Ponniyin Selvan: Part One
- 2022
- 2h 47min
Vandiyathevan, si propone di attraversare la terra di Chola per consegnare un messaggio dal principe ereditario Aditha Karikalan. Kundavai cerca di stabilire la pace e prevenire la guerra ci... Leggi tuttoVandiyathevan, si propone di attraversare la terra di Chola per consegnare un messaggio dal principe ereditario Aditha Karikalan. Kundavai cerca di stabilire la pace e prevenire la guerra civile pianificata da vassalli e piccoli capi.Vandiyathevan, si propone di attraversare la terra di Chola per consegnare un messaggio dal principe ereditario Aditha Karikalan. Kundavai cerca di stabilire la pace e prevenire la guerra civile pianificata da vassalli e piccoli capi.
- Regia
- Sceneggiatura
- Star
- Premi
- 16 vittorie e 31 candidature totali
- Arunmozhi Varman
- (as Jayam Ravi)
- Periya Pazhuvettarayar
- (as Sarath Kumar)
Riepilogo
Recensioni in evidenza
Part 1 is a must watch and cant wait for Part 2.
Maybe the only nitpick that i have is the length, gosh this movie is too detailed and lengthy, but don't let that inhibit you from watching it. One of the finest historical period dramas to come out of India.
The lack of developments for character and conflicts are too obvious. If there were some conflict and challenge during the war scenes, it would've been more interesting. Instead, we get to see Aditha Karikalan just easily defeating his enemies.
Vikram doesn't have much screen time but leaves an impact with his performance. Karthi is charming as Vandiyathevan but the dialogues are poorly written. Jayam Ravi did the role with great control and didn't fall apart like I thought while watching the trailer.
I love Aiswarya but she's such a miscast for this role. First of all, her face isn't what it used to be. Botox is evident and her cheeks below her eyes doesn't move at all. There's so much make up on her face and it makes it difficult to think she's someone from such an ancient time. Same with Trisha minus the botox part.
They're both there for their beauty. Nandini should've been written better.
The political aspect was only good in one scene where Trisha walks into a meeting and proposes some marriages.
AR Rahman's score is great in some scenes and lame at some. Nandini has the best BGM and Kundavai has the worst. Songs aren't that great or suitable. Ponni Nadhi is so good though. Rest of the songs was unnecessary and felt out of place.
I liked the last ship scenes but then again, the action should've been better.
The books were written 70 years ago as a serialised format for a magazine, based on the characters and events of the Chola kingdom. They include fictional characters and dramatic elements for intrigue.
The movie's screenplay is adapted from the books, with necessary changes to appeal to today's audience, similar to adaptations like "Lord of the Rings," "Harry Potter," and "Game of Thrones." However, the mentioned books take place in a fantasy world with miracles and non-human characters, while "Ponniyin Selvan" is a historical fiction set in reality.
The screenplay, written by Mani Ratnam, Jaya Mohan, and Kumaravel, feels flat and confusing for a two-part movie. It gives the impression of a rushed eight-episode TV show re-edited into a two-part film, which is very different from "Baahubali."
Vikram's portrayal of Aditha Karikalan is flawed, with overacting.
Trisha's performance as Kundavai is unbelievably phenomenal. Her look and acting are terrific.
Aishwarya Rai and Karthi get to play the most interesting characters in the movie. Aishwarya looks convincing as Nandini, albeit slightly older, and her performance is okay, but it could have been extraordinary.
Karthi doesn't meet my expectations as Vanthiyadevan.
Jayam Ravi's portrayal of Arun Moli Varman is a surprise. His performance is very good, and although I was initially disappointed with his appearance, by the end of the movie, I accepted him.
The same goes for Aishwarya Lakshmi. Many of her scenes from the book are missing, and Prakash Raj as Sundara Chola doesn't fit the role.
Jayaram as Nambi is fantastic.
Sharath Kumar, Parthiban, Kishore, Mohan Raman, Prabhu, Rahman, and Jayachitra are perfectly cast.
Shobitha as Vanathi appears very artificial, but her dancing skills are commendable.
Manimeghalai is absent from the film.
The locations feel real and exotic, while the sets and props transport us back to the 10th century. The costumes, accessories, and makeup are so well done that we forget the actors and see the real Cholas. The visual effects blend seamlessly with reality in many scenes.
The sound effects are of high quality.
The music sets the mood of the film, and the songs flow well, except for "Chola Chola." However, "Ponni Nadhi" and "Alai Kadal" are great additions to your playlist.
The Devaralanatam sequence is perfectly shot and choreographed, but "Sol" is cut out.
The cinematography by Ravi Varman is outstanding, creating world-class visuals, with only a few shots falling short.
It would be better if both movies were re-edited and released on an OTT platform as a mini-series with eight one-hour episodes.
Set in the 10th century during the times when the Chola dynasty ruled over most of South India, Karthi stars as "Vallavaraiyan Vandiyadevan", commander to the crown prince Aditha Karikaalan (Vikram), and his journey to fulfill a set of tasks his liege lord sets out for him. Assigned with dismantling a seditious conspiracy brewing within the kingdom, the steadfast Vandiyadevan embarks on an arduous journey, with aid of the princess Kundavai (Trisha) as well as Karikaalan's younger brother, the titular "Ponniyin Selvan" (meaning Son of the river Ponni, played by Jayam Ravi).
Focussing more on drama elements and political machinations and in setting up the immense world detailed in the books, "Ponniyin Selvan" is devoid of the large canvas action sequences and mass moments of typical masala-period pieces like the Bahubali franchise and RRR. Case in point, one of the most enthralling sequences in the film was the confrontation between Trisha's "Kundavai" and the primary antagonist, the scheming "Nandini", played by Aishwarya Rai with each actress oozing menace and gravitas, aided by the excellent dialogues crafter by screenwriters Kumaravel and Jayamohan.
A R Rahman's music is unfortunately largely pedestrian with only the BGM composed for Trisha's character creating any real impact. The film also indulges in setting up too many things for its second part and meanders pointlessly for large portions post the interval. The climax showdown which was intended as a brutal skirmish doesn't come across convincingly, reducing the impact of the immersive politicking and mind games that led up to it. In short, PS-1 scores high in its drama elements while struggling to be convincing during its stunt sequences. Nevertheless, the painstaking worldbuilding, its clutch of ace performances and the level of political intrigue Mani Ratnam has managed to infuse into the storytelling make PS-1 a recommended watch in theatres! Cannot wait for the second part, set to release in 2023!
Lo sapevi?
- QuizDirector Mani Ratnam and music composer A.R. Rahman did not work with lyricist Vairamuthu on this film, following the latter's #MeToo allegations and controversy. This marked the end of the longest director-composer-lyricist trio in Tamil Cinema, which began since A.R. Rahman's debut on Mani Ratnam's Roja (1992).
- BlooperThe Marwari breed of horses were used for shooting this film. A horse had died in shooting too. In history though, the fastest horses in the world were imported from Arabia for warfare in the Chozha cavalry.
- Citazioni
Parthibendran Pallavan: I heard you died at Periya Pazhuvettaraiyar's hands, after getting caught
Vanthiyathevan: I think that I haven't died yet indeed
Parthibendran Pallavan: Your tongue is sharper than sword
Vanthiyathevan: One day you can try my sword's sharpness as well
- Curiosità sui creditiVanthiyathevan was supposed to be a spy in various scenes, and depicted in ordinary garb in the novel. However, he's always in an armor.
- Versioni alternativeIn Singapore, the film initially received an NC16 classification due to moments of violence occurred in the film. It is also noted that the Hindi version also received the same classification. The distributor opted to edited the moments of violence in order to lower the rating from NC16 to PG13. Both PG13 edited versions became the standard versions to release in theaters of Singapore.
- ConnessioniReferenced in The Kapil Sharma Show: Ponniyin Selvan Special (2022)
- Colonne sonorePonni Nadhi (Tamil)
Music by A.R. Rahman
Lyrics by Ilango Krishnan
Vocals by A.R. Rahman, A.R. Reihana & Bamba Bakya
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Ponniyin Selvan: Part I
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000.000 INR (previsto)
- Lordo Stati Uniti e Canada
- 4.282.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.018.000 USD
- 2 ott 2022
- Lordo in tutto il mondo
- 21.888.295 USD
- Tempo di esecuzione2 ore 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1