VALUTAZIONE IMDb
7,1/10
2945
LA TUA VALUTAZIONE
Una rappresentazione romanzata della vita di Inu-oh, un attore giapponese del quattordicesimo secolo del dramma musicale, al momento della sua transizione dall'arte popolare del sarugaku all... Leggi tuttoUna rappresentazione romanzata della vita di Inu-oh, un attore giapponese del quattordicesimo secolo del dramma musicale, al momento della sua transizione dall'arte popolare del sarugaku alle tradizioni formalizzate di Noh e kyôgen.Una rappresentazione romanzata della vita di Inu-oh, un attore giapponese del quattordicesimo secolo del dramma musicale, al momento della sua transizione dall'arte popolare del sarugaku alle tradizioni formalizzate di Noh e kyôgen.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 12 candidature totali
Mirai Moriyama
- Tomona
- (voce)
Kenjiro Tsuda
- Inu-ô no chichi
- (voce)
- (as Kenjirô Tsuda)
Joshua Waters
- Inu-Oh
- (English version)
- (voce)
Sena Bryer
- Tomona
- (English version)
- (voce)
Cory Yee
- Shogun Yoshimitsu Ashikaga
- (English version)
- (voce)
Jason Marnocha
- Inu-oh's Father
- (English version)
- (voce)
Keythe Farley
- Tomona's Father
- (English version)
- (voce)
Holden Thomas
- Inu-Oh (Teen)
- (English version)
- (voce)
Jonathan Leon
- Tomona (Teen)
- (English version)
- (voce)
Carter Young
- Tomona (Child)
- (English version)
- (voce)
Max Lamberg
- Fujiwaka
- (English version)
- (voce)
Anjali Kunapaneni
- Additional Voices
- (English version)
- (voce)
Rene Mujica
- Taniichi
- (English version)
- (voce)
Keone Young
- Teichii
- (English version)
- (voce)
Recensioni in evidenza
As much as I could criticize this for having a fairly thin story, it's not every day you see a halfway-Noh halfway kickass Glam-Hard Rock infused historical-ish musical about a blind kid who becomes a guitar virtuoso and the singer (of the title) who performs the songs that bring in the local crowds while hiding the fact that he got cursed with a giant-long arm and face with three freakish eyes. I'm not familiar with Yuasa like some on here, so I can only take his work here on its own terms; my main takeaway is, I dig how approach to (mostly) tightly controlled lines while experimenting with what seems to be watercolors and CGI.
It maybe wasn't *quite* as weird as I was expecting, but the (excellent) trailer spoke to this being the Gonzo animation event of the year. If Inu-Oh not that, the film is nevertheless a unique, throbbing demon of a tale about... friendship, and connecting with a community that didn't know what it needed in their lives, with gorgeously rendered deranged character designs (aside from Inu oh, how about that set of psychedelic eyes that sets things in motion) and great songs.
It maybe wasn't *quite* as weird as I was expecting, but the (excellent) trailer spoke to this being the Gonzo animation event of the year. If Inu-Oh not that, the film is nevertheless a unique, throbbing demon of a tale about... friendship, and connecting with a community that didn't know what it needed in their lives, with gorgeously rendered deranged character designs (aside from Inu oh, how about that set of psychedelic eyes that sets things in motion) and great songs.
I actually enjoyed it despite the plot not being clearly and etc. I took a bit of break here and their to try figuring out the plot or trying to think or other stuff. But the music was good. The story was good if you can actually figure out the art was amazing. VFX omg loved it I watched it in the japan/Chinese's or the language that it was in. Imma watch it in the English's if they have a English's version. But I still wondered what happen to the sword :^ I'm sure they dropped in the water. And the voice what happen to them and the sword with the blood a lot of detail I wanna know to bad i can't.
I can't begin to describe how disappointing this movie was.
I saw so many people exclaiming how much they loved it, i have seen a lot of Yuasas other work and was very excited to check this out. I have seen people compare it to Belladonna of Sadness and Akira Kurosawa.
What trainspires is nonsense storytelling, terrible visuals, and for a movie about music, the music was truly terrible. I am questioning everything i have ever known about anime, and feel like all of Yuasa's other work is completely soiled by this tragedy. Watch it if you like suffering and ruining your heroes, or if you think you have seen a bad disaster of a film before and think you couldn't see anything worse.
It gets worse, i promise.
I saw so many people exclaiming how much they loved it, i have seen a lot of Yuasas other work and was very excited to check this out. I have seen people compare it to Belladonna of Sadness and Akira Kurosawa.
What trainspires is nonsense storytelling, terrible visuals, and for a movie about music, the music was truly terrible. I am questioning everything i have ever known about anime, and feel like all of Yuasa's other work is completely soiled by this tragedy. Watch it if you like suffering and ruining your heroes, or if you think you have seen a bad disaster of a film before and think you couldn't see anything worse.
It gets worse, i promise.
Inu-oh is one of the worst productions I've watched this year and I expected way too much from him. He brought fantasy, music labels, and some beautiful stills, which made me look forward to it.
The story seems to be related to the history of the Heike family in Japan? It begins with an urban legend that two officials (I think so) came to the sea and begged the fishermen to take them on a treasure hunt, apparently to find a sword, which unsheathed supernatural powers and the boy lost his sight , his father died. The blind boy then grows up and becomes a musician, during which he befriends the ugly monster inu-oh and helps him transform into a human form while performing with inu-oh.
However, this nearly two-hour movie, apart from its exquisite ukiyo-e style, is really lackluster. It's not a complete, tight story, and if you pay attention to the plot, you'll be as confused as I am: because his plot is weak, and there are many nonsensical passages that I didn't understand. For example, there is no explanation from the beginning to the end why inu-oh's abnormal body will return to its original state after the performance, and the relationship between the man with the evil mask and inu-oh at the end of the movie (maybe I didn't watch it carefully, but this movie It's too ugly) The most unbearable thing is the music bridge in the movie, all the singing is very ugly, very tormented, but the length is very long.
This is a movie with its audience, many people think it is very good, it seems to have won an award at the Venice Film Festival. However, if you don't know the film and its director very well, it's hard to have fun with this film.
The story seems to be related to the history of the Heike family in Japan? It begins with an urban legend that two officials (I think so) came to the sea and begged the fishermen to take them on a treasure hunt, apparently to find a sword, which unsheathed supernatural powers and the boy lost his sight , his father died. The blind boy then grows up and becomes a musician, during which he befriends the ugly monster inu-oh and helps him transform into a human form while performing with inu-oh.
However, this nearly two-hour movie, apart from its exquisite ukiyo-e style, is really lackluster. It's not a complete, tight story, and if you pay attention to the plot, you'll be as confused as I am: because his plot is weak, and there are many nonsensical passages that I didn't understand. For example, there is no explanation from the beginning to the end why inu-oh's abnormal body will return to its original state after the performance, and the relationship between the man with the evil mask and inu-oh at the end of the movie (maybe I didn't watch it carefully, but this movie It's too ugly) The most unbearable thing is the music bridge in the movie, all the singing is very ugly, very tormented, but the length is very long.
This is a movie with its audience, many people think it is very good, it seems to have won an award at the Venice Film Festival. However, if you don't know the film and its director very well, it's hard to have fun with this film.
Flames, shadows, reflections on water at night, rock music, Japanese drums, stars, and more. The imagery, innovation, and imagination of Inu-Oh baffle and transform the mind.
Based on real life ancient folk theater characters from the margins of society, a masked and deformed dancer (Inu-Oh) and blind biwa player (Tomona) combine to dispel a curse that hangs over them. Their popular performances tell the stories of ancient and forgotten Heike spirits. They are transformative and beautiful. Audiences are hypnotized, and so much so that their performances threaten the ruling elites. The power of stories, music, dance, and other arts takes on the powers that be, with explosive and transformative results.
Inu-Oh is a creative, colorful, and constantly surprising reimagining of actual history. The rock music dance sequences are finely crafted and visionary. Unique and transformative, Inu-Oh is unlike anything I have seen.
Seen at the Toronto international film festival.
Based on real life ancient folk theater characters from the margins of society, a masked and deformed dancer (Inu-Oh) and blind biwa player (Tomona) combine to dispel a curse that hangs over them. Their popular performances tell the stories of ancient and forgotten Heike spirits. They are transformative and beautiful. Audiences are hypnotized, and so much so that their performances threaten the ruling elites. The power of stories, music, dance, and other arts takes on the powers that be, with explosive and transformative results.
Inu-Oh is a creative, colorful, and constantly surprising reimagining of actual history. The rock music dance sequences are finely crafted and visionary. Unique and transformative, Inu-Oh is unlike anything I have seen.
Seen at the Toronto international film festival.
Lo sapevi?
- QuizMasaaki Yuasa took the music of bands Foreigner, Queen and Deep Purple as a huge inspiration for this movie's music.
- ConnessioniReferenced in AniMat's Crazy Cartoon Cast: The Awards are Approaching (2022)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 351.558 USD
- Fine settimana di apertura Stati Uniti e Canada
- 191.004 USD
- 14 ago 2022
- Lordo in tutto il mondo
- 484.127 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Proporzioni
- 2.39 : 1
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