The Burning Plain - Il confine della solitudine

The movie reminded me of Babel, which is not that crazy since Arriaga wrote and directed Babel together with Alejandro González Iñárritu. (I only found this out after I saw The Burning Plain). Whereas I thought Babel was good but not superb, I absolutely loved The Burning Plain. just like Babel, The Burning Plain doesn't do chronology and I love the way Arriaga uses the lack of a chronological time-line to put you on a sidetrack time and time again. Of course I suspected things but I completely missed one of the biggest twists. Past and present are so mixed up that it isn't until quite far into the movie that you realise how all the characters are connected. And in this connection you'll find the big difference between the two movies. Whereas Babel shows the stories of people that are only connected by coincidence, The Burning Plain goes much further than that. When, almost in the end, you find out what really happened you cannot but acknowledge the genius of the person who wrote the story and the stylish way the movie was directed.

Once the 'big twist' is revealed it was like an 'aha-Erlebnis'. From beginning until ending you are wondering about the connections between the characters. "What does Sylvia have to do with Mariana and Santiago, or with Gina and Nick"? When eventually you find out, it is like a puzzle with the last piece falling in place. The result is a beautiful picture with a sad undertone, but not one I would have wanted to miss.

Films about interlocked fragmented stories aren't anything new to writer and director Guillermo Arriaga. As director, 'The Burning Plain' is his first feature film and its quite apparent that he has poured his heart into it. Here too the film involves three stories that are told separately but linked by the first scene.

However, the non-linearity of storytelling is initially confusing but once the tragic link is made apparent, the gut-wrenching conclusion (that explains the explosion shown in the first scene) hits the viewer hard. The setting is very simplistic but rich in atmosphere especially with the dark subtle undertones. The beautiful score contributes well.

Arriaga has gathered an impressive ensemble of actors who deliver wonderfully understated performances. Charlize Theron portrays Sylvia with a subtle intensity. Kim Basinger is skillfully restrained and Jennifer Lawrence shows tremendous potential. John Corbett, Robin Tunney, José María Yazpik, Rachel Ticotin, Brett Cullen, Tessa Ia and Joaquin de Almeida provide great support.

Despite the initial confusion, the narrative is strong. There are a few clichés that could have been avoided, such as the confession scene in the hospital, but these are very minor and don't effect the impact of the film. In the end, 'The Burning Plain' is a solid film.

The Burning Plain (2008)

Following a growing trend toward taking a straight forward story and making it complicated by telling it out of order, The Burning Plain might have shown the fault lines in that method. And it's not that the story, a kind of Romeo and Juliet with child story, isn't riveting. It is. And it's not that the telling of it isn't interesting. It is. But the telling is so forcefully complicated, it draws attention to itself, and away from the more human drama that is at work.

That said, it's also true that every high point here there is a storytelling gaffe. The cross cultural Mexican/American themes are generally underplayed (the exception being the insults thrown at the funeral), and convincing. The basic love story is strong enough, too, and given a nice second layer through time, as you'll see. But there are some quirks that are made both improbable and overly dramatic. One of the tenderhearted heros of the story is shown too visibly as a disturbed stalker. And the lead woman, played with a kind of virtuosic exuberance as usual by Charlize Theron, has almost too much to juggle, emotionally and literally. It just doesn't wash.

Most troubling is the writing. Not the big picture, the plot and the large sequence of events, but the actually dialog. This kind of gritty and dire movie laced with real love has to be convincing above all, and there are dozens of moments and individual lines that just smack as screen writing rather than real characters thinking and speaking.

So it's a mixed bag. An ambitious and promising mixed bag, with some moving and beautiful moments. I think it's worth seeing, but with tolerance.

This is the first feature directing experience for Guillermo Arriaga. Already an established writer (Amores Perros, Babel, The Three Burials of Melquiades Estrada), Arriaga promisingly directs his own script in this movie. The movie follows the characteristic feature of Arriaga's script: fragmented stories, sometimes happening simultaneously, and sometimes happening at different time periods. The editing is intriguing, prompting you to try and seek connections between the different stories. The performances are amazing (especially Charlize Theron and Kim Basinger's). The landscape choices and the cinematography are beautiful. The Burning Plain is a poignant story about desperation, betrayal, trauma, revenge, guilt and self-hatred, with the stories of three female characters and different "plains" burningly interwoven to deliver a moving depiction of these themes... Highly recommended!

Screenwriter Guillermo Arriaga, the one of "21 Grams", employs a very peculiar narrative style to tell stories of different characters, Charlize Theron's Sylvia, Jennifer Lawrence's Marina, and Kim Basinger's Gina. At first everything seems a bit messy (various threads seemingly insignificant) but then the plot gets poignant though a little oppressive. Acting performances are affecting and strong (especially Charlize Theron), the tone is progressively melodramatic. It's undeniable that The Burning Plain possesses the style of a strong drama, never run-of-the-mill and with an emotional resonance resembling 21 Grams. Overall a very good sad film, with a finale that strikes a lot.