VALUTAZIONE IMDb
6,7/10
6377
LA TUA VALUTAZIONE
Quando il veterano scrittore di commedie Charlie Burnz incontra la cantante di strada di New York Emma Payge, formano un'amicizia divertente e commovente che elude il divario generazionale e... Leggi tuttoQuando il veterano scrittore di commedie Charlie Burnz incontra la cantante di strada di New York Emma Payge, formano un'amicizia divertente e commovente che elude il divario generazionale e ridefinisce il significato di amore e fiducia.Quando il veterano scrittore di commedie Charlie Burnz incontra la cantante di strada di New York Emma Payge, formano un'amicizia divertente e commovente che elude il divario generazionale e ridefinisce il significato di amore e fiducia.
Joanna Adler
- Director
- (as Joanna P. Adler)
Recensioni in evidenza
This new Billy Crystal movie will have you laughing out loud, celebrating a bat mitzvah and the importance of family, watching a friendship flourish and just experiencing life's touching moments and the gamut of human emotions. A good heartwarming story, part comedy, part drama, part musical, well acted and waiting to be enjoyed. Don't miss this film.
This is the kind of movie "the rest of us" have been waiting for--no CGI, no auteur sensibilities--just good story telling with tons of belly laughs. We were pleasantly surprised at the depth of Crystal's performance. Both of us immediately thought Oscar Worthy. And, who doesn't love Tiffany Haddish?!?!?!?!
You know who doesn't like this? Jaded critics who think an entertaining movie is mediocre because of things like pacing, or a minor plot hole and assume that such things ruin a good time. Go see it. Bring tissues.
Ignore all the pseudo bored sophisticates who call this sentimental lovefest nonsense. It's a real look at what it means to be family and how we deal with the things we regret as we get older. Yes, some of it falls flat and yes, some of the family scenes seem to move a little too quickly. But it's well intentioned and worth a sit through.
It's nice to see Billy Crystal on the big screen again. This film is like spending two hours with an old friend. With that being said, the film is quite good in parts, but the sum parts don't add up to a great film.
Crystal plays a comedy writer who is experiencing the beginning stages of dementia. He keeps this from his family and tries his best to hide it from everyone at work. Tiffany Haddish plays a woman who cashed in on an auction her ex boyfriend won to have lunch with the famous writer. This is despite not knowing who he is and ultimately insulting him frequently. She addresses him as "old man." To make matters worse, a food allergy lands her in the hospital and Crystal gets stuck with the bill. Oddly, a close friendship develops.
Haddish's initial over the top characterization of this woman is ill conceived. We later learn that she is some sort of jazz subway singer. She eventually becomes the voice of reason for Crystal and a major player In his life. But through it all, she never quite becomes a cohesive believable character.
Flashbacks are frequent as Crystal imagines his deceased wife. These are always awkward as the wife seems to be the exact same age in every flashback and Crystal's voice is only heard.
The film has some touching moments and the relationship between Haddish and Crystal does evolve into a sweet friendship. But the schmaltzy moments between Crystal and his family toward the end detracted from their story. The film needed more focus as it tried to cover too much ground in 2 hours.
This is a review so I'm nitpicking. Overall, I did enjoy the film and especially Billy Crystal's fine performance. I believe most audience members will too.
Crystal plays a comedy writer who is experiencing the beginning stages of dementia. He keeps this from his family and tries his best to hide it from everyone at work. Tiffany Haddish plays a woman who cashed in on an auction her ex boyfriend won to have lunch with the famous writer. This is despite not knowing who he is and ultimately insulting him frequently. She addresses him as "old man." To make matters worse, a food allergy lands her in the hospital and Crystal gets stuck with the bill. Oddly, a close friendship develops.
Haddish's initial over the top characterization of this woman is ill conceived. We later learn that she is some sort of jazz subway singer. She eventually becomes the voice of reason for Crystal and a major player In his life. But through it all, she never quite becomes a cohesive believable character.
Flashbacks are frequent as Crystal imagines his deceased wife. These are always awkward as the wife seems to be the exact same age in every flashback and Crystal's voice is only heard.
The film has some touching moments and the relationship between Haddish and Crystal does evolve into a sweet friendship. But the schmaltzy moments between Crystal and his family toward the end detracted from their story. The film needed more focus as it tried to cover too much ground in 2 hours.
This is a review so I'm nitpicking. Overall, I did enjoy the film and especially Billy Crystal's fine performance. I believe most audience members will too.
Lo sapevi?
- QuizDuring the production of the movie, Tiffany Haddish and Billy Crystal became close friends. Crystal became a father figure to Haddish and helped her with her bat mitzvah.
- Citazioni
Emma Payge: Jesus, old man. I'm sorry.
- ConnessioniFeatured in Weekend Express: Episodio datato 9 maggio 2021 (2021)
- Colonne sonoreYour Feet's Too Big
Performed by Tiffany Haddish and Slippery When Wet
Composed by Ada Benson and Fred Fisher
Courtesy of MPL Communications/Sony/ATV Songs (BMI)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.807.494 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.042.171 USD
- 9 mag 2021
- Lordo in tutto il mondo
- 2.871.327 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Proporzioni
- 1.85 : 1
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