Beckett

The movie was ok but nothing special. On the plus side the Greek scenery at the beginning was beautiful and wild and reminded me of lord of the rings, the acting of most of the cast and especially Washington was really solid too. Now for the not so good. The plot was really weak and almost paper thin the main idea was great but the execution not so much. Another thing that bothered me as a person who lived in Athens for 6 years is that they made it look like a distopian third world country which was weird because Athens is a really beautiful City. I get that the movie is set in a distopian political alternate reality but they made Athens look like Baghdad or something. As a final verdict I think the movie is watchable but had potential to be much more if the writing was better.

This is newb writer and director Ferdinando Cito Filomarino's first full length feature film, with five previous short films. And I'm thinking this one should've been a short as well.

The 108 min runtime was way too long with more filler than substance, then add the slow pacing, and you get bored real quick. Had this film been based on actual events - and filmed verbatim, then I may have given it at least one more star, but the fact this was a fictional story, so much more could've been done - such as adding some excitement.

There were moments of tension and suspense, but the cat and mouse game is nothing new, and this one was just more dull in general, and got stale real quick. I did like the setting in Greece, but again, I think more could've been done with that.

The entire opening scene and the relationship with Alicia Vikander (and her minimal screen time) was overwritten, while the rest of the story and its themes were underwritten and, well, dull. The ending also seemed too rushed compared to the guts of the story from the start. A lot more action and suspense would've gone a long way in this film. However, his story execution was well thought out, with great scene transitions and coherent themes and plot.

Filomarino's directing, camera work, and directing his cast was actually decent. Performances were on point, although Washington's character cried a little too much for a guy that jumps 5 floors off a parking garage. The score was actually amazing and fitting, especially for a B film.

Had Filomarino trimmed off about 20 mins, and/or consulted a seasoned writer to add some "opa!" into his screenplay, this film could've been great. Nevertheless, for a newb filmmaker, he should be proud of his first full length feature.

I really don't understand the criticism to this film, yes I do understand it may have been a bit unrealistic at times but in life or death instances you may just be overpowered. I found this film very intense, maybe it was being lost in a country with a giant language barrier or it was the thought Of the police trying to assassinate you! It almost made me not wanna go on holiday even after being locked down for a year and my man John Washington always pulls through with the performance, please ignore the hatred and check this out if you get a chance.

I thought that the filming was incredible. Great shots and great edits. The story was the typical chase and crime thriller. Compared to other recent films, I thought this story had more depth to it than say Without Remorse. I enjoyed that the plot focused on the character rather than the detailed politics. It kept it more relatable. Really a pleasure to watch and just enough details to keep you interested. There was realistic violence versus the over the top.

What a nauseating beginning to what turns out to be a perfectly mediocre action movie. After going on for some 10 minutes, much more of the eponymous Beckett and his girlfriend's lovey-dovey, cutesy-wootsy foreplay, and I would've been ready to run their car off the road. These American vacationers (well, I guess Alicia Vikander is Swedish, but whatever) in Greece display some of the most irritating intimacy ever filmed, I swear--talking nonsense to each other, fondling each other while driving, drawing a heart on him--grown adults acting like horny teenagers.

Otherwise, and despite what the extra-T "Beckett" might conjure regarding more thoughtful fare involving a Thomas or a Samuel Becket, this "Beckett" is a good alternative for anyone who enjoyed watching John David Washington running around in "Tenet" (2020), but would rather not engage with a complicated narrative, or those who liked the conspiratorial intrigue of him in "BlacKkKlansman" (2018), but wished the politics of it were vague to the point of irrelevance. Communists and fascists, oh my. An old-fashioned American-savior narrative, but without the white guilt, an unwitting wrong-man mystery solved during panting breaks in between fighting and chasing. The scenery is nice, though, and, granted, a movie that begins by prophesizing the hero at the ruins of the Oracle of Delphi can't be all bad, although grand, Ancient Greek tragedy this isn't. Watch the "John Wick" shoot-'em-ups for that, seriously.

There's also the debatable appeal of Washington's hero not being without personal guilt and being mostly realistically human--limited by injuries, fatigue, panic attacks, an' all. Yet, he still ends up doing a Batman in a parking garage. If Washington keeps this up, Marvel or DC is going to cast him in one of their superhero burgers.