Best Interests

Best Interests is supposed to be 'moving' and 'tug at heartstrings' but by the midst of episode 3, it's hard to really root for any of the characters.

The good is that a major aspect feels authentic, and that is the toll being a carer can take on virtually everything in your life - no matter how much you don't want that to happen. That part is genuine and feeling the inability to talk to to anyone about how difficult it is for those in the midst of it & how difficult it is for those around them to respond or know how to help, what to say, etc.

The bad is that they've tried to pack too much in to a show that doesn't feel conducive to it in an organic way. The writers have a hollow gay sister, an uncle with Asperger's, multiple disabled, but save for a little boy, it feel like they're intentionally type casting disabled actors to tick boxes. The gay sister's friend or love interest (or whatever she's supposed to be) is just as unlikeable in this as she is in Conversations With Friends, and just as hollow.

Best Interests seems to be yet another in an unending line of shows from what appear to be Gen Z or (barely) millennial writers who feel the need to pay lip service to diversity and hating everything about every generation other than their own. In areas where one hopes for dialogue that's genuinely meaningful, someone has to go off on a tangent.

To be perfectly blunt, it's not often I find myself looking at the time left before an episode is over, but I've done it with each episode in the series thus far. You know they want you to empathise and in a weirdly detached sort of way, you empathise with the younger, hospitalised sister for multiple reasons while watching the other characters fall apart and not really feeling much of anything for them. You should, but they're so tedious, intellectually you can empathise in terms of it happening you, yet not in a way that makes you genuinely care about them. That's not exactly a mark of brilliant television or acting.

Best Interests feels drawn out, at times disjointed and a project that could have had a bigger impact had there been stronger execution and better casting. Aside from the little girl who plays Marnie & the lad who plays George, there simply isn't chemistry between the actors that makes you believe these characters are real people or a real family. Individually, most of the actors are perfectly fine and it isn't that they're terrible - they simply lack chemistry.

I was watching because I was bored, but I think I'm going back to re-runs of other shows. There are worse things to watch, but there is also plenty that's better.

I'm a single guy with no kids so there's no way I could ever truly empathise with these parents.

What I can comment on though is how incredibly well the core characters have been crafted, warts and all. I found myself swinging from loathing Sharon Horgan's character to rooting for her and her unrelenting quest. She is not a martyr though. She is flawed - like all of us - and her character can be so polarising at times. However, at the core is a truly brilliant performance. Michael Sheen is great as always and T'nia Miller (uncredited???) continues to show her brilliant acting chops. I'm obsessed with her charismatic performances.

What I loved most about this limited series is the fact that sometimes we, as the audience, are not meant to view in black and white but instead feel squeamish, sympathise,, hurt deep in the gut, be angered and unsettled, take sides, lose faith in those sides, reposition our own compass and, at the end, leave with soulful wonderings after the credits roll. This is what top class storytelling is all about.

It's not a 10 for me but damn, this is fine viewing.

A powerful and heartbreaking drama, the only reason I could advise against seeing it is that it might break your heart. Sharon Horgan is excellent and Alison Oliver and Niamh Moriarty are no less. Michael Sheen is simply superlative, his performance is devastating, he managed to make me cry with disarming ease. Honestly, considering they've never nominated a national treasure like David Tennant until this year's very ill-conceived nomination, I already knew that the Bafta is to cinema what McDonald's is to fine dining, but not nominating Sheen while nominating the series and Horgan for this role, it's truly a public statement of utter obtuseness.

Starring two great actors Sharon Horgan and Michael Sheen and written by one of our best British TV writers Jack Thorne my expectations were high and I wasn't disappointed.

Its impossible to watch this story and not be deeply moved as it examines one of those dilemmas every parent prays they'll never face. It's emotional and raw and entirely convincing, not the easiest watch but an essential one not to be overlooked.

Tragic events all too often split families apart for the wrong reasons and 'Best Interests' explores that territory dramatically and sucessfully, you will be in tears.

Cast were great and production values were good all round. Recommended, watch it.

Would it have been possible for the mom's hair to ever look like she was a normal person? She almost always looked like her hair had just been brushed and combed throughout the whole show and make her look unreal and sort of plastic. Everybody else looked real like they usually do in British television. But Michael Sheen as usual was the best. You completely forget that he's Michael Sheen. He just sort of melts into the character. I liked the actress who plays the mom much better in Bad Sisters than in this show. She was just sort of one note in this one. But the show does a pretty good job of just showing how everybody gets completely effed up by these tragic family situations.