Megalomaniac

Urgh. This year's seeking profundity by brutalising young women effort.

Clearly talent in front and behind the camera, all completely wasted on a tick box exercise in outrage - the aforementioned misogynist violence (and some of it is indefensible), rape, incest, auto cannibalism and so on and so forth.

Striving for the heights of Kieslowski or Haneke and falling down because everything it does has been done before and can only be that shocking once or twice but here we are 20 years later with people attempting to pull the wool with the same old shtick.

I didn't hate it but it profoundly bored me.

It's not terrible, but a film about serial killers shouldn't be this boring for such a long period of time. It's also uncomfortable and keeps that line for the entire duration of the film which turns out to be repetitive and very single-note. I also need to mention the stupidity of some characters (I wouldn't see someone chained and stay in that place for even 5 seconds; I can't understand the mind of rapists but it's difficult to think they would accept that invitation too...).

I like some technical aspects of it. I like how artsy some shots and directional choices look. Great score too and good acting. It's just not enough in terms of storytelling, engagement, or what it is trying to say (besides trauma and influence).

"Megalomaniac" is one of the most disturbing and powerful horror films I've seen in a while. This French-language Belgium production fits comfortably in the European Extreme horror film genre -- like "Martyrs" and "Frontier(s)" among others. You'll feel like you were punched in the gut after you're done watching it. And although it's not for everyone, it's one of the best horror films of 2023.

As the film begins, we are told the story of "The Butcher," who killed 15 women over the course of six months. We then fast forward to meet his two grown children, Felix and Martha. They live in the family home, and Martha works as a janitor, where she is treated awfully, to support them. Felix appears to be continuing his father's work, and Martha seems to know about it. She also appears to be trying to get help for her clear mental issues by having a social worker visit her occasionally.

Martha's treatment at work becomes truly horrible, and we think that we are going to see her embrace the madness that runs through her family and lash out. But "Megalomaniac" is far too clever for that. Martha's descent into madness is far more horrifying than we could ever expect and you will never get me to spoil what happens, other than to say it becomes one of the most disturbing and nihilistic films I've seen in a long time. And the movie becomes even more powerful when every now and then, it hints that things may not be completely as they seem... but never takes any shortcuts or gives easy answers.

The acting is absolutely spectacular. Eline Schumacher as Martha and Benjamin Ramon as Felix command the screen every time they are on it. The film doesn't shy away from graphic violence but also doesn't revel in it and that makes it even more intense. And intense it is, "Megalomaniac" does not let up for the entirety of its running time, there is not a single light moment or laugh in it.

To be honest, I am a little surprised this film actually got a wide, mainstream release. You will feel this movie as you watch it and after it's done. It will generate long discussions, including what the title refers to. It's a pleasure to give a rave review and hopefully get it some more viewers, so if you're a fan of these types of intense horror films "Megalomaniac" is recommended without reservation.

Wow. This movie is definitely not for everyone, but it is for me. Well acted, beautifully shot, and I could really feel what she was feeling. Looking at them both, I can understand how they got where they were in life, and partly, it shows nature and nurture coming together. I did not find it in anyway pointless or the violence glorified. More like a character study. No matter how much she tried, everything and everyone was against her so ultimately she found herself beside the rest of her family. I feel that the last 5 seconds of the film are quite symbolic.

If you like films that delve deep into the darkest depths of the human soul, don't mind a slow pace (which I think is deliberate) graphic violence, and are not adverse to a story that is utterly bleak, then give it a watch!

Beautiful surreal imagery, gruesome violence and dark atmosphere dominate the first and last ~5 minutes of the film.

I will not go into detail as to what happens inbetween but it would make your skin crawl in a different movie. Here, it is neither staged in gruesome detail nor cleverly implied, nor is the protagonist's emotional reaction to her mistreatment of particular interest to the film maker. The normalcy of it all and her overall numbness could in themselves be horrifying, but a thin plot about human pets, off-screen mass-murder and familial conflict keeps us from really getting to know Martha.

For the most part this was a disappointment and yet my interest in the work of Karim Ouelhaj is piqued. Those few minutes of genius bookending the film speak to a strong personal sense of style, the mark of a horror auteur.

On an overwhelmingly positive note: the noisy industrial soundtrack, especially the piece that plays during the end credits, is excellent. I do hope Karim embraces his more poetic tendencies and collaborates with Gary Moonboots on another film.