Get Away

Boy the Swedish tourism board can't be too happy about this film. They were probably just recovering from 'Midsommar' and then bam, along comes 'Get Away'. This movie was quite something.

I've never seen a film go from 0 to 100 so quickly before. The first two thirds of the film I was basically just bored. There was the odd laugh and a creepy thing or two going on, but mostly it was just fodder. Then a twist came out of absolute left field and suddenly the film went off the walls bonkers for the entire final third. And that portion of the film I mostly loved.

The film is lacking a lot of polish. I also thought with Nick Frost writing it that it might've been a little funnier overall too. It's impossible to hate a film like this, however I simply can't give it more than a 5.5/10.

Perhaps the most enjoyably wacky performance here comes from Maisie Ayres, while the rest of the cast (Nick Frost, Aisling Bea, and Sebastian Croft in lead roles) is adequate. The twist (+ shift in tone) that happens around the 55th minute (or so) feels sufficiently smooth, and that's why I'm rating this 3 stars-it's a 2.5 otherwise. The last half hour is a bloody showcase, offering some inventive, gratifying kills. Well, given that he's the writer, Nick Frost has some funny lines in the first two acts.. and besides Ayres, that's what keeps the whole tired premise (up until that point) going. I think this will help Ayres land more roles, which I'm really looking forward to.

An English family of 2.4 children arrive on a small Swedish island, to witness and observe the celebration of Karantän, unfortunately a killer is also on the island.

There's something very old school about this movie, it felt as though it could have been made back in 2006, when this style was very popular, so from that point of view it was familiar, but fresh.

It doesn't deserve some of the negative reviews, I can't help but wonder if some of those are based on the first half of the movie, which is very, very slow, but countered by a riotous second half.

The twist was unexpected, and it was fun to see the tables turned.

The performances are good, and there are some hilarious one liners, with Frost daring to make jokes about subjects that have become humour free.

The first half is just too slow for me to class this as a good film, but the conclusion was a hoot. Once again you'll wonder what The Swedes must make of the way Brits like to portray them, only slightly less weird than in Midsommar.

6/10.

Greetings again from the darkness. Every movie review provides the opportunity to walk the line between telling enough, but not too much. Some movies pose more of a challenge than others, and this is one. Director Steffan Haars (the 'New Kids' movies) and writer-actor Nick Frost team up to deliver a devilish and campy folk horror-slasher-comedy that brings a bit of innovation to genre that could use a boost.

Nick Frost stars as Richard Smith, a Dad-Joke-loving goof desperate for a relaxing holiday with his family. He's joined by his wife Susan (the multi-talented Aisling Bea), and their teenagers Sam (Sebastian Croft, "Heartstopper") and Jessie (Maisie Ayers in her first feature film). Their odd choice for the 'get away' is Svalta, a remote Swedish island that sports a dark history with its tragic 19th century plague that nearly wiped out the population. The family has scheduled the trip around the Festival of Karantan (Quarantine) marking the unfortunate events of yesteryear.

Upon their arrival, the locals give them an icy and somewhat threatening reception. Referring to the festival as a "play" doesn't help their cause, and it's only when their creepy Airbnb landlord (Eero Milanoff) shows up to claim them does the tension soften a bit. The house they've rented seems perfect, but soon things feel a bit off. Sam's vegetarian diet and Jessie's spirited approach add an extra dimension, while Richard and Susan play off each other expertly (as we'd expect from Frost and Bea).

This was my second Nick Frost horror movie in less than a month, as this is on the heels of his much less funny turn in BLACK CAB. Of course, he's known for his comedic turn in the Cornetto trilogy, and his screenplay here is quite impressive. The film really plays up the whole "outsiders" feeling unwanted ... just before the magnificent twist that turns the film into an off-the-rails blood bath. Barry Blue singing "I Eat Cannibals" provides a fitting musical ending to this wild ride from Shudder Films.

Opening in theaters on December 6, 2024.

A generally well shot and well acted movie with humor that worked with some nice music and a great setting to boot. Plenty of reasons to love this one which makes it easily under-rated at its current 5.4 stars as of writing this.

Family takes a trip to an isolated Swedish island with an ugly history of cannibalism and things go south for everyone, sort of. Saying much more about the actual story is going to give thing away but most of the humor does come from star Nick Frost and co-star Aisling Bea.

Most of the horror content comes from the theme and the large sums of blood. So it is a very bloody movie with some bodily dismemberment. Only thing I would have liked looking back would have been some clues about what was to come but they opted for the surprise approach so the whole ending is ultimately wrapped up behind some very dark curtains. I think that's the only part of the movies execution that didn't really work in its favor.

The musical score is good and meant to add to the humor. Keeping the movie short probably helped if the plot isn't going to have to much depth to it. Enjoyable well made dark comedy horror.