Il Natale di Holly

If you watch a Lifetime or Hallmark Christmas movie and expect Oscar winning performances, your expectations are too high. I love cheesy Christmas movies. Love them. This is a cute movie! It's not slow like some can be and the stories, while they may be somewhat predictable, are cute. The supporting cast is good, in my opinion, too. I liked this movie.

While not an award winner, this was pretty enjoyable. I thought all of the matches were pretty obvious, but handled very well. As a typical Hart-break production (Melissa Joan and her mom) it is family friendly and fairly relaxed. The young people tend to get in trouble, but their elders show the wisdom of experience. Trying to avoid spoilers, I'll just that it does ramble a bit, and the running gags are pretty tame. Romance and happiness are slow to form, but are unavoidable in the end. Not a bad way to spend a couple of hours on a last afternoon or evening.

I'll show up to watch Melissa Joan Hart read the phone book. She won my heart and eternal loyalty with two of her early Hallmark movies: My Fake Fiance and Holiday in Handcuffs. This one isn't close to ranking with those, but it had enough positives to keep me interested in a film that was mostly by the book as far as the principal romance was concerned. Her love interest was very attractive, but the chemistry just wasn't there. That is deadly for a TV Christmas movie. However, the cast had some good secondary stars. Markie Post was reliable as usual. it's hard to believe she is almost 70 years old. Happy Birthday, Markie, by the way. The actress who played her sister fascinated with her bordering on insane grin and perkiness. They were named Tay and Kay. That was odd. Ted McGinley did a great job as a scruffy has-been silver medalist skier. Loved the Americanized Indian daughter and traditional grandmother story. But I thought her love interest was miscast. I love nerds, but... well, let's just say she could do much much better. Michael Gross was unexceptional. He was OK. There were some nice touches that added value: The back story of the Inn, the placards that introduced each "chapter," and the wrap up of all the stories was nicely done, with a bit of humor. Of course, as always, the sets looked like a Christmas bomb went off, but that's OK. I love to laugh at those crazy decorations.

Melissa Joan Hart and Michael Gross were the main reasons to see 'Christmas Reservations', being someone who has liked both of them in other things. Love Christmas too, probably a well known fact by now, and have no bias whatsoever against Lifetime Christmas films (although some of my previous reviews for them may indicate in a way otherwise). So there was no prejucial hate towards 'Christmas Reservations' before, actually wanted it to work.

That it didn't work or come off that well actually disappointed me. Lifetime have certainly done a lot worse with their Christmas films, they have also done a lot better. 'Christmas Reservations' is in no way a terrible film, but to me it was disappointing as it was not one of those films that was doomed from the get go (not many films in existence can be classed as that in my view). There was a halfway decent film somewhere in 'Christmas Reservations' that never materialised.

'Christmas Reservations' by all means did have good things. The best assets are the performances of Hart and Gross, both very likeable in their roles. Hart provides the what little there is of warmth and heart, while Gross is right in keeping with the film's tone (no overplaying or over-seriousness) Markie Post is also fun and fully engages.

It's nicely filmed and the locations are also easy on the eyes and appropriately festive. Some of the music has a pleasing nostalgic quality.

Ricardo Chavira however doesn't always look comfortable and is a rather bland presence. His chemistry with Hart doesn't really take off either and they don't really connect with each other, which makes it very difficult to root for. A big problem for a relationship that plays a major role in the film and the relationship itself is not very well developed, lacking in any conflict or charm. The direction seldom rises above routine and the pace is erratic, at times rushed from being over-stuffed and also dull because the execution is so bland and because there is too much padding.

Furthermore, 'Christmas Reservations' feels rather over-stuffed from having too many characters and too many subplots. And sadly, it doesn't do anywhere near enough with any of them. All the characters pretty much are underwritten, with no real depth and Lifetime stereotypes that are not much distinct from their other films. All the subplots are excessively predictable, can be contrived and none of them are delved into enough. That all makes 'Christmas Reservations' very bland emotionally. The script is very stilted and the corn and sentimentality go into overdrive, especially early on and when things get unrealistically sappy at the end.

Overall, very lacklustre. 4/10

I had high expectations for Christmas Reservations, I came out disappointed.

It follows the usual course of Christmas romance stories, the usual sort of Christmas cliche cuteness. The main characters don't ever really develop, from start to finish they never become more than one dimensional. Their lack of character development is compounded by a lack of script strength and story development, the unnecessary secondary characters get a lot of screen time and overshadow the main storyline.

Although the movie ends in a predictably cute way, the movie plods along much longer than it should and falls flat when compared to other comparable Christmas romance movies. Melissa Joan Hart and Michael Gross take their characters as far as they can very well provided the limitations of the script and story.