Il racconto confessionale, cauto e occasionalmente umoristico della vita di Robbie Robertson e la creazione di uno dei gruppi più duraturi nella storia della musica pop, The Band.Il racconto confessionale, cauto e occasionalmente umoristico della vita di Robbie Robertson e la creazione di uno dei gruppi più duraturi nella storia della musica pop, The Band.Il racconto confessionale, cauto e occasionalmente umoristico della vita di Robbie Robertson e la creazione di uno dei gruppi più duraturi nella storia della musica pop, The Band.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 8 candidature totali
- Themselves
- (filmato d'archivio)
- Self - Bass and Vocals, The Band
- (filmato d'archivio)
- Self - Vocals and Drums, The Band
- (filmato d'archivio)
- Self - Piano and Vocals, The Band
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self - Robbie's Mother
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self - Robbie's Father
- (filmato d'archivio)
- Self - Robbie's Biological Father
- (filmato d'archivio)
- Self - Robbie's Uncle
- (filmato d'archivio)
- Self - Robbie's Uncle
- (filmato d'archivio)
Recensioni in evidenza
Loved the old footage of the Band.
But the story in this film is not complete; what about how he sneakily got their publishing rights, and created a chasm between his "brothers"?
This is a piece of the puzzle, of the Band. But it's no way THE story. There's a lot more to their story. I'd love to know what Garth had to say about this film. Bob Dylan himself had no interest in being involved present day.
Robbie had talent. But to claim he wrote the Bands music and lyrics all by himself is bananas. Only reinforced by the fact he still claims the band ended when he left. Do your research viewer, the Band didn't die when he left. They played for years together after. Why does he ignore this? Doesn't fit his narrative...
This isn't a film about the Band as much as it is a film about Robbie and what he wants people to believe about the Band. Too bad. We needed a full doc.
Mr. Robertson is now 76 years old, and in addition to his guitar skills, he has always been an articulate speaker, and one who comes across as prideful and mostly sincere. These days he is one of only 2 band member still living, and the other (Garth Hudson) has nothing to say publicly about The Band or its members. This is one man's version of reality, and from a perspective of music history, it's quite interesting and entertaining.
"The Band was greater than the sum of their parts", says Bruce Springsteen, in one of many interviews used for the film - including Eric Clapton, Taj Mahal, George Harrison, Peter Gabriel, David Geffen, Martin Scorsese, and "Rolling Stone" magazine founder Jann Wenner. Some of the initial interview clips play over an opening live performance of "Up on Cripple Creek", including Clapton stating he was "in awe of their brotherhood." The film then traces the timeline and early years as the pieces of the band came together ... much of it centered around Ronnie Hawkins, who is not only the most insightful of those interviewed, but also the most colorful. We learn that Robertson was writing songs at age 15, and that it was meeting Bob Dylan that changed everything.
A substantial portion of the film deals with those early years, and the tales of being booed by audiences as they backed the newly "electric" Dylan are especially fascinating. In 1967 when The Band moved to the pink house in Woodstock, communal living led to artistic and creative productivity, including The Band's masterpiece album, "Music from Big Pink" (1968). There are some terrific old photos included here which give us a feel for the times, and the aforementioned 'brotherhood' of this band that seemed more tightly connected than most.
Of course, it was the late 1960's and heavy drinking and drug usage took its toll, and The Band began to unravel. In 1976, 34 year old Martin Scorsese was brought on to direct a documentary of The Band's final performance. THE LAST WALTZ was released in 1978 and included electrifying live performances from some of the all-time greats: Van Morrison, Eric Clapton, Neil Diamond, Joni Mitchell, and Bob Dylan, to name a few. The concert was held at Winterland Ballroom in San Francisco, which would later close after a 1979 New Year's Day marathon concert by The Grateful Dead. Scorsese's film included interviews with the band members, but it was his unique and varied camera placements that brought the stage show to life.
Director Roher's producers on this film include Scorsese, Ron Howard, and Brian Glazer. While it is often the story of Robbie Robertson's personal journey, it also serves as his perspective on The Band - a group of musicians who were right in the middle of things as popular music evolved. Levon Helm, Richard Manuel, and Rick Danko have passed away, and reclusive Garth Hudson refuses to re-live the past, so it's Robertson who tells their story, and his. We do get to see The Band perform "The Weight", "The Night They Drove Old Dixie Down", and most fittingly, "I Shall Be Released", but if it's the music that most interests you, track down and experience THE LAST WALTZ. It was the final time THE BAND performed all together on stage, and as Robertson says, "everybody just forgot to come back."
I can vividly remember getting the 'brown' album, which I still have, and being blown away by what I thought were former Confederate soldiers (which they resembled on the cover, old Civil War photos come to life). The music, vocals, and lyrics were indelibly fixed in my mind and I played the album for days even up to today. I played the tape out in my car (perfect driving music). 'Once Were Brothers' is music history iwell thought out and told by Robertson with archival footage of the other members and guest historians (Ronnie Hawkins, their road manager, Clapton, Van Morrison, etc.). Lots of stuff here that I didn't know. I thoroughly enjoyed every minute, and the doc prompted me to get out my Band LPs and CDS for a nice listen.
If you are a fan or even new to The Band you shouldn't be disappointed in this film. Just take a trip back and enjoy the scenery.
Lo sapevi?
- QuizThe distinct signature sound Garth Hudson has on the organ is from a Lowrey organ.
- Citazioni
Ronnie Hawkins: They paid 35000 cash right in front of me for a little ole bit of cocaine. I snorted a couple lines, and I said, "Boys, there's enough flour and sugar in this shit, you'll sneeze biscuits for three fuckin' months after you snort this..."
Ronnie Hawkins: [chuckles]
Ronnie Hawkins: ...and they ended up buying another one.
- ConnessioniEdited from L'ultimo valzer (1978)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Once Were Brothers: Robbie Robertson and the Band
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 449.561 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.828 USD
- 23 feb 2020
- Lordo in tutto il mondo
- 536.534 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 1.85 : 1