Tove

Tove Jansson was a Swedish-speaking Finnish author and artist born in the 1910s to an artist family. Internationally she's most well-known as the author of the Moomin books and comics strips. This film is the story of her formative years and how she came up with the Moomin characters.

Upon its release it became the second most expensive Finnish film made to that point. And it does look good, I'll give it that, although I'm still not sure just why it needed such a large budget. But the locations and costumes look good. The film is also shot, edited and acted really well, with special mention going to Alma Pöysti as the leading character.

It's also interesting to see the author behind these beloved characters and how her own life influenced the books. Jansson's own rather bohemian lifestyle is definitely reflected in the books and her various acquaintances and friends that would eventually inspire many of the Moomins are also really interesting.

That being said, the film is not as Moomin-heavy as you'd think. It's more a story about a struggling artist and her various trials and tribulations. Successes and losses in both her career and personal life. And while that is interesting enough, I confess to being somewhat disappointed that there wasn't more Moomin content in this film. Then again, Jansson herself expressed in her later years that she's a tad miffed she's only known for Moomins. So perhaps in that regard this film is more respectful to her than many other sources have been.

Nevertheless, it's a great film to look up. Technically sound, well-written and beautifully acted. Not awe-inspiring or overly emotional, but then again, it doesn't need to be.

Simply made, yet well crafted, "Tove" tells the story of the author's life in the years directly following the second world war, and the relationships and influences that led her to fame.

Unfortunately (and it always feels rather mean to write this about a film based on real life), there simply isn't enough drama in the story to make it really engaging

It does somewhat fall into the "lesbian period drama" trope, but a little bit of gay scandal isn't a reason to seek out a film in 2022. And based on the reactions of characters in the film, it was entirely tolerated in Helsinki's "artistic" circles anyway.

Husbands don't seem to mind affairs, struggling artists still seem to have the means to visit Paris, and already-published authors of children's cartoons seem to make a big fuss about how they would rather be a painter.

People should be more upset by divorce and deceit and failure. "Tove" is just too nice.

The Finnish film Tove (2020) was directed by Zaida Bergroth. It stars Alma Pöysti as Tove Jansson, "one of the most beloved Finnish writers/cartoonists/artists," according to a knowledgeable reviewer.

Tove was the creator of the Moomins, important characters in Swedish-language books and comic strips. (Jansson was a member of the Swedish-speaking minority in Finland.) She also wrote novels and children's fiction.

Alma Pöysti is a brilliant actor, and she makes Jansson's character come alive. This is important, because Pöysti is on the screen almost all the time. The movie rises or falls based on her skills.

The movie has two major plots. One plot revolves around the fact that Jansson wanted to be a recognized artist, not a cartoonist. Another plot involves Jansson's sexuality.

We saw this film at Rochester's wonderful Dryden Theatre, presented by ImageOut, the great LGBT film festival. (Of course, all safety protocols were in place.)

Tove has an IMDb rating of 7.2. I thought it was better than that, and rated it 8.

The story focuses on Tove Janssons formative years as an artist, during which time she also developed her most known characters, the moomins a lot. The film is well made, acting is top notch (especially Alma Pöysti in the lead role) and left me with a warm feeling. Don't expect a dramatic epoch or an intense drama with unexpected twist and turns.

This biopic about the artist Tove Jansson opens the Festival, which focuses on her relationship with her great love, not fully reciprocated. Leaving on a secondary plane other relationships that seem more interesting to us, such as the one she maintains with her father, this biopic is conventional. There is an unrequited double relationship, but the script unbalances her interest. Everything is in its place, but nothing stands out especially, except the work of the actress Alma Pöysti.