Aggiungi una trama nella tua linguaElle a student, becomes obsessed with Katie, the heroine of a novel she's just finished reading. When Elle, battling depression, becomes convinced that Katie is actually a human being, it se... Leggi tuttoElle a student, becomes obsessed with Katie, the heroine of a novel she's just finished reading. When Elle, battling depression, becomes convinced that Katie is actually a human being, it sets her on a reckless and terrifying course.Elle a student, becomes obsessed with Katie, the heroine of a novel she's just finished reading. When Elle, battling depression, becomes convinced that Katie is actually a human being, it sets her on a reckless and terrifying course.
- Elle Overton
- (as Sammi Hanratty)
- Author
- (voce)
Recensioni in evidenza
The plot obviously draws from very real dangers and frustrations that all types of people, especially teenage/young girls, face in their daily lives, but any potential inherent in the premise is undermined right from the start with almost immediately bizarre dialogue, uninspired direction, and characters that are terribly one dimensional and boring. It seemed like the director just thought of every cliche conversation or problem a teenage girl would discuss or experience, and attempted to jam it into his script. For example, obviously young women are going to discuss things like their periods in private, but I highly doubt it'll come out of their mouths as 'what do you eat when you bleed?' There's also very lame and surface level attempts at furthering the character development and psychology of the protagonist by vague one line references to abusive uncles and fathers that were never shown once, and that are never brought up a second time. It could've been potentially impactful and compelling to see this abuse play out, but implementing it in the form of a phrase feels incredibly lazy. It makes the cliche of the sexually irresponsible young woman from the backwards religious mother seem even more cookie cutter and wooden. It also felt like the director was trying to hit every mark imaginable, so we also have the perfect, stylish gay uncle who provides respite from the mothers religious zealotry, and the confident, assured black female friend.
The direction, as I mentioned earlier, is completely uninspired. This looks exactly like anything you'd find on the Lifetime or Hallmark channel, with extremely low production values and very standard cinematography and editing. The film has no sense of presence, mood, or theme. I think the director intended for the viewer to be unnerved and disturbed, shocked by the protagonist's delusional, declining mental state and her interactions with this insidious predator. I also think there was supposed to be some sort of mounting sense of dread that accompanied the film as it moved towards its bland conclusion. Unfortunately, we feel or get none of that. The film is so bad at establishing any kind of feeling in the viewer, I genuinely might as well have been watching the weather channel forecast I was so unengaged, so uninvolved about what was taking place, even though I was definitely meant to.
Lastly, I will say I do feel bad for the main actress. I haven't seen her in many other things, but she's clearly got some talent and potential, but it's just wasted here. I don't know what kind of direction she was getting, or if she was even getting any at all, but often times her performance didn't seem to match the film. Not that it was ever bad, but it just never seemed to mesh with the other elements. It's probably because her performance is the only thing with any texture or life in the project, so it comes across as out of place.
I genuinely think she tried to give her character some true weight and pathos, but when you have a script and director that never encourages you to dive below the surface, you're going to get a pretty lackluster character study, and that's unfortunately exactly what we ended up with. By the end of the film, I didn't know if I was meant to be dealing with a mentally ill young woman, or a ditzy, spoiled brat. I didn't know if I was meant to feel sorry for her (presumably I am,) or was supposed to feel disturbed and revolted by her and her situation.
The whole thing is just mess. Do yourself a favor and don't watch it.
Couple of comments: this is the movie adaptation of the book of the same name by Allison Burnett (in fact, a guy). Burnett also directs the film. I had never heard of this Allison Burnett before, or of the book. I cam only tell you what I experienced while watching this. Bottom line: it was not a good experience. The story didn't make any sense whatsoever. To market this as a "thriller" is frankly misleading. It feels more like a YA story. Samantha Hanratty plays the lead role of Elle, and tries with the weak material she is given. She of course also stars in the recent (and very enjoyable) mini-series "Yellowjackets". Please note: I never realized while watching this film that it is in fact a sequel to an earlier film called "Undiscovered Gyrl". I only found out about it when I looked up Allison Burnett after seeing this. I have no idea if I would've enjoyed this better had I seen the prior film. I kinda doubt it.
"Another Film was suggested to me by Showtime, presumably because I recently watched "What Breaks the Ice", which I quite enjoyed. Turns out to be an erroneous recommendation! But hey, don't take my word for it, so check out "Another Girl", and draw your own conclusion.
And to every person of a different stripe who wonders if people really talk or act like this when they're not around, the answer is NO! Not every gay guy has styling tips, not every person with an accent is either a cad or a hillbilly, not every young black girl is "world-wise" with life tips, not every parent is absent in mind, if not in body, and not every middle class white girl is a vulnerable, sexually available cutter. What middle aged white guy wrote this garbage (HA - SEE WHAT I DID THERE?)
It's time to wake up people! WE'RE ALL OF THE SAME RACE! THE HUMAN RACE! And derisive, divisive drek like this, is NOT A HELP TO ANYONE, even if it was entertaining (which it isn't).
(PS Also, just on a personal note, stop adding to millennial movies, music that sounds like it's right out of the '90's. Hey kids! Get your own stuff (music, fashion, movies etc & quit ripping off ours!)
I cannot believe other reviews of this movie are real. The plot has no coherence. It's 1.5 hours of various scenes depicting a depressed girl's life. Most of the dialogue has no purpose other than to fill screen time and the conclusion of the film is incredibly disappointing. Super cringe too-at one point the main character says "if you liked vagina this night would end much differently" to a gay guy.
The fact that this film is called a "thriller" is incredibly misleading. It comes across as an a amateur film student's thesis drama film. Do NOT recommend.
Lo sapevi?
- QuizWith the exception of the end-credit music by Justin Dahl, the entire soundtrack is composed of songs by female singer-songwriters 26 years old and younger, who submitted songs to a contest. This is the same method by which the director created the soundtrack for his film Ask Me Anything, only in that case it was 21 or younger.
- Citazioni
Elle Overton: If I had been a cartoon, my tongue would have popped out of his ear.
- ConnessioniReferences True Crime (2005)
- Colonne sonoreR.M.A.B.
Composed and Written by Justin Dahl
Vocals by Ashley G.
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Dettagli
- Tempo di esecuzione1 ora 35 minuti
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