Like a Dragon

I actually think I may be the only one who enjoyed this film, being a big fan of the Yakuza games I had a feeling despite the bad reviews on this I was going to enjoy it. I think you need to be one of those who have played the games to get why certain aspects of the movie hold a special place in your heart, I spent so many hours playing as Kiryu Kazuma that I grew an attachment to the character so from that there i knew it was going to be a good watch.

I have to admit some parts aren't needed but all the same kts a good watch that I thoroughly enjoyed, I feel like we could of delved into the story more with this movie, it went as good as you could have gone when it comes to reliving a gaming experience through a movie. It can't be exactly the same or it'd be boring as we'd just see what we've already seen so I get why things need changing.

Great movie to watch if you're a big fan, if you're not id recommend checking the games out as they are great, if you're not a gamer I'd say go for it you might even like it.

There´s a lot of missed elements, they may don´t talk about some things but is still interesting.

The plot of the robbers can be one of the best things in this movie, was really funny and cool to see the cast.

Goro Majima was the coolest character and I believe that the "Majima everywhere" in "YAKUZA KIWAMI" was inspired by the actor and motivations of Majima in the movie

The personality of Majima is all what you see in the rest of the games

Miike is a very versatile director, gory movies, "snuff" movies, horror movies, history movies, comedy movies and action movies.

Takashi Miike's loose adaptation of the PS2 game "Yakuza" is definitely an odd duck. It defies most formula conventions and delivers a uniquely Miike experience. Reminiscent of City of Lost Souls before it and Crows Zero after it, Like A Dragon has as many laughs as it does bullets. Combining bombastic action with a violent sense of humor, the film almost seems to want you to hate it, but it's hard not to like what amounts to be one of the most twisted action comedies in recent memory. A gangster fresh out of jail, his bat-wielding and bugnuts crazy arch-nemesis, a lost little girl, two Bonnie and Clyde posers, a pair of idiot bank-robbers, a mysterious Korean hit-man and plenty of other characters inhabit one hot night in a fictional district of Tokyo with two missing women and ten billion yen at stake. If you're expecting a deathly serious action fest, you had better look elsewhere. Relying on vicious physical gags and some truly inspired comic timing, Miike mixes in dynamic camera-work with colorful imagery to continuously rebel against traditional action conventions. This is definitely not one of Miike's most profound works, but it is certainly one of his most undeniably fun.

If you haven't played any of the Yakuza games then you will likely have no clue what is going on as this is definitely made for fans. Characters come and go and things happen with little explanation, if you're not a fan then you will get lost very quickly. The Yakuza games average about 30-40 hours worth of heavy story in each game so cramming that in to a 2 hour movie was always going to be a challenge.

The actor who plays Majima was perfect and Kiryu actually drinks a Stamina X to make himself stronger, i was laughing so hard at how awesome it was.

I think Shô Aikawa should have played detective Date instead of the small part he played, he's a great actor.

You can tell this is Takashi Miike straight away, it isn't as out there or extreme as some of his more well know films but it has his trademark offbeat style and there are many actors you'll recognise from his other movies.

It isn't deep and it is a mess but if you like the Yakuza games and want to see your favourite character brought to life then this is a fun time.

Miike has proved to be one of the most versatile and reliably inventive directors of the last decade. He is no longer merely Japanese; his movies reach an ever-growing audience in Europe, America and elsewhere. Capably of churning out several films a year (owing to his background in the B-cinema of straight-to-video yakuza action variety), even the best of Miike's films have a sense of fleetingness - not to say hurriedness - to them. That is because, for Miike, more is more. Frugality be damned. The film under review is NOT one of his most polished works, but it is smooth and shiny, and thoroughly entertaining from start to finish. And a faithful adaptation to boot.

You see, with "Like A Dragon", the celebrated but wacky director enters the world of video game screen adaptations, translating Sega's Playstation 2 hit game "Yakuza" into cinematic terms. But Tomb Raider or Doom this is not. For one, "Yakuza" (which I've played and enjoyed) had a much superior storyline to most other games out there. Thrilling and dark, the story of the game gets adapted, with seeming ease, into Miike-speak. How did they condense a 15-hour storyline into a 100-minute movie? Not perfectly, but satisfactorily. A few jumps and omissions bespeak the origins of the story, but overall the story holds.

The reason for this easy transition is clear: The world of the yakuza, petty criminals, cops and street urchins is right in well-tested Miike territory. After dozens of films that deal with the underworld of Japan, the veteran director knows his stuff. A yakuza game + a yakuza director is a marriage made in (some perverted) heaven. Visually, too, this film captures the atmosphere and locale of the game. The colour spectrum of both the outdoors shots and the indoor sets is pleasing to the eye, and almost every shot is beautiful to look at. Especially in a few indoors shots there is poetry to violence.

Mixing humour (as Miike does) with violence and tragedy, the film never loses its edge. Miike captures both the serious and comic side of the thugs and social rejects in the film. Many of the characters in the game, especially the young girl, Haruka, and the delinquent teenage lovers are really likable and you really feel for their fates.

The storyline may leave those who haven't played the game hanging (just who-what-where?), but it isn't necessary to play the game to appreciate the movie. They both stand on their own.

Lucky for Miike to have such good source material, and lucky for Sega to be able to attach one of the great directors of today in a project that otherwise would have been doomed to mediocrity. Salvaged by style and visual richness, "Like A Dragon" is an above-average Miike film with enough twists and turns to make you feel like game-to-movie adaptations ARE possible after all. Uwe Boll and Paul W.S. Anderson - take notes and learn!