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Nightsiren

Titolo originale: Svetlonoc
  • 2022
  • 1h 46min
VALUTAZIONE IMDb
6,0/10
1132
LA TUA VALUTAZIONE
Natalia Germani in Nightsiren (2022)
DrammaMisteroOrroreOrrore popolare

Aggiungi una trama nella tua linguaA young woman returns to her native mountain village, searching for answers about her troubled childhood, but as she tries to uncover the truth, ancient superstitions lead the villagers to a... Leggi tuttoA young woman returns to her native mountain village, searching for answers about her troubled childhood, but as she tries to uncover the truth, ancient superstitions lead the villagers to accuse her of witchcraft and murder.A young woman returns to her native mountain village, searching for answers about her troubled childhood, but as she tries to uncover the truth, ancient superstitions lead the villagers to accuse her of witchcraft and murder.

  • Regia
    • Tereza Nvotová
  • Sceneggiatura
    • Barbora Namerova
    • Tereza Nvotová
  • Star
    • Natalia Germani
    • Eva Mores
    • Juliana Olhová
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    1132
    LA TUA VALUTAZIONE
    • Regia
      • Tereza Nvotová
    • Sceneggiatura
      • Barbora Namerova
      • Tereza Nvotová
    • Star
      • Natalia Germani
      • Eva Mores
      • Juliana Olhová
    • 11Recensioni degli utenti
    • 36Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 17 candidature totali

    Foto28

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    Interpreti principali26

    Modifica
    Natalia Germani
    Natalia Germani
    • Sarlota
    Eva Mores
    • Mira
    Juliana Olhová
    • Helena
    Iva Bittová
    Iva Bittová
    • Otyla
    Jana Olhová
    Jana Olhová
    • Anna
    Marek Geisberg
    • Tomás
    Zuzana Konecná
    • Zofa
    Noel Czuczor
    Noel Czuczor
    • Rado
    Peter Ondrejicka
    • Juro
    Matus Rysan
    • Adam
    Sára Tömölová
    • Sarlota - dieta
    Ela Stanová
    • Tamara
    Petra Vajdová
    • Alzbeta
    Timothy Hlinka
    • Elo
    Denis Polyák
    • Mato
    Milan Mikulcík
    Milan Mikulcík
    • Fero
    Róbert Jakab
    Róbert Jakab
    • Tomásov brat Roman
    Monika Horváthová
    • Romanova zena
    • Regia
      • Tereza Nvotová
    • Sceneggiatura
      • Barbora Namerova
      • Tereza Nvotová
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti11

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    Recensioni in evidenza

    1Cronis01

    The perfectly depilated model that in leisure brings the sheep to graze, ridiculous !!

    This film is truly a disaster The plot is really trivial in Meta Fil you understand everything even before, the film at certain times certainly offers us something good at then ruins everything with really trivial and stupid choices as the choice from a photo model perfectly clean and depilated, this character beyond everything serves only a thing that too is at the most crammed and banal, that is, to have sex this character is a puppet without any characterization only because the film can be a scene without a scene. Gender, we must always follow the flock of sheep, that is, a screenwriter must always do what everything do, without the Pecoraro model photo would have been a good movie with the photo model Pecoraro is just a movie like many others! Model photo which is then literally forgotten by the script !!
    9kosmasp

    Be Witch(ing)

    No pun intended - it is always hard to be a woman with an opinion. Even more so if that is true in a village. Where whispers can become rumors and those than outcries and shouts for something that does not make much sense, if you think about it rationally. Also everyone knows (or things they do), what happens around them.

    It is sometimes easier to blame something else than to face reality. When a woman comes back to the village she was born, she has to learn the hard way ... well about her past, about her mother, about gossip ... and about the people that live there ... how they conduct themselves and how they project ... or are unable to admit to their own wrongdoings.

    If you believe in a religion, you should ask yourself how you interpret what you believe in ... if you are able to be that self reflective that is. But back to the movie at hand. This is really well made, great location, great story and really well acted. If you like thrillers/dramas with real life implication .. and society examining ... with a touch of otherworldly flair that is ... or more than that? You have to watch to see.
    3david-brun

    Disconnected mess

    The movie starts alright, with a nice premise. But then when the story begins to play out, it's just a weird messy chain of events that not always seem connected, things happen where you'd expect more of an explanation to you - the audience - or more of at least a conversation between the characters, but no, it goes from scene to scene without really connecting or making sense. Many times I found myself thinking "wait, what?" or "But why?" The transitions from a moment to another feel wrong, it's like it lacks pieces of the movie where they actually show how things play out, or the characters having actually normal human behavior.

    One example from the top of my head is, both main and co-main characters are inside a cave at night, even though they could be sleeping in a house like they were before. One of them starts freaking out because of *reasons*. She's just uneasy inside the cave and that's that. Runs out of the cave into the woods. Suddenly there's a wolf just a few meters from the cave and the character runs back to the cave, apparently scared of the wolf, meets the other person who stayed behind, hugs her crying, never mentions the threat of the wolf, and then they do breathing exercises together and go to sleep. Aaaaaand scene! Like WTF?

    The characters are frustratingly one dimensional, flat, cliché and derivative. Apart from the main and co-main, the rest just seem like NPC from a video game. They just come in for a scene, have some time on camera (mostly doing something "mean") and then just disappear for sometime, before they show up once again to be a**holes one more time.

    Then there's the overly used super dragged out scenes in the forest, where a character is just walking around, surrounded in mist, looking at things (mostly treetops or the sky) mesmerized, drone New Age music in the background, nothing happens and then just cut to something different once again. And you don't really know how it went from one thing to the other.

    Hints of witchcraft and sorcery are also thrown here and there, but again that's never explored, it's superficial and light.

    The movie, overall, lacks depth, lacks better developed characters, the storytelling here is just so bad, so disconnected, so random, that it really ruins a good premise and what could've been a good story. Also, weird choice of dividing the film in "chapters" that do nothing to give structure to this failure of a storytelling attempt.
    5EdgarST

    Witch and the Melodrama

    After a shocking start, the script by Teresa Nvotová and Barbora Namerova slowly builds the story of a peasant community rooted in immovable agrarian values, according to basic concepts of duality (like a moon bath versus a sun bath, for example), which awakened my interest. The film also came labeled as "folk horror", a subgenre that is fashionable today, but that has existed since there has been cinema and has produced works about agrarian cults, human sacrifice and other aromas, with classics such as Murnau's «Tabu» to recent notable works such as the Estonian «November», the Portuguese «Alma viva», and the Chilean «Brujería», without forgetting cult films such as the Italian «Il demonio» and the British «The Wicker Man», nor the goats and inverted pentagons from Ari Aster's cinema.

    However, this Slovak film is a mystery drama that places heavy emphasis on collective harassment, ignorance, sex and violence, telling us the story of a young woman who returns to her hometown, when she is called by the mayor to claim her inheritance. She ends up entangled in a patriarchal environment, full of family secrets. When the story takes the path of psychedelia, by "reconstructing" a summer holiday, I could not help but completely distance myself from the drama of the protagonist (which almost turns out to be a circus freak) to the point that the family tale lost its fascination and became a tearful melodrama. Awarded in Locarno and Sitges and renamed "Nightsiren" in the USA, proceed at your discretion.
    8kannibalcorpsegrinder

    A highly enjoyable if slightly flawed folk-horror effort

    Returning to her childhood home village, a woman visiting a friend still living there finds the area overrunning with paranoia and superstition about her connection to a possible witch that's terrorized the area for years and eventually sees the situation become deadly through their beliefs.

    This was a pretty solid and enjoyable genre effort. One of the better features here is the way this one plays with rural folklore and supernatural incidents running people's livelihoods. Shown to be a village that's still heavily reliant on the old ways of doing things with their mindset and values adapted from that kind of mentality due to the way they treat her returning, it creates a perfect storm of connection with the rural folk-horror stylings its' clearly aiming for. That it manages to feature such action as it depicts here that flat-out touch on the misogynistic with the way the men behave with women around here is soon introduced to the main two here which creates such a hostile environment that the belief in witchcraft feels appropriate instead of antiquated and creates a fantastic atmosphere for the later proceedings. That is what perfectly sets up the second half here as things become far more mystical and supernatural. As the incidents that take place between her and her friend around the village begin to sway them over to the belief that something isn't right with either of them and that they're indeed practicing witchcraft, the proper motivation and background are in place for the ensuing scenarios to unfold. Taking place in the middle of the forest dripping with fog and neon-lit bodies writhing naked amidst a roaring fire, the scene as a whole is a great setup that generates the potential cause for what's going on in the finale where they get to confront the villagers which is a fantastic finale that has quite a lot of generally chilling action with some fantastic revelations at play. Overall, these are what hold this one up. There are some factors with this one that does bring it down. One of the biggest problems here is the complete lack of connection to what's happening as this one unravels. Due to the fact that this one is mostly build-up rather than doing anything that constitutes action for a large part of the film, there's a real problem here getting into the finale where despite this being the main part that has action for once hardly any of it manages to generate a satisfactory conclusion with the way the film ends. This takes a rather bizarre turn and seems to just finish because it's reached an appropriate running time. That really ends this on a sour note where it's quite a weak note considering the build-up that was leading this to a decidedly different concept which would've been a far better way to go than how this ends, being pretty much the main issues against this one.

    Rated Unrated/R: Graphic Violence, Graphic Language, Full Nudity, and sex scenes.

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    Trama

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    • Quiz
      Podcast co host of Jibber Jabber Podcast Jay Mack liked this film so much that he cried on air while reviewing the movie and opts to put his own money into the sequel.

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    Dettagli

    Modifica
    • Data di uscita
      • 29 settembre 2022 (Slovacchia)
    • Paesi di origine
      • Slovacchia
      • Repubblica Ceca
    • Sito ufficiale
      • Sales Agent's official webpage
    • Lingua
      • Slovacco
    • Celebre anche come
      • The Nightsiren
    • Luoghi delle riprese
      • Slovacchia(Village)
    • Aziende produttrici
      • Bfilm
      • Moloko Film
      • RTVS
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.500.000 € (previsto)
    • Lordo in tutto il mondo
      • 96.362 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 46min(106 min)
    • Colore
      • Color

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