VALUTAZIONE IMDb
6,0/10
1168
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn 11-year-old girl who is carefree until she starts to experience horrifying physical changes to her body.An 11-year-old girl who is carefree until she starts to experience horrifying physical changes to her body.An 11-year-old girl who is carefree until she starts to experience horrifying physical changes to her body.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 15 candidature totali
June Lojong
- Munah
- (as Jun Lojong)
Recensioni in evidenza
Really cool piece
Not quite sure what genre
Not horror
More rites-of-passage puberty tale with highly humorous and also serious themes blended in; shamanism is very present here too
The Malay village and surroundings/nature it is set in so beautiful
The acting from the three girls; this a teen buddy movie too really very good; the ancillaries pull their weight too; the parents are excellent in this too; the über-laidback dad an absolute treat
Watching more and more films and series from Asia and the quality is really as good as anything from The West often on a par with
Highly advised for folks who are interested in good cinema shamanism and the thorny time in a person's life we call teenage.
PS For the ones of you who have not seen it; watching Il bacio della pantera (1982) would explain why I titled the review Cat People for 12 year old. The 1982 was not the first but it was an excellent film.
Not quite sure what genre
Not horror
More rites-of-passage puberty tale with highly humorous and also serious themes blended in; shamanism is very present here too
The Malay village and surroundings/nature it is set in so beautiful
The acting from the three girls; this a teen buddy movie too really very good; the ancillaries pull their weight too; the parents are excellent in this too; the über-laidback dad an absolute treat
Watching more and more films and series from Asia and the quality is really as good as anything from The West often on a par with
Highly advised for folks who are interested in good cinema shamanism and the thorny time in a person's life we call teenage.
PS For the ones of you who have not seen it; watching Il bacio della pantera (1982) would explain why I titled the review Cat People for 12 year old. The 1982 was not the first but it was an excellent film.
At its finest, Tiger Stripes conjures the thrills of Mr Midnight novels, issues of Mastika or early Pontianak films (the latter two were direct sources of inspiration).
The narrative propels forward through the eyes of 12-year-old Zaffan, a precocious and spirited girl, dealing with puberty - specifically, as she experiences getting her period for the first time - and the estrangement as a result of it. Zafreen Zairizal carries the role with real charisma and playfulness that makes you root for her from the start. Her performance is supported by equally strong turns from Piqa and Deena Ezral, who play Zaffan's friends. The filial and societal strains Zaffan endures leads to an inevitable climax, but it is here Eu pulls an outstanding coup de cinema, through sheer practical effects that captures the magical realism of Nusantara folklore we have all grown up with.
After years of slop from the Marvel-industrial machine, and as we enter a new advent of AI and visual effects, there is still grace and beauty in practical, tactile approaches.
The narrative propels forward through the eyes of 12-year-old Zaffan, a precocious and spirited girl, dealing with puberty - specifically, as she experiences getting her period for the first time - and the estrangement as a result of it. Zafreen Zairizal carries the role with real charisma and playfulness that makes you root for her from the start. Her performance is supported by equally strong turns from Piqa and Deena Ezral, who play Zaffan's friends. The filial and societal strains Zaffan endures leads to an inevitable climax, but it is here Eu pulls an outstanding coup de cinema, through sheer practical effects that captures the magical realism of Nusantara folklore we have all grown up with.
After years of slop from the Marvel-industrial machine, and as we enter a new advent of AI and visual effects, there is still grace and beauty in practical, tactile approaches.
- Let children be children. Let teenagers be teenagers. Embrace the differences and the different stages of life.
- That girl just wanted to play. They didn't let her play nicely, so she started playing naughty.
- Now I understand periods a bit better. I think.
- Powerful performance in the lead role by Zafreen Zairizal.
- I hate bullies. One of those children (Farah) should have also had her head cut off.
- The special effects in motion aren't great, but oddly, they add some charm.
- Excellent soundtrack, a raw portrayal of certain closed-minded thoughts, certain traditions, and how they can affect both children and how they can affect both children and adults.
- Quite artistic. At its own pace. Some of the most beautiful shots of the year. A luxurious directorial debut.
Amanda Nell Eu debut effort is a surreal study of a 12 year old girl's coming-of-age experience told against the backdrop of rural Selangor
Tinged with magical realism, the story is a simple slice of life tale with Zafreen Zairizal's impactful performance as Zaffan being the definite showstealer. Told through her lenses, we see her navigate the changes of puberty and the challenges of a small conservative town school life in an ever evolving modern world
The cinematography (by Gaudi Award nominated Jimmy Gimferrer) is excellent, with some breathtaking shots and framing of Malaysia's rainforest and the Titiwangsa range. The background score was also superb, an almost raw tone from Indonesian duo Gabber Modus Operandi.
Tinged with magical realism, the story is a simple slice of life tale with Zafreen Zairizal's impactful performance as Zaffan being the definite showstealer. Told through her lenses, we see her navigate the changes of puberty and the challenges of a small conservative town school life in an ever evolving modern world
The cinematography (by Gaudi Award nominated Jimmy Gimferrer) is excellent, with some breathtaking shots and framing of Malaysia's rainforest and the Titiwangsa range. The background score was also superb, an almost raw tone from Indonesian duo Gabber Modus Operandi.
Responses from general people have been mildly positive but many have been experiencing how this isn't a horror movie and there's not much scares. It's more of a coming-of-age story rather then horror so just keep that in mind. This movie won the Critics' Week Grand Prize and having seen it, I can see why.
Director Amanda Nell Eu does a pretty good job other debut story about the coming-of-age setting of a 12 year old girl going through some bizarre changes and situations with gorgeous colorful camerawork, sound designs, themes and atmospheres, and good performance from the lead actress.
Malaysian cinema isn't often discussed and rarely I have seen films from the country and having known it's culture and background, the movie does a pretty good job on capturing the setting, atmosphere, culture and beliefs with some interesting ballsy choices like discussions of periods and showing Malay girls' sexuality. Throughout, Nell Eu's direction was pretty good on handling the narrative, sound, atmosphere and concepts. While some concepts are a bit cliched of certain horror tropes, the narrative mostly worked.
The performances are pretty good as the child performance are all solid. The sound designs are good, the characters, while a bit thin, remain interesting and engaging to observe, and it has a good score. The movie has horror themes explored but admittedly, since it is more of a coming-of-age story, the horror elements didn't feel as strong or ambitious as it could have been. Including some noticeable bad CGI.
Overall, despite the flaws, I found myself enjoying this movie because of it's ambitious style, concept and the direction it took. Again, this isn't the typical horror movie but it's more of a coming-of-age movie.
Director Amanda Nell Eu does a pretty good job other debut story about the coming-of-age setting of a 12 year old girl going through some bizarre changes and situations with gorgeous colorful camerawork, sound designs, themes and atmospheres, and good performance from the lead actress.
Malaysian cinema isn't often discussed and rarely I have seen films from the country and having known it's culture and background, the movie does a pretty good job on capturing the setting, atmosphere, culture and beliefs with some interesting ballsy choices like discussions of periods and showing Malay girls' sexuality. Throughout, Nell Eu's direction was pretty good on handling the narrative, sound, atmosphere and concepts. While some concepts are a bit cliched of certain horror tropes, the narrative mostly worked.
The performances are pretty good as the child performance are all solid. The sound designs are good, the characters, while a bit thin, remain interesting and engaging to observe, and it has a good score. The movie has horror themes explored but admittedly, since it is more of a coming-of-age story, the horror elements didn't feel as strong or ambitious as it could have been. Including some noticeable bad CGI.
Overall, despite the flaws, I found myself enjoying this movie because of it's ambitious style, concept and the direction it took. Again, this isn't the typical horror movie but it's more of a coming-of-age movie.
Lo sapevi?
- QuizAmanda Nell Eu's directorial debut.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 虎紋少女
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Lordo in tutto il mondo
- 13.979 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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