After Blue (Paradis sale)

It's kitch, we know. But the photography is exquisite, the music score is solid, and the acting is convincing. The plot gets a bit confusing in the last 30 mins, some events are not very clear, but overall it's a hell of a trip. Recommended if you're into B movies.

So strange that this film names a character after the musician, Kate Bush. It's hard to stay immersed in the film, when every mention of the character makes you think of the musician with the same name. It's so jarring.

This film does feel like it has been influenced to some extent by the film, Barbarella (1968). In that film, the character Durand-Durand (sic) inspired the band name of Duran Duran. So perhaps "Kate Bush" is used as the name of a character in this film, to provide some sort of symmetry?

To the extent that there is a story here ("unearthing some old Kate Bush"), perhaps the moral of the story is that all vinyl fans should play Kate Bush's A side and then turn her over and play her B side?

After Blue is a world in a different galaxy, with only women. All men are dead. We meet Roxy walking along a beach, taunted by three women who don't like her, and refer to her as Toxic. They come across a head in the sand, which is actually a person buried up to her neck. The three tell her to leave her buried, but she digs her out, and is granted three wishes. She wishes the three would leave her alone, and the woman, Kate Bush, kills them. (Monkey's Paw, anyone?) Her mother, along with her, are sent on a quest. Along the way, others join, and they have weapons. The weapons have names: Chanel, Guicci, Paul Smith and Louis Vuitton. The movie is French, is surreal, so one immerses into the visual aspects, the coloration, the tints, the goo, the fog, the overlaid layers, and one will either appreciate it for art, or consider it garbage. Each person who makes it through the entire movie will likely have a different take on what it is about. The sets are really what makes the movie, as they are strange and really outer worldly.

In one of his films Woody Allen awoke in a panic gasping "No more Polish women!". He could have had this film - awash with strong Slavic faces - in mind, although the copious quantities of tobacco the sinister coven in wide-brimmed black hats consume betrays it's gallic origins.

It posits that time-honoured fantasy of a future in which only women survive and with the shackles of patriarchy thrown off inevitably turn upon each other.

Awash with hot girl-on-girl action, Freudian symbols like a horse draped in a veil, carnivorous caterpillars, women with hairy arms lasciviously handling guns and lines like "Would you like some purple soup?" it's all so earnest you suspect a leg-pull, and a wanted poster bearing the name 'Kate Bush' certainly indicates that someone's tongue was in their cheek.

AFTER BLUE is a French science fiction film set on a planet populated entirely by women. It seems to have been designated as some kind of visionary masterpiece by the director but instead it feels like a pretentious exercise in voyeurism. The plot revolves around the hunt for a character called Kate Bush, I kid you not, but it's all played out in such po-faced seriousness that the whole thing becomes an embarassment after about five minutes' screen time. Like a modern-day Jean Rollin, the director pads his film out with endless nudity and scenes of female bodies being entwined, but the end result is dull, superficial, and extraordinarily shallow.