Gli abitanti di una gola solitaria nell'entroterra della California sono testimoni di una scoperta inquietante e agghiacciante.Gli abitanti di una gola solitaria nell'entroterra della California sono testimoni di una scoperta inquietante e agghiacciante.Gli abitanti di una gola solitaria nell'entroterra della California sono testimoni di una scoperta inquietante e agghiacciante.
- Regia
- Sceneggiatura
- Star
- Premi
- 43 vittorie e 181 candidature totali
Trama
Lo sapevi?
- QuizThe very early clip of a jockey riding a horse, which Emerald claims features her and OJ's ancestor, is a real 1878 animated series of photographs, one of the first moving images ever, which has come to be called Sallie Gardner at a Gallop (1878). Sallie Gardner is the name of the horse; the two jockeys were listed as being named "C. Marvin" and "G. Domm." Neither of their identities are known, though they very well could have been black as Emerald claims. In those days many jockeys were black, such as thirteen of the fifteen jockeys racing at the first Kentucky Derby in 1875.
- BlooperAfter the horse Clover is found wandering out in the field, the character O.J. begins to escort the horse back to its home. But once they start walking, the horse's mane changes colors between black and white (indicating two different horses were used). This happens about 45 to 46 minutes into the film.
- Citazioni
Antlers Holst: This dream you're chasing, where you end up at the top of the mountain, all eyes on you... it's the dream you never wake up from.
- Curiosità sui creditiAt the very end of the credits, a cartoony image/advertisement appears: "Come ride through Jupiter's Claim, as seen in Nope, at Universal Studios Hollywood, only on the World-Famous Studio Tour."
- ConnessioniFeatured in Super Bowl LVI (2022)
- Colonne sonoreLa Vie c'est Chouette
Music by François d'Aime
Lyrics by Pierre Billon
Performed by Jodie Foster
Courtesy of Cinemag Bodard
By arrangement with Editions Montparnasse
Recensione in evidenza
I went into this movie thinking that I am going to get something similar to Get Out or at least US. But this movie even though it was not boring to watch ended up becoming goofy towards the end. Seems like Peele was making this for his artistic friends with all the symbolism and meanings. He missed the regular audience that grew to like his weird film making style. We don't want another Get Out, but we want another Jordan Peele movie. In this movie his artistic/creative arrogance is starting to show. Too much Spielberg vibes, without the Spielberg magic. Jordan Peele needs to learn from Tarentino, Nolan, and others who started like him on how to evolve your writing as your budget gets bigger without losing a fanbase.
- mphocastry
- 30 ago 2022
- Permalink
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Dettagli
Botteghino
- Budget
- 68.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 123.277.080 USD
- Fine settimana di apertura Stati Uniti e Canada
- 44.366.910 USD
- 24 lug 2022
- Lordo in tutto il mondo
- 171.235.592 USD
- Tempo di esecuzione2 ore 10 minuti
- Colore
- Mix di suoni
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