VALUTAZIONE IMDb
6,0/10
22.121
LA TUA VALUTAZIONE
Enid, addetta alla censura dei film, si propone di risolvere il mistero passato della scomparsa di sua sorella, intraprendendo una ricerca che dissolve il confine tra finzione e realtà.Enid, addetta alla censura dei film, si propone di risolvere il mistero passato della scomparsa di sua sorella, intraprendendo una ricerca che dissolve il confine tra finzione e realtà.Enid, addetta alla censura dei film, si propone di risolvere il mistero passato della scomparsa di sua sorella, intraprendendo una ricerca che dissolve il confine tra finzione e realtà.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 31 candidature totali
Amelie Child Villiers
- Nina
- (as Amelie Child-Villiers)
Ric Renton
- Frank
- (as Richard Renton)
Recensioni in evidenza
Censor isn't really a horror, nor is it a good slasher. They also tried to build up Giallo-like atmosphere, but I'm not sure what this has to do with anything, since it does not correspond well with the time period the film is set in.
The story is very short and basic, there's minimal acting and not that many details to make it interesting. There are no supporting characters, the main lead isn't particularly interesting as well. The ending is predictable and understandable (no ambiguity whatsoever).
It looks like they have used the setting only to oversaturate the film with hipster imagery, never going further with it.
Censor isn't a bad film, it just isn't interesting or engaging, they never try to show anything besides the visuals that serve no purpose other than eye candy for the hipsters (or how are these called today, IDK).
The story is very short and basic, there's minimal acting and not that many details to make it interesting. There are no supporting characters, the main lead isn't particularly interesting as well. The ending is predictable and understandable (no ambiguity whatsoever).
It looks like they have used the setting only to oversaturate the film with hipster imagery, never going further with it.
Censor isn't a bad film, it just isn't interesting or engaging, they never try to show anything besides the visuals that serve no purpose other than eye candy for the hipsters (or how are these called today, IDK).
This is a typical hyped British film from the BFI and Film Four the main money attached to the movie. As is typical of hype, it usually covers up average or if not, just plain rubbish. Is this rubbish? No, but it is a full length debut so it 5/10, if it were a seasoned director it would be a 4/10 at best. There is nothing new, no new technique, no new plot twist, not even new scenes. Just a very average film that pinches from 70's gore fests to the present (Stranger Things, Color Out of Space). It's not even well directed or acted in places, it's just the critics keeping the board of the BFI, Film Four happy so they can keep having the jollies together. If you have an hour and half to kill for an average film where you enter with nothing and expect nothing, well this is for you.
I liked that sorta Cronenberg-like atmosphere they created. Also as somebody mentioned here, the film definitely felt like giallo in some places, that weird feeling like you're watching from behind a wet window glass?
Good lead actress.
But the screenplay was bad, especially the ending.
Good lead actress.
But the screenplay was bad, especially the ending.
"Censor" should on paper be a film that I would be instantly in to. Set in the "Video Nasties" time in the UK, it's about the story of a video censor and her descent into madness.
Similar stories have already been told in the likes of Berberian Sound Studio or Evil Ed - and while Censor has some brilliant moments of atmosphere and a haunting ending, the whole thing didn't really fully come together for me in the end.
I think maybe the psychological state of our protagonist was not established enough to fully believe her transition, so it all felt a bit too forced.
But there's still a lot to admire in Prano Bailey-Bond's debut feature, it just wasn't as engaging as I had hoped.
Similar stories have already been told in the likes of Berberian Sound Studio or Evil Ed - and while Censor has some brilliant moments of atmosphere and a haunting ending, the whole thing didn't really fully come together for me in the end.
I think maybe the psychological state of our protagonist was not established enough to fully believe her transition, so it all felt a bit too forced.
But there's still a lot to admire in Prano Bailey-Bond's debut feature, it just wasn't as engaging as I had hoped.
The synopsis for 'Censor' sounds ridiculously good. It's such an intriguing idea for a movie. Sadly, as is usually the case, the reality isn't quite as entertaining as the concept. The movie started off well and actually had a really gripping and clever set-up period. But as the film went on it chose to go further and further down the strange and bizarre route and it just lost me.
This is a debut effort for filmmaker Prano Bailey-Bond. He shows some real promise. Even though I didn't love the direction the film chose to go in, the writing was still very sound. At least he picked a route and went with it convincingly. Usually the dialogue in these low-budget, debut films is noticeably bad, but here it was well above average I would to say. It was interesting and felt natural. There's certainly some talent behind the scenes here.
The film is short at only 84 minutes and it moves a long at a reasonable pace, so you are never caught checking your watch. There's enough to like here for people to enjoy, and it's possible some people will prefer the plot-path the film decided to go down more than I did. I will give this one a light recommendation. It might just pleasantly surprise you.
This is a debut effort for filmmaker Prano Bailey-Bond. He shows some real promise. Even though I didn't love the direction the film chose to go in, the writing was still very sound. At least he picked a route and went with it convincingly. Usually the dialogue in these low-budget, debut films is noticeably bad, but here it was well above average I would to say. It was interesting and felt natural. There's certainly some talent behind the scenes here.
The film is short at only 84 minutes and it moves a long at a reasonable pace, so you are never caught checking your watch. There's enough to like here for people to enjoy, and it's possible some people will prefer the plot-path the film decided to go down more than I did. I will give this one a light recommendation. It might just pleasantly surprise you.
Lo sapevi?
- QuizPrano Bailey-Bond said in an interview that she had the idea for Censor around 2012. "I was reading an article about Hammer Horror [the British studio that made the likes of Dracula, The Mummy and Curse of the Wolfman] which looked at how film censors worked in that period. It made me think, 'If violent images are meant to make us lose control, what prevents the censor from doing that?' It was that hypocrisy of thinking, 'I can watch this, but if you watch it you're going to go out and shoot someone'."
- Curiosità sui creditiAt the beginning, the BFI and Film4 logos were from their movies in the 80s.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: Censor (2021)
- Colonne sonoreChernobyl
Written by Blanck Mass (as Benjamin John Power)
Performed by Blanck Mass
Courtesy of Sacred Bones Records
Published By BMG Rights Management (UK) Limited, a BMG Company
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Sansür
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 90.050 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.299 USD
- 13 giu 2021
- Lordo in tutto il mondo
- 361.699 USD
- Tempo di esecuzione
- 1h 24min(84 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
- 2.39 : 1
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