L2: Empuraan
- 2025
- 2h 59min
Il viaggio di Stephen Nedumpally, un uomo che conduce una doppia vita nei panni di Khureshi Ab'raam, un enigmatico leader di una potente organizzazione criminale globale.Il viaggio di Stephen Nedumpally, un uomo che conduce una doppia vita nei panni di Khureshi Ab'raam, un enigmatico leader di una potente organizzazione criminale globale.Il viaggio di Stephen Nedumpally, un uomo che conduce una doppia vita nei panni di Khureshi Ab'raam, un enigmatico leader di una potente organizzazione criminale globale.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Recensioni in evidenza
Empuraan had the potential to be a masterpiece, but it falls short due to misplaced priorities. Instead of focusing on storytelling, Prithviraj seemed more invested in making every frame grand.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
Rating - 3.5/5
A socio-political mass action thriller executed with brilliant technicality giving an edge of the seat experience.
The story introduces us to the world of the Alpha lord Khureshi Abr'am who controls the Gold Diamond nexus globally through his dual identity. The story further explores whether this fallen angel will survive his war against the Jihadi groups, International Crime Nexus & Drug cartels from swallowing God's own Country and on how he exert influence on the political landscape of Kerala.
Murali Gopi has scripted the story well enough to accommodate and intertwine the story in the international terrains while being rooted to God's own Country. Prithviraj has excelled in bringing out Mohanlal in the most epic and stylish avatar like never before with slow motion and good BGM's. This can be termed as the best tribute a fanboy director can give to his idol on the reels. Prithviraj has brilliantly portrayed some sequences on screen in a way better than when it is was put into words. The first half stands superior storywise where as the latter half of the movie lost traction and felt like a usual revenge drama towards the end. Topnotch making but the final music felt like a medium to appeal and attract Bollywood audience.
Mohanlal made a subtle performance just by his looks and stance. Abhimanyu Singh,Sukant Goel,Manju Warrier,Nandu,Karthikeya Dev,Eriq Ebouaney,Andrea Tivadar,Jerome Flynn and Kishore made impressive performances.
Exceptional Cinematography by Sujith Vasudev especially the night visuals and wide angle shots in the foreign landscape. Deepak Dev's BGM's in the intro portions were stunning. Hats off to the Production designer Mohandas in precisely putting the director's vision onto the screen.
A larger than life visual marvel in Malayalam pulled off in a grandeur scale with epic performances and top-notch production quality makes it a must watch on big screens.
A socio-political mass action thriller executed with brilliant technicality giving an edge of the seat experience.
The story introduces us to the world of the Alpha lord Khureshi Abr'am who controls the Gold Diamond nexus globally through his dual identity. The story further explores whether this fallen angel will survive his war against the Jihadi groups, International Crime Nexus & Drug cartels from swallowing God's own Country and on how he exert influence on the political landscape of Kerala.
Murali Gopi has scripted the story well enough to accommodate and intertwine the story in the international terrains while being rooted to God's own Country. Prithviraj has excelled in bringing out Mohanlal in the most epic and stylish avatar like never before with slow motion and good BGM's. This can be termed as the best tribute a fanboy director can give to his idol on the reels. Prithviraj has brilliantly portrayed some sequences on screen in a way better than when it is was put into words. The first half stands superior storywise where as the latter half of the movie lost traction and felt like a usual revenge drama towards the end. Topnotch making but the final music felt like a medium to appeal and attract Bollywood audience.
Mohanlal made a subtle performance just by his looks and stance. Abhimanyu Singh,Sukant Goel,Manju Warrier,Nandu,Karthikeya Dev,Eriq Ebouaney,Andrea Tivadar,Jerome Flynn and Kishore made impressive performances.
Exceptional Cinematography by Sujith Vasudev especially the night visuals and wide angle shots in the foreign landscape. Deepak Dev's BGM's in the intro portions were stunning. Hats off to the Production designer Mohandas in precisely putting the director's vision onto the screen.
A larger than life visual marvel in Malayalam pulled off in a grandeur scale with epic performances and top-notch production quality makes it a must watch on big screens.
While it is a movie from lucifer franchise but empuran doesnt meet the expectations and lack of story telling is the major issue. 2nd half is just ok overall beliw average movie. The main positives are the location and casting. Bgm was totally disappointing, and lady characters also doest meet expectations. Story was little lagging. Director failed in making the emotional attachment and the songs also not giving a fresh feel. The major negative is the duration of the movie and over expectations by the filim crew. New technics was brilliantly used and climax is just ok. Overall its not a decent watch one.
I was always skeptical about how good a sequel to Lucifer which goes international can get, and the trailers made me feel like it would be a technically solid but overall okay film, and with that thought this film met my expectations.
The technical side is incredibly done. The ambition behind this film is huge. Switching between international dealings with British intelligence, cartel faceoffs in Africa and the Middle East, the politics in Kerala, and riots in North India, it should still feel like the same movie. In terms of writing, there's so much more to be desired, but the technical side is where they compensate the most. The coloring was well done to make that consistent feel to all of it by giving a larger-than-life cinematic feel which also made some of the actor's skin feel AI-generated but I won't really complain about it considering what they were trying to do. The lighting on the other hand is what worked the best for me. The use of shadows, silhouettes, etc was so pleasing to see but the writing and music didn't step up to make those scenes more impactful.
The movie felt really long, there were a lot of things that felt repeated, some from the previous part and some in this same movie itself. A lot of stuff in the first half just felt very predictable and the stuff that is meant to be intriguing simply felt flat. They really tried to compensate for it firstly by incredible production quality and making, but along with that they also used real-life incidents as well as parallels with so many important political milestones. But the most hilarious attempts were the constant not at all subtle imageries like the "Ls" throughout the movie. There are so many other imageries here that are so on the face that it loses all the intrigue that they were able to create in Lucifer where it was subtle.
I was a bit bored in the first half because of how flat it felt, but the second half was really entertaining to me. Even though it still felt overlong, the action sequences were fun and the build-up to them was also pretty good. Manju Warrier's arc was well done which may be the only character with a proper character arc in this movie, unlike Lucifer. Surprisingly Antony's cameo was damn well too. I can't believe how well he was presented here.
Overall, even though there were so many things that didn't work in this for me and it's not as good as Lucifer which itself wasn't as great to me as it was to a lot of people, this was still fun to watch. The production quality and a few scenes that worked really well, as well as watching Mohanlal and Prithviraj fighting together made this worth it for me.
The technical side is incredibly done. The ambition behind this film is huge. Switching between international dealings with British intelligence, cartel faceoffs in Africa and the Middle East, the politics in Kerala, and riots in North India, it should still feel like the same movie. In terms of writing, there's so much more to be desired, but the technical side is where they compensate the most. The coloring was well done to make that consistent feel to all of it by giving a larger-than-life cinematic feel which also made some of the actor's skin feel AI-generated but I won't really complain about it considering what they were trying to do. The lighting on the other hand is what worked the best for me. The use of shadows, silhouettes, etc was so pleasing to see but the writing and music didn't step up to make those scenes more impactful.
The movie felt really long, there were a lot of things that felt repeated, some from the previous part and some in this same movie itself. A lot of stuff in the first half just felt very predictable and the stuff that is meant to be intriguing simply felt flat. They really tried to compensate for it firstly by incredible production quality and making, but along with that they also used real-life incidents as well as parallels with so many important political milestones. But the most hilarious attempts were the constant not at all subtle imageries like the "Ls" throughout the movie. There are so many other imageries here that are so on the face that it loses all the intrigue that they were able to create in Lucifer where it was subtle.
I was a bit bored in the first half because of how flat it felt, but the second half was really entertaining to me. Even though it still felt overlong, the action sequences were fun and the build-up to them was also pretty good. Manju Warrier's arc was well done which may be the only character with a proper character arc in this movie, unlike Lucifer. Surprisingly Antony's cameo was damn well too. I can't believe how well he was presented here.
Overall, even though there were so many things that didn't work in this for me and it's not as good as Lucifer which itself wasn't as great to me as it was to a lot of people, this was still fun to watch. The production quality and a few scenes that worked really well, as well as watching Mohanlal and Prithviraj fighting together made this worth it for me.
As we all know malyalam movies are renowned for the gripping story line which is majorly lacking in this, director did a pretty good job by combining two major story lines to build up for one more part but diluting a master piece has its own consequences.
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
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Lo sapevi?
- QuizEmpuraan was filmed using the anamorphic format with a 1:2.8 aspect ratio, ensuring visual consistency with the first film, Lucifer. Prithviraj confirmed the third installment will follow the same approach.
- BlooperIn the shot when the cars reverse and see a herd of cows, the gap between the cars change in different shots.
- Versioni alternativeThe makers decided to re-censor the film following backlash from various right-wing organizations. 17 cuts were made, toning down the violence against women and removing certain scenes featuring religious hatred and violence. Done to avoid hurting people's sentiments, this came after the Rashtriya Swayamsevak Sangh (RSS) mouthpiece Organiser criticized the film and accused it of using the backdrop of the 2002 post-Godhra riots to push an 'anti-Hindu political agenda'.
- ConnessioniFollows Lucifer (2019)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 9.283.660 USD
- Tempo di esecuzione2 ore 59 minuti
- Colore
- Proporzioni
- 2.76 : 1
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