Trucker

Q1: Is Michelle Monaghan the ultimate woman? (Only men need answer, or try to). The question is asked seriously, and, you will shortly learn, lies at the heart of this venture, in its DNA, if you will. Monaghan's roles usually lean in that direction. In Mission Impossible, she was Tom Cruise' only vulnerability, and to rescue/avenge her he was willing to risk a world war. In Source Code, Jake Gyllenhaal was willing to bend the very fabric of Space and Time just to be with her; in Made of Honor Patrick Dempsey not only was willing to let go of his swinging bachelor life but almost invaded Scotland to win her; and in Shane Black's KISS KISS BANG BANG she was the ultimate prize, the lost love from your childhood that Robert Downey was granted one final chance at. Against this backdrop, we start to see where this film came from. Either Monaghan or her agent (pick one) was getting concerned over this trend and decided to put her in a "real" part, cast against type, to show that she can play more than one role.

Q2: Does the film work? Yes and no. Yes Michelle can act, and all the players do a fine job of playing parts so gritty you can practically smell the perspiration. Nathan Fillion strays outside his comfort zone – which is TV – and does a nice job. Benjamin Bratt, a generally under-deployed resource, steals every scene he is in. Which is not too hard, because the script and director keep everything on a low boil for pretty much the entire time.

Q3. Does Monaghan's character have Aspbergers? This was not an issue when the film was made, but with the benefit of hindsight, this would explain a lot. If you think so, tell your friends on the Aspie boards.

Q4. Do we really care if Monaghan's body of work will be remembered as skewing to the same role over and over? The real secret of TRUCKER, a fine little film in its own right, is that Monaghan was (and arguably still is) brilliant at playing the "coveted heroine" role and, if it ain't broke, you probably shouldn't try to fix it. In this context, TRUCKER becomes less an indie drama and more a guilty pleasure for Monaghan's legion of fans. Male fans,we should add. But you already guessed that.

Great acting all around in this gritty indie drama, but especially from Michelle Monaghan who does a fantastic job as Diane Ford, a self-reliant trucker who is forced to give up her carefree lifestyle (of drunken one night stands) and take on the responsibility of caring for her 11-year-old son when his father ends up in the hospital.

You really want her character to succeed here which helped move the story along because the plot wasn't all that original. However in saying that I've never seen the estranged child reuniting with wayward parent done in quite this way before either.

All the characters here are damaged in one way or another and the story as a whole is somewhat heartbreaking. Nathan Fillion is always a treat to watch, he is just so likable and it was nice seeing him play a different sort of role. The boy who played the son was also kind of amazing. Benjamin Bratt was a surprise in a supporting role. Ultimately this made me want to hit the road. 03.13

Diane Ford (Michelle Monaghan), a vivacious and successful independent truck driver, leads a carefree life of long-haul trucking, one night stands and all-night drinking with Runner (Nathan Fillion) until the evening her estranged 11-year-old son, Peter (Jimmy Bennett) is unexpectedly dropped at her door due to his father's recent diagnosis of cancer. Peter hasn't seen his mother since he was a baby and wants to live with Diane as little as she wants him, but they are stuck with each other - at least for now, while his father Len (Benjamin Bratt) is in the hospital. Burdened with this new responsibility and seeing the life of freedom she's fought for now jeopardized, Diane steps reluctantly into her past and looks sidelong at an uncharted future that is not as simple or straightforward as she had once believed possible... Trucker is essentially a character study of this woman, Diane, who's a bit of lone wolf but is forced to change her life and behavior in order to be something she doesn't quite know how to be, a parental figure, a mother. Despite her initial struggle, Diane's maternal instincts do kick in at some point as she gets closer to her son, and she also comes to certain realizations regarding her love life and general lifestyle. Trucker's cinematography is great and the soundtrack (composed mainly by country music) is very fitting. Michelle Monaghan was great as Diane and this was probably the most challenging role of her career so far. With no make up and stripped of most of her femininity, Monaghan really did personified this tough woman, alienated from society who's life has taken a toll from being constantly on the road with no real connection, no real relationships. Nathan Fillion did a good job too, giving a tender and genuine performance. Jimmy Bennett, the kid, was pretty good as well. Overall I enjoyed Trucker but I do think the film lacks a little something, I'm not sure if it's development, or if the film is too predictable but there's something missing here. Obviously, films about small town life are usually not very eventful and that's why Trucker relies so much on the acting and on its cinematography but I think the film needed something more. Having said that, Trucker is a pleasant surprise and a very promising debut by director James Mottern.

7/10

Very good for a 12 year old offering. Actors acquitted themselves with honor. Wish there were more good movies like this.

I had the esteemed pleasure of attending the New York Premiere of first-time director James Mottern's film Trucker starring Michelle Monaghan. To make even more pleasurable was sitting next to James' father and having him tell me how he paid for his ticket to support his son. I share this for a realization of what James' family conveyed and how closely related it is to his film; a working class family never forgetting where they came from.

Trucker tells the story of Diane Ford (Monaghan), a young female, independent truck driver living life effortlessly and freely. All seems going to plan or lack there of until her estranged son (Jimmy Bennett) is dropped off on her doorstep due to his father's recent diagnosis of cancer. It is this time where we find Diane's world is turned upside down. Responsibility and the maternal instinct, two important things that have laid dormant in Diane's mind for sometime are swiftly reactivated. Along with this new found purpose, all the other elements that have inhabited her life for ten years are rattled; her awkward relationship with her friend Runner (Nathan Fillion), her ailing ex Leonard (Benjamin Bratt), and his new love in his life Jenny (Joey Lauren Adams).

What Mottern succeeds in his narrative his a brave and sensible character study of a woman who has withdrew herself from "real" human emotion. Not as profound as Darren Aronofsky's The Wrestler from 2008, but perhaps a simpler tale, one that doesn't require too much of the viewer. For a good chunk of the picture the young Jimmy Bennett does some marvelous work, perhaps the best child performance of the year thus far. Unfortunately Mottern's writing of the young Peter is often stale and unnatural, giving him far too much credit for an eleven year old boy. Though I can admire the work considerably, what I loved about it, I ultimately turned on somewhere within the 90 minute running time.

Michelle Monaghan on the other hand gives her most personal and powerful performance of her career. Her dedication to Diane is some of the finest work displayed on screen this year and is surely to be in serious consideration for an Oscar nomination. Monaghan devotes her mind and heart into one of the most unlikable characters and demands our respect and attention, something not easily attained by an actor. Her screen chemistry with Jimmy Bennett is some of the most natural and beautiful scenes seen in quite sometime, despite it being filled anger and acrimony.

Despite Monaghan being the best chances of the film to garner awards consideration this season, the unsung hero is Nathan Fillion who gives the most tender and heart warming supporting turn of the year thus far. As I'm sure I might be in the minority for the praise of this actor, I feel inclined to give a superb performance its proper due. I admire it greatly.

Other strong aspects of the picture lie in the cinematography of Lawrence Sher is should find himself with an Independent Spirit Award mention this year as well.

The film is definitely worth a watch and as it may not fit well with everyone, you have to admire the attempt nonetheless. Michelle Monaghan and Nathan Fillion give some of the best works of the year and it's always great to see the birth of a writer/director like James Mottern and where he could go in his career. Trucker is definitely worth the watch.

***/****