Mandy
- Serie TV
- 2019–
- 15min
Mandy è un'eroina sfortunata e senza lavoro le cui stupide avventure finiscono per lo più in un disastro.Mandy è un'eroina sfortunata e senza lavoro le cui stupide avventure finiscono per lo più in un disastro.Mandy è un'eroina sfortunata e senza lavoro le cui stupide avventure finiscono per lo più in un disastro.
Sfoglia gli episodi
Trama
Lo sapevi?
- QuizIn the first episode Mandy explains to the chicken takeaway that one of her strengths is being able to swallow a tangerine whole. In the 2016 miniseries "Rovers", a character also claims to have this talent.
- ConnessioniFeatured in Jeremy Vine: Episodio #3.162 (2020)
- Colonne sonoreMandy
(uncredited)
Written by Scott English and Richard Kerr
Performed by Barry Manilow
[series' theme song during opening titles]
Recensione in evidenza
I've been enjoying Morgan's sharp characterful grotesquery since the creation of the curiously stupid (or stupidly curious) Philomena Cunk - intended as another fake "dumb general public view" talking head alongside Al Campbell's Barry Sh**peas on Charlie Brooker's evergreen Wipe cultural commentary shows. In this she creates her own surreal (but strangely believable) British figure - a sloppy ignorant buffoon called Mandy Carter.
Unlike Cunk (and the works of Cunk) this is a pure creation by Morgan who writes the entire thing and it's... a mixed bag really but admirably surreal. In the short episodes the plots are fairly perfunctory but the situations and the wildly inspired cast shines through. Watching Mandy interact with people like David Bradley, Sean Lock or Maxine Peake is a pure joy but to spotlight extremely specific people like Natalie Cassidy or the great Mark Silcox (the latter in multiple roles no less) is almost poetry.
Essentially, Mandy is a willfully strange bit of comedy frippery with a who's who of British oddbods. It's not doing anything particularly revolutionary but like Mandy herself it has a curious charm all of its own.
Unlike Cunk (and the works of Cunk) this is a pure creation by Morgan who writes the entire thing and it's... a mixed bag really but admirably surreal. In the short episodes the plots are fairly perfunctory but the situations and the wildly inspired cast shines through. Watching Mandy interact with people like David Bradley, Sean Lock or Maxine Peake is a pure joy but to spotlight extremely specific people like Natalie Cassidy or the great Mark Silcox (the latter in multiple roles no less) is almost poetry.
Essentially, Mandy is a willfully strange bit of comedy frippery with a who's who of British oddbods. It's not doing anything particularly revolutionary but like Mandy herself it has a curious charm all of its own.
- owen-watts
- 20 set 2020
- Permalink
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