Una coppia separata con una taglia in testa deve fuggire con il figlio per evitare il loro ex datore di lavoro, un'unità di operazioni segrete che è stata inviata per ucciderli.Una coppia separata con una taglia in testa deve fuggire con il figlio per evitare il loro ex datore di lavoro, un'unità di operazioni segrete che è stata inviata per ucciderli.Una coppia separata con una taglia in testa deve fuggire con il figlio per evitare il loro ex datore di lavoro, un'unità di operazioni segrete che è stata inviata per ucciderli.
Method Man
- Unc
- (as Cliff 'Method Man' Smith)
Jénel Stevens
- Anino
- (as Jénel Stevens-Thompson)
Jhon Calderon
- Security Guard
- (as Jhon Calderón)
Recensioni in evidenza
Wow. This is bad. This is really, really bad.
Writing? Bad. Acting? Really bad.
This... movie...has reduced my ability to form complete sentences.
Did I mention this movie is really bad?
Maybe waterboarding is worse? Or an IRS tax audit?
But wait, maybe there's a silver lining. If 60 MILLION dollars can be wasted on a (say it with me, church) really bad movie, maybe I can have a career in Hollywood.
I can't act. But apparently, neither can Kerry Washington.
I didn't notice how bad an actor she was before now. Mainly because she was surrounded by more talented actors in her other projects.
Please don't see this movie.
Writing? Bad. Acting? Really bad.
This... movie...has reduced my ability to form complete sentences.
Did I mention this movie is really bad?
Maybe waterboarding is worse? Or an IRS tax audit?
But wait, maybe there's a silver lining. If 60 MILLION dollars can be wasted on a (say it with me, church) really bad movie, maybe I can have a career in Hollywood.
I can't act. But apparently, neither can Kerry Washington.
I didn't notice how bad an actor she was before now. Mainly because she was surrounded by more talented actors in her other projects.
Please don't see this movie.
Director Joe Carnahan opts for an action thriller that seeks to find its own path, which ends up being a much more serious film than it should be and becomes a very uncharismatic film, despite the good attempts of the cast to float everything.
The survival of this family of mercenaries has some good moments that largely keep the film afloat. However, we're left with a rather glaring lack of action, replaced by drama that's far more overused than the story really needed. Leading duo Kerry Washington and Omar Sy do a great job at this point, giving their all to their characters, and we as viewers can feel for them.
Then we have a group of supporting characters who have their moments, but don't really stand out. The same goes for the villain of the film, who, while he has his moments, doesn't feel as rounded as one would like.
The reality is that we're faced with a film that doesn't offer much new, and with that, we don't find anything that makes it stand out from other similar films. It has a cast that's engaged, but it's completely wasted. It has a story that didn't need to be so serious when it came to presenting us with the emotional depths of its protagonists, and in the end, we're left with a film that works as a momentary diversion. For those who enjoy this style of film, for those looking for something much more revolutionary, the truth is that Shadow Force falls far short of all that.
The survival of this family of mercenaries has some good moments that largely keep the film afloat. However, we're left with a rather glaring lack of action, replaced by drama that's far more overused than the story really needed. Leading duo Kerry Washington and Omar Sy do a great job at this point, giving their all to their characters, and we as viewers can feel for them.
Then we have a group of supporting characters who have their moments, but don't really stand out. The same goes for the villain of the film, who, while he has his moments, doesn't feel as rounded as one would like.
The reality is that we're faced with a film that doesn't offer much new, and with that, we don't find anything that makes it stand out from other similar films. It has a cast that's engaged, but it's completely wasted. It has a story that didn't need to be so serious when it came to presenting us with the emotional depths of its protagonists, and in the end, we're left with a film that works as a momentary diversion. For those who enjoy this style of film, for those looking for something much more revolutionary, the truth is that Shadow Force falls far short of all that.
Revised Critique:
"This film is a staggering disappointment-a haphazard collage of clichés with no discernible vision or originality. From its wooden, over-the-top performances to its lifeless, predictable plot, it reeks of amateurish execution, more akin to a rough draft than a finished product. The story plods along with zero tension or surprises, anchored by dialogue so stilted it borders on self-parody. What a waste of Sy's talent, shackled here to a script devoid of depth or nuance!
Even the antagonist feels lifted from a 1980s Saturday morning cartoon-complete with bald man twirling theatrics and a script so hackneyed you half-expect him to growl "Well, well, well..." before monologuing about worldly revenge. The gratuitous multilingual flourishes add nothing but confusion, further exposing the film's tonal inconsistency.
Releasing this alongside Thunderbolts * (Marvel's New Avengers ) only magnifies its flaws all the way to its PR.
Every element-from the clunky direction to the shockingly inept pacing-screams of a rushed, passionless production. It's a Frankenstein's monster of studio notes and market-driven cynicism, lacking even the charm of a so-bad-it's-good flick.
Some films stumble; this one faceplants. A masterclass in how not to make a movie-shallow, tedious, and utterly forgettable." When its sucks... its sucks.
-
"This film is a staggering disappointment-a haphazard collage of clichés with no discernible vision or originality. From its wooden, over-the-top performances to its lifeless, predictable plot, it reeks of amateurish execution, more akin to a rough draft than a finished product. The story plods along with zero tension or surprises, anchored by dialogue so stilted it borders on self-parody. What a waste of Sy's talent, shackled here to a script devoid of depth or nuance!
Even the antagonist feels lifted from a 1980s Saturday morning cartoon-complete with bald man twirling theatrics and a script so hackneyed you half-expect him to growl "Well, well, well..." before monologuing about worldly revenge. The gratuitous multilingual flourishes add nothing but confusion, further exposing the film's tonal inconsistency.
Releasing this alongside Thunderbolts * (Marvel's New Avengers ) only magnifies its flaws all the way to its PR.
Every element-from the clunky direction to the shockingly inept pacing-screams of a rushed, passionless production. It's a Frankenstein's monster of studio notes and market-driven cynicism, lacking even the charm of a so-bad-it's-good flick.
Some films stumble; this one faceplants. A masterclass in how not to make a movie-shallow, tedious, and utterly forgettable." When its sucks... its sucks.
-
This movie has a good premise, a very good and capable cast, and even had a decent script. However, the directing was absolutely terrible, making many B movies look Oscar-worthy. It took forever to get going. In fact, it was so slow getting going that I nodded off - twice - during the first half hour. A perfect example of a production suffering from a writer who should stick to writing and leave the directing to someone else. Kerry Washington is good and even believable as an action star, with moments of Olivia Pope shining through. Da'vine was a great surprise, too.
My suggestion is wait to watch it when it starts streaming - for free.
My suggestion is wait to watch it when it starts streaming - for free.
3sme3
There are some good ideas floating around in SHADOW FORCE, and the film has its laudable moments. However, the plot is a barely-comprehensible mess, and the action scenes are often poorly-staged. Jahleel Kamara is the standout performance of the film, and all scenes with him work better than the others. This film feels like it was sabotaged by a production problem (running out of money, argument over final cut, footage lost, cast member becoming ill, or something similar) that necessitated cobbling together something perhaps different from what was intended. It might also be something cobbled together to fit business needs (Colombian production incentives, career goals of Kerry Washington, Da'Vine, Method Man), but the end result feels compromised and unworthy of an audience's time.
Lo sapevi?
- QuizThe plot of the film (two spies/special agents fall in love, run away from their employer, and when they are found with a child, they fight for their lives) is quite close to Back in Action (2025), which was released in the same year 2025.
- Citazioni
Jack Cinder: In the interests of expediency, I'd like to keep this short, sweet, and unredacted.
- ConnessioniReferenced in Midnight Screenings: Ballerina (2025)
- Colonne sonoreTruly
Written and Performed by Lionel Richie
Courtesy of Motown Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Shadow Force: Sentencia de muerte
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.933.483 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.151.852 USD
- 11 mag 2025
- Lordo in tutto il mondo
- 5.385.191 USD
- Tempo di esecuzione
- 1h 44min(104 min)
- Colore
- Proporzioni
- 2.39:1
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