before their brawl through Britt's rooms, it is night. But during the fight, daylight can be seen through a window.
- Citazioni
Britt Reid: Kato, I want you to take my hand, and I want you to come with me on this adventure.
Kato: I go with you, but I don't want to touch you.
- Curiosità sui creditiThe light coming from the torch is green, instead of its usual combination of rainbow, twinkling colors. This green quickly dominates the screen after the appearance of the word "Columbia" and flares to a white hot burning image mixed with the green.
- Versioni alternativeAlso released in a 3D version.
- ConnessioniEdited into Aristokraticheskiy kinematograf: Episodio #1.4 (2011)
- Colonne sonoreMaalaea
Written by Carlton Kaller and Christopher Kaller (as Chris Kaller)
Performed by Christopher Kaller (as Chris Kaller)
Courtesy of 45 Revolutions LTD.
Recensione in evidenza
"So this is what you want out of your life? This gives you sense of fulfillment? I spend all night, writing about the corruption in this town, and you do nothing." Jack Reid (Tom Wilkinson) to his son, Britt (Green Hornet Seth Rogen) The Green Hornet is unlike most other comic-book-hero film adaptation: Seth Rogen's slacker Hornet is a dipstick without a clue about navigating the crime world while Kato ( pop star Jay Chou), his valet/associate, pretty much plays the Bruce Lee/kung-fu role as cool, even when he's goofing with the Hornet, which is most of the time. It is also a bromance with Cameron Diaz as Lenore Case, a love interest who helps us get over the homoerotic subtext.
Geeks know the Green Hornet franchise well: radio show from 1936 to 1952; TV show in 1966 by the producers of the campy Batman TV series, while Green Hornet's greatest asset was emerging martial arts star Bruce Lee. Writers Rogen and Evan Goldberg renew that 60's camp but with it seeming out of date, as if the parodic part of the genre cycle had long ago been played out and not welcome anymore. Of course, you could argue that Despicable Me, Kick Ass, Megamind, and Iron Man 2 last year took to parody, but each one of those is more successful at marrying the satire to the action than Green Hornet.
The personality of the film is split—it's either satire or action, Hornet or Kato. The film is a bit away from the accepted concepts of this sub-genre except in Chudnofsky (Christoph Waltz), the arch villain whose ironic reactions are an adept amalgam of menace and insouciance.
As he did in Inglorious Basterds, Waltz commands the screen with his charming menace. Actually he is equaled in the opening sequence, the best scene of the movie, when he faces off James Franco in a cameo, two hoods pissing about their territory. Franco is quite good as a semi-clueless drug lord.
Britt has daddy issues, specifically making something of his life while newspaper owner dad. Jack Reid (Tom Wilkinson), is a hero to the city. With dad's death, Britt decides to fight crime as the Green Hornet while letting everyone think he is a criminal (as in the original versions).
The gadgets are Bond-worthy, and Kato has the Bruce Lee charisma; it's just Rogen who seems out of place—not believable as a hero from beginning to end of the film. He can be amusing as a man-kid, but the geeks will never accept him as their hero.
The Green Hornet has lost its buzz.
Geeks know the Green Hornet franchise well: radio show from 1936 to 1952; TV show in 1966 by the producers of the campy Batman TV series, while Green Hornet's greatest asset was emerging martial arts star Bruce Lee. Writers Rogen and Evan Goldberg renew that 60's camp but with it seeming out of date, as if the parodic part of the genre cycle had long ago been played out and not welcome anymore. Of course, you could argue that Despicable Me, Kick Ass, Megamind, and Iron Man 2 last year took to parody, but each one of those is more successful at marrying the satire to the action than Green Hornet.
The personality of the film is split—it's either satire or action, Hornet or Kato. The film is a bit away from the accepted concepts of this sub-genre except in Chudnofsky (Christoph Waltz), the arch villain whose ironic reactions are an adept amalgam of menace and insouciance.
As he did in Inglorious Basterds, Waltz commands the screen with his charming menace. Actually he is equaled in the opening sequence, the best scene of the movie, when he faces off James Franco in a cameo, two hoods pissing about their territory. Franco is quite good as a semi-clueless drug lord.
Britt has daddy issues, specifically making something of his life while newspaper owner dad. Jack Reid (Tom Wilkinson), is a hero to the city. With dad's death, Britt decides to fight crime as the Green Hornet while letting everyone think he is a criminal (as in the original versions).
The gadgets are Bond-worthy, and Kato has the Bruce Lee charisma; it's just Rogen who seems out of place—not believable as a hero from beginning to end of the film. He can be amusing as a man-kid, but the geeks will never accept him as their hero.
The Green Hornet has lost its buzz.
- JohnDeSando
- 13 gen 2011
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Chiến Binh Bí Ẩn
- Luoghi delle riprese
- 2000 Avenue of the Stars, Century City, Los Angeles, California, Stati Uniti(Daily Sentinel Building)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 120.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 98.780.042 USD
- Fine settimana di apertura Stati Uniti e Canada
- 33.526.876 USD
- 16 gen 2011
- Lordo in tutto il mondo
- 227.817.248 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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