Rebus

Well what can I say?

I just binged all 6 episodes of Rebus Season 1. The episodes flowed seamlessly, delivering a compelling narrative. I haven't read the books, so I wasn't familiar with the characters, but it was an easy and solid watch. If you're into crime drama, it's worth a viewing, and I'd gladly watch another season to see how the plot unfolds.

If you're a film junkie like myself then you'll appreciate the time and effort that Gregory Burke and everyone else put in to make this happen.

I enjoyed it. Not my place to say where it could have been improved. It is what it is.

Thank you.

I find it rather funny that All these reviewers are complaining that Ian Rankin won't like what's been done to his creation and they are obviously oblivious to the fact that he fully supports this reimagining of a younger Rebus set in the present day. I think Richard Rankin does a great job as Rebus and I can't wait for 2nd series. The supporting actors are growing on me . This Rebus is a bit more violent than I really remember and I personally could Do with a bit less of gratuitous violence but all in all It's a winner . Good writing , good acting, not much to dislike here. I can see this series doing well .

The BBC's latest adaptation of Ian Rankin's iconic Edinburgh detective, Rebus, boldly reinvents the character for a new generation-setting him in the present day as a younger, more volatile DS rather than the weary DI of past series. While this reboot leans into violence and realism, it manages to stay true to the spirit of Rankin's creation-something the author himself fully supports.

Richard Rankin is a standout as Rebus, bringing a brooding intensity and emotional vulnerability to the role. His fractured relationships, particularly with ex-wife Rhona and his brother Michael, ground the show in personal drama, while the unfolding criminal plot adds the necessary suspense and grit. The supporting cast, including Amy Manson and Brian Ferguson, deliver compelling performances that grow stronger as the series progresses.

This version of Rebus doesn't shy away from the darker sides of Edinburgh, with plenty of bleak cityscapes, complex moral dilemmas, and "industrial language." The violence may be more graphic than earlier adaptations, but it serves the narrative's tone rather than distracting from it. Gregory Burke's adaptation is sharp and well-paced, and the direction by Niall MacCormick and Fiona Walton ensures a cinematic feel throughout.

This Series has earned its place, combining solid writing, atmospheric visuals, and a fresh yet faithful take on a beloved character. Grittier than expected, but undoubtedly engaging, Rebus is a welcome return for the troubled detective.

Troubled cop Rebus battles crime on Glasgow's streets, and battles his own personal demons, the drink and his fractious relations with his family.

I think The BBC has a winner here, it's a cracking series, hopefully one that will go on for years to come. A lot more violent than anything that's been on mainstream TV for a long time, incredibly gritty.

Nicely made, but definitely has a a raw feel to it, that's part of the appeal.

We've all had our favourite, for some it was John Hannah, for some including me it was Ken Stott, Richard Rankin was first choice casting, he's absolutely brilliant.

I liked the dynamic between Rebus and Siobhan, they're not exactly bosom pals, there's definitely a degree of friction, which grows as the series develops.

I was a little mixed about episode one, but by the second I was hooked, I could easily have binge watched the whole lot in one go.

More please BBC.

8/10.

This had a couple of seriously good reviews and I was looking forward to episode 1. I suppose I was mildly disappointed.

Nothing too bad, simply a little predictable. I'm not a huge fan of police show back stories but this is now common place and this is no exception. I prefer more focus on detective work and solving crime and less of the marital (and extra marital) stuff.

Also a mention of some annoying camera work. The current 'edgy' style of moving the camera slightly and jerkily in some scenes simply detracts. I don't really understand the obsession some programme makers have with it.

Will watch episode 2 and decide.