Swan Song

Former small town hairstylist, Pat (Kier), has been spending his days in a retirement home recovering from a stroke. When he receives news that his friend and client, Rita (Evans), has passed away and wanted him to do her hair for her funeral, he gathers up enough strength for one last hurrah, meeting all sorts of interesting characters and resolving past drama on the way.

Swan Song is one of the few films to feature a lead performance by veteran character actor, Udo Kier, and he proves himself to be more than up for the challenge. His character of Pat is will probably be reminiscent of many small town hairdressers who were, unfortunately, born at the wrong time and had to deal with so much more oppression than many of the LGBT people of today.

Jennifer Coolidge turns in an equally great performance as Kier's former student/rival and she's not borrowing from her usual bag of comedy tricks. She creates a fully lifelike and moving character for the few minutes that she's on screen.

Swan Song might be a little too episodic at times, but it all wraps up in a moving and heartfelt way and it's one that's worthy of being seen by wider audience.

Simply put, Swan Song is the most heartwarming film I have seen come out this year, and the greatest Udo Kier role/performance I've ever seen by a long shot. Though all film fans should know Udo Kier, since he's been appearing in things nonstop since the 60's, this is the perfect time to get to know him if you don't already. I came across this one on streaming (Hulu) with a friend and we are both so immensely glad we noticed it and decided to give it a chance. It's one of the my favorite movies of 2021.

The plot is a bit like The Peanut Butter Falcon, another fantastic heartwarming movie from a couple years back. Udo plays a regionally infamous stylist who's been rotting away in an old folks home, but upon a request to style an old client for her funeral, he decides to ditch the retirement community and go on a mission to acquire his old favorite products, in order to do the best possible job he can with his old friend's corpse!

Precious dark comedy, through and through. Never a dull moment. There are a few cast members and conversations that are a bit off-putting and pull you out of the movie a bit with their amateurish presence, but that aside this is a near-masterpiece for anyone can appreciate the sub-genre. It's really just entirely hilarious and endearing! Perhaps we need more movies about old people...and maybe more specifically, old gay men! So refreshing and fantastic.

SXSW 2021 Greetings again from the darkness. It's never too late. We've all heard the phrase, but is it accurate ... at least mostly? Writer-director Todd Stephens met the real life Pat Pitsenbarger in a small town gay bar, and he turned that person into this engaging story by casting the great Udo Kier in the lead. When we first meet Pat, he's living a life of daily drudgery in a nursing home. He's a curmudgeon whose hobbies are folding (perfectly) the paper napkins he takes from the cafeteria, and sneaking a smoke when no one is looking. We also see how tenderly he treats an incapacitated neighbor. It's not the last time we see his two sides.

Pat was once a renowned hairdresser in Sandusky, Ohio. When he is informed that a long-time former (wealthy) client has passed away, and her dying wish was for Pat to do her hair for the funeral, he sneaks out of the home and begins a road trip down memory lane. Despite Pat spending the time on foot, the film has the feel of a true road trip movie as he crosses paths with many folks - some new and some with ties to his previous life. One of his first stops is the graveyard to visit his life partner who died of AIDS. We realize Pat still grieves.

There is a hilarious stop at a convenience store as he tries to knock off the items on his shopping list for the project. Since he has no money, Pat depends on the kindness of others ... and his own sticky fingers. As he makes his way through town, some folks remember him, while others remind him of how long he's been gone and how much has changed. His house and business may be gone, but his memories remain.

Two folks from his past generate tremendous scenes. Pat confronts Dee Dee Dale (a reserved Jennifer Coolidge) who gets to tell her side of the story of their unpleasant business split so many years ago. Even better is a "conversation" in the park with his old friend Eunice (a superb Ira Hawkins). The two old friends toast the bygone days of their gay club, while also acknowledging the new world of the gay community. It's a touching sequence.

But the most surprising portion of the film occurs at the funeral home, where Pat imagines a final chat with that recently deceased client, Rita Parker-Sloan. What a pleasant surprise (actually shock!) to see Linda Evans back on screen. She is terrific in her brief appearance and we've really missed her over the last 23 years. But this film belongs to Udo Kier, and he kills. Pat is known as "The Liberace of Sandusky" and Kier embraces all that entails. This is a sentimental story punctuated by a spirited performance - and a Shirley Bassey song!

Just saw Swan Song, and I was totally taken with Udo Kier's performance as Pat. He is a retired hairdresser and gay cabaret performer who lives in a nursing home. When he is offered 25K to do the hair & makeup on a deceased friend ( Linda Evans); he initially refuses . But he then leaves the home to do the job. We find out why he at first refused to help, and his story unfolds as he walks through the streets of Sandusky, Ohio. He meets old and new friends and each plays a part in telling his story.

Great supporting cast with Jennifer Coolidge, Michael Urie and even Linda Evans in a brief appearance.

A lovely movie about growing old as a gay man, and the lives that were lived back in the days of bars and drag shows, and how gay life has evolved and changed. And how one man , dubbed the Liberace of Sandusky found out how many lives he actually touched.

It took 13 years but Todd Stephens finally return as a director with Swan Song. And personally, I think this is his best so far. Mainly because of the always charismatic Udo Kier who was able to defy the sometimes campy yet melancholic Stephens' narrative. While the film is sorely too subdued or moody for its own good, but at least it still has room for some moving and emotional moments.