Wo he wo de zu guo

I think it is a fantastic work ,all the people who lived in China knows that it is not easy during these years.Chinese people have a lighting future, come on ,go ahead.

If I'm not Chinese I would probably give it a one-star. Every plot is made to force people to feel emotional, even when the story is so undeveloped. There's tooooo much politics in this film. I get it, this is a big thing, we are a great country. But at the same time, this theme is so repetitive, I can literally write a commentary essay on this without watching the film.

It's really ironic how if you comment negatively about this movie on a Chinese website, and people go like "OMG are you even Chinese" "Well, this whole point is for us to remember the history, and know our own country well."

If so, why is the film so BADLY made??? Why is the theme so overused, I could guess the ending before the film actually ends.

A good intention, but a trash film.

It is just a great movie for Chinese audiences. People held typical stereotype against communist party or Chinese people would never understand it. The first two stories are inspiring and touching. Stories in Beijing and Shanghai are also fun to watch. Ge You delivered high quality performance as usual with so much fun. Hong Kong piece is hard to act but not bad. I would rather give it a 9 score for this movie but Kaige Chen showed his father love to his son Feiyu Chen which made some scenes and performance awkward.

Good, however not great. This film is sort of Chinese communism propaganda. It told the story of the Chinese people, but just some stories.

The relatively best of the seven is Ning Hao's "Hello Beijing" and Guan Hu's "Eve". The two directors have extensive commercial film experience. Their stability is precisely because they have adopted the most classic and traditional dramas. mode. Ning Hao chose the character-driven arc to show the dramatic tension. Although the plot development is strongly predictable and outdated, it has to be said to be the most complete. Only the taxi driver played by Ge You in the seven departments is The most humanized and closest to the lives of citizens, the unique sense of market humor in Ning Hao's movies minimizes stereotypes here, so "Hello Beijing" can even be said to have author characteristics.

Play "Little people in big events" or "little people meet big events" are not only about methodology but also about values.

Audiovisual Close-ups, slow motion, and music rendering are overused, like TV specials.

theme In addition to "national power", should we also show "people's wealth"?