Censor

The story is not so engaging, and it didn't go anywhere. The ending is confusing too.

This is a typical hyped British film from the BFI and Film Four the main money attached to the movie. As is typical of hype, it usually covers up average or if not, just plain rubbish. Is this rubbish? No, but it is a full length debut so it 5/10, if it were a seasoned director it would be a 4/10 at best. There is nothing new, no new technique, no new plot twist, not even new scenes. Just a very average film that pinches from 70's gore fests to the present (Stranger Things, Color Out of Space). It's not even well directed or acted in places, it's just the critics keeping the board of the BFI, Film Four happy so they can keep having the jollies together. If you have an hour and half to kill for an average film where you enter with nothing and expect nothing, well this is for you.

As someone who has a soft spot for Giallo and other "Video Nasties" of the 70s and 80s, I was intrigued by concept. It reminded me of "Evil Ed", a classic 90s film about a censor going mad, another film I have fond memories of (and which I can highly recommend to anyone who enjoyed this).

Censor starts strong - extremely strong. The photography is gorgeous, the use of color and sound are excellent and create a wonderful eerie, filthy arthouse feeling. Early gory scenes keep you on your toes for what may come.

Multiple plot points are set up: the media hype about violent movies and censorship, a killer supposedly imitating a killing from a movie the protagonist passed, someone leaking her identity to the press, a strange relationship with a coworker who seems to want to pass everything and of course her childhood trauma, manic search for her sister and relationship with her parents and a mysterious director who wants her to view his film after imitating her sister's childhood disappearance.

Considering all these excellent setups, it's a surprise then as the movie stumbles past the halfway point and leaves most plot points unresolved by the end. Yes, it's not that type of movie, it's not murder mystery or run of the mill thriller, but it fails to be a meaningful statement on censorship, video nasties or about someone's descent into madness.

I hate to say it, but "Evil Ed" did it better.

I still recommend the movie for its brilliant first half and a star making performance by Niamh Algar. She carries this movie, and it's hard to imagine it working with another actress in the part. There's a lot of talent here both in front of the camera and behind it. Sadly the film is less than the sum of its parts.

Censor isn't really a horror, nor is it a good slasher. They also tried to build up Giallo-like atmosphere, but I'm not sure what this has to do with anything, since it does not correspond well with the time period the film is set in.

The story is very short and basic, there's minimal acting and not that many details to make it interesting. There are no supporting characters, the main lead isn't particularly interesting as well. The ending is predictable and understandable (no ambiguity whatsoever).

It looks like they have used the setting only to oversaturate the film with hipster imagery, never going further with it.

Censor isn't a bad film, it just isn't interesting or engaging, they never try to show anything besides the visuals that serve no purpose other than eye candy for the hipsters (or how are these called today, IDK).

I really wanted this to be great. And if you were, like me to believe the press then the director is on a par with Kubrick. But, alas it's all just hype, hype, hype. And that is so damaging for the director it's untrue. Do the press not care about her career. Many of us now feel conned by being lured in to believing we were getting something expectational and sadly all we got was something mediocre.