Spaceman

I've seen this movie before; it's called Ad Astra. Ambitious, but emotionally absent(and inconsiderate, I guess) husband leaves perfect wife behind to go on vital space mission. In both movies, the man is plagued by memories of a deeply flawed father, leaving them emotionally scarred and unable to reciprocate their perfect wives' love.

While in Ad Astra, Brad Pitt's character discovers his shortcomings pieces at a time: though memory, experience, and various encounters - here, they forgo all nuance. We simply have a spider companion who directly and endlessly tells Adam Sandler what an ass he is to his wife. But both movies share one emotional theme: fathers suck and their sons are not much better. Relationships are all about men needing to open up more. This is not so bad by itself. But I've seen this in so many movies and TV shows by now it's starting to get tiresome. With all the fancy camera-work, heavy performances, and ambient music, this story still just beats you over the head with it's message without offering anything other than an overused cliché.

Other movies in the past have a truly more nuanced approach. Try Solaris(either version), for example. I appreciate the production of this film, really. It's just that this come off as a feminist fantasy rather than good science fiction.

Been wanting to watch this since the first teaser trailer got out some months ago!

Adam Sandler in a psychological drama sci fy sounded very interesting. As its not really those films he's usually in. And he makes it even better then i think he would do.

I've always liked these "wierd", artsy, space themed, deep and psychological films focusing on our mind, our perception of our reality, the meaning of life and on the fear of the unknown.

A very well put together film, with a really really good and beautiful soundtrack aswell. Filming is also very well made!

Excellent manuscript!

A really unique and beautiful sci fy! A very clever film! That i totally recommend! Pure art! A special and poetic space adventure that explores ourselves and the unknown.

This is not a film for fans of Adam Sandler movies. I have seen every Sci-fi movie of note. This isn't really a science fiction movie, it just happens to take place in outer space. It seems cliche to say a film is dreamlike but there is no other way to describe Spaceman. Imagine watching an entire movie through a Kaleidoscope. Not just through the lens of said scope, but also the lens of childlike wonder.

This is a heavy film that asks a lot of the audience. Anyone who sticks with it the whole way will be rewarded with a nice story of friendship and hope. Spaceman drags at points, can feel a bit claustrophobic and is honestly hard to wrap your head around. All in all good job by everyone involved. Again at least semi-pro movie fans only. Operaman-O Bye Bye!

I understand that a lot of people probably rated this low because they saw that it starred Adam Sandler and came into it expecting Happy Gilmore. I did not. I am a sci-fi enthusiast, and I cut my teeth on some of the great, old masterpieces of the '50s and '60s -- many of them by Czech authors, just like this one was! These novels and films were ones that modern audiences might see as "dry" these days, but they were hard-core sci-fi that packed an emotional punch while telling a story of speculative fiction -- a world that "advanced the timeline" from our own to see how the human psyche, human morality, human frailty, would cope with advances in technology. And that's exactly what we have here -- a Czech astronaut put in an extraordinary circumstance, even fantastical by the standards of our "real world." And yet, the actual story isn't fantastical at all -- it's a simple question of the human heart, and the meaning of life. In that way, it's not so different from a one-act, heavy-dialogue drama... but by framing it as a science fiction film, we can strip out any modern-day distractions and just focus on human nature in its purest form.

And maybe enjoy Paul Dano's absolutely riveting performance as a giant arachnid alien!

This is a must-see for any lover of "pure" sci-fi or "old-school" sci-fi. 8/10.

I'll say it countless times: Adam Sandler is a good actor, even a great one. When refocusing from raunchy buddy comedies with his usual crew of 90's comedian friends, he finds projects that he can truly and unequivocally blossom. With these projects becoming more prevalent for the legendary star, it only made sense to make the lateral move into sci-fi.

Spaceman is something else. Soft around the edges, chillingly isolated, and moody to an almost uncomfortable degree, this film has a peculiarity that I can't quite put my finger on. Spaceman Jakub grapples with hardships that are equal parts relatable yet unimaginable. It's clear that he has been on this mission an agonizingly long time - literally floating in an emotional limbo that is ironically heavy. Aside from the harsh void, there is an internal vortex of pain, loneliness, and aimlessness that is heavy on Jakub's heart away from his partner, Lenka (Carey Mulligan). Denis Villeneuve's film Enemy comes to mind when we meet a large space spider (which Jakub names Hanus) voiced by Paul Dano, an English-speaking extraterrestrial who guides Jakub through his psyche, painstakingly examining what Jakub is truly after.

The darkness is a mirror emotion of interpersonal turmoil that exists in the claustrophic tin can they inhabit would be more effective if it didn't feel like the weirdest therapy session you can think of. The effect that is desired of us feels almost forced. However, this is made up for by stellar performances by the main cast. Believability and authenticity are the main ingredients of this unusual space oddyssey. This, combined with visuals that are breathtakingly beautiful, culminate into a third act that firmly holds your heart in a moment that intersects the beauty and vastness of a universe yet to be fully embraced.

Spaceman is not as complicated of a movie as it wants you to believe. Complexity of emotions and the pressures of Jakub's world almost act as a smokescreen of feelings that at times feel artificial, but the strength of the drama and cresendo of internal exploration make up for this to create a film that reminds you of Adam Sandler's potential.