Il collasso

Top shelf A grade Dystopia.

Excellent production all round.

Unfortunately too short.

Each episode could easily have been stretched out to 40min allowing more character development.

Every episode was excellent but felt a bit pointless ending as soon as the story was peaking.

Such a shame this great mini series never got the investment it deserved.

The highlight of this mini series is its realization. Each chapter is shot with a handheld camera and in a single continuous take without editing, which makes it a novel product and very difficult to film. Another feature of the series is that the last episode could be considered the first, since the final chapter tells the origin of how the collapse of the world began. Each episode is independent of the other and tells stories of ordinary people in an environment in which the planet has collapsed and there is a lack of food, energy services are scarce or failing and people try by all means to find a way to survive, as they As the episodes go by, there is a progressive count of the days that have passed since this collapse, so as the stories progress they are increasingly crude and violent. We can see how people are desperate to get food that is missing in a market, fuel to escape to a safer place or simply people with a lot of money who have hired special services that will take them to special bunkers so that they are safe. A very entertaining, innovative series, very well directed and acted, and with a message that will leave more than one viewer thinking about the real possibility that the day of the collapse can come true.

Abstract

Eight exciting chapters, eight moments and extreme situations derived from a sudden? crisis that leaves the planet without supplies.

Review

Starting on J-Day, there is a sudden global collapse whereby the supply of food, energy and other inputs is cut off.

This French miniseries addresses in each chapter distressing situations that arise from that event whose nature we ignore.

But it does not do it in any way: each one of its nervous chapters lasts only around 20 minutes and is filmed in real time with a handheld camera and in a single sequence shot. And it is not a quirk of style: the dramatic effect is prodigious and the technical expertise in the realization in some is astonishing.

The series does not fall into the usual Manichean nihilism of apocalyptic dystopias because, although human miseries appear in each chapter, the result of desperation for survival, gestures of solidarity and collaboration are not absent either.

The situations dealt with are individual or collective, often dilemmatic, with very different locations, different characters (with very few exceptions and few links between them) and with strong social and class notes, but without falling into the cliché. Overall the pacing is distressing but never hysterical, and the filmmakers have a knack for making chapters quite different and with room for surprise.

Filmed in 2019, this dystopia directed by Jérémy Bernard, Guillaume Desjardins and Bastien Ughetto (who stars in one of the most terrifying episodes) is prescient in some aspects of the global coronavirus crisis and undoubtedly related to the prevailing capitalist modes of production.

Pay attention to the final titles of each chapter. If you pay attention, you will see that they are revealing.

This excellently made short series is atmospherically dense like Black Mirror. But it's not about the consequences of technological development. At least not directly. But about the collapse of the social order, the survival of people while everything around them no longer exists.

Each individual episode represents a certain period of time, e.g. episode 7, which shows a woman surviving 50 days after the collapse of society (one of the best episodes, by the way). The exception is the last episode 8, which shows the events 5 days before the collapse.

A much too unknown series that left a deep impression on me. Unfortunately the series only consists of 8 episodes, each about 15-25 minutes short. The short duration of the episodes is an advantage when designing a captivating episode. I hope there will be a new season with more episodes at some point. With episodes this short, there should be at least 15 episodes.

In terms of production (camera, editing, lighting, sound / music), the consequences are all equal and well done. This is an example of what the European film industry can offer.

Presumably some self-proclaimed ''patriots'' (Neoliberals with great love for the rich) who are delusional will see this series as socialist propaganda.

Five episodes, all shot in one take, five different situations in an escalation. This was so tense it actually gave Chernobyl a match, with much much lesser means. Episode 1 is the weakest, because of the acting, but it already sets the mood : extreme paranoïa, and survival of the fittest! That was quite an achivement in horror in its purest sense. Highly recomended! Edit : Episodes 6-8 are on the same model, but add some interconnectivity between some storylines, to great effect.