VALUTAZIONE IMDb
5,9/10
6671
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaLena, a young Polish immigrant working as a cleaner at an airport, is invited to the family home of a co-worker, which turns sinister quickly as the family intend to 'adopt' her.Lena, a young Polish immigrant working as a cleaner at an airport, is invited to the family home of a co-worker, which turns sinister quickly as the family intend to 'adopt' her.Lena, a young Polish immigrant working as a cleaner at an airport, is invited to the family home of a co-worker, which turns sinister quickly as the family intend to 'adopt' her.
- Regia
- Sceneggiatura
- Star
Clare Dyer
- Female Torso
- (as Claire Dyer)
Art Fox
- Office Cleaner
- (as Arthur Fox)
Recensioni in evidenza
I thoroughly enjoyed this ensemble piece, despite what has been previously posted the performances were good( newcomer included)as strange dysfunctional 'family'. Perry Benson( Dad) seems have relished in seedy elements of his character, and Dido (Mum)plays it with just enough detachment to make really creepy. As for character of "Birdy", she is just so evil & manipulative .. Oh she reminders of my older sister. Do think some of nuisances will only appreciated by a British audience(especially with regards a Christmas scene) or someone who has been stuck in an after it closes. Seek it out if you like your horror served with a wry smile.
I've watched countless horror films and this is one of the very best.
I agree with a previous reviewer that the Americans are generally better at making these sorts of films, but this particular film proves beyond doubt that the best British efforts are at least as good as anything the Yanks can do.
If this really was made on a budget of £100k it just goes to show how much bang for your buck you can get with the right writer/director and cast. The whole feel of the film is effortlessly authentic. The cast is superb throughout and the dialogue completely natural and believable.
The director deserves credit for putting some very brave moments on camera, moments that even in today's battle hardened torture porn times elevate this movie to the sublime.
Far from being in any way inferior to an American production, this is in fact near perfect execution of modern horror storytelling.
I agree with a previous reviewer that the Americans are generally better at making these sorts of films, but this particular film proves beyond doubt that the best British efforts are at least as good as anything the Yanks can do.
If this really was made on a budget of £100k it just goes to show how much bang for your buck you can get with the right writer/director and cast. The whole feel of the film is effortlessly authentic. The cast is superb throughout and the dialogue completely natural and believable.
The director deserves credit for putting some very brave moments on camera, moments that even in today's battle hardened torture porn times elevate this movie to the sublime.
Far from being in any way inferior to an American production, this is in fact near perfect execution of modern horror storytelling.
'Mum & Dad' director Steven Sheil cites Pete Walker's 'Frightmare' and Freddie Francis' 'Mumsy, Nanny, Sonny & Girlie' amongst his influences, but this darkly horrific, savagely funny and disturbing debut is a far cry from Walker and Francis' visions. With a constant soundtrack of jumbo jets screaming overhead and an almost religious zeal for making even the most mundane of British customs (cups of tea, Christmas sherry, fried breakfasts) seem perverted and wrong, 'Mum & Dad' stands out amongst the usual horror fare of good-looking teens being bumped off. In fact, despite wearing it's influences (most notably Tobe Hooper's 'Texas Chain Saw Massacre') on its sleeve, the film manages to conjure up a unique atmosphere of brutality and disgust that stays with you long afterwards. Great performances all round and great production values despite the limited budget. Terrific, edgy film-making.
What better way to start the new year than with a gritty British horror flick. New horror talent is rising everywhere and the Brits can't lag behind. Not that they can keep up with the best, but they manage to uphold a good standard of dirty and raw horror flicks. Enter Mum & Dad.
Horror films come in all different sizes and flavors. Gore, ghosts, werewolves, suspense, torture and whatnot. Sheil's Mum & Dad is a little different though. Rather than hit the audience with full-frontal ugliness it gambles on weirdness and plays the freak card. While some might call it another variation on the crazy family theme, it holds more in common with a film like Killers (or Real Killers, as it is also known) than it does with the Chainsaw Massacre or Rob Zombie flicks.
One thing about horror flicks is that you can often derive a lot from the title of the film. The cooler and tougher it sounds, the softer it usually is. And so you have to admit, Mum & Dad leaves a good solid base for some slick and freaky horror fun. Central to the film are both characters referenced in the title. Mum and dad might look like ordinary people from the outside, they certainly are a little different from your regular household setup.
The fun starts when one of their children drags in a Polish immigrant girl who gets "integrated" into the family. It quickly starts to dawn that mum and dad are not as ordinary as they seemed at first and off you go for a good 60 minutes of weirdness. Much like Calvaire, the film plays on equal levels of awkwardness, grit and humor which makes for a pretty compelling viewing. As much as you are repulsed, there's always some mad streak that sports a dark grin.
The film is obviously a low budget affair and even though Sheil does his best to conceal this fact, from time to time it does look its budget. Visually there are interesting shots and sequences but the overall effect remains pretty inconsistent, with some rather amateurish shots in between. Same goes for the soundtrack of the film. Some dark ambient background music and good use of sound effects, but it never really gels into an audiovisual trip.
Luckily mom and dad themselves make the film a pleasure to watch. Their appearance alone, especially dad's, gives the film a pretty twisted feel. Fat English accents and an overly greasy facade only add more flair to the family. Both daughter and son are nice additions too, adding their share of weirdness to the whole setup.
While the level of gore is not noteworthy the film is pretty damn filthy in its own right. The creepiness of the family creates a bigger punch for what is actually shown on screen. On the other hand, the film never loses its touch of humor, keeping it clear from the realm of films like Martyrs. Add some nicely built up tension near the end and what you have is a pretty neat little horror flick that is sure to entertain and repulse at the same time.
Mum & Dad is not as good as any of its influences as Sheil's style is a little less refined. Still, there is potential aplenty and if the idea of a mellowed down mix between Calvaire and Martyrs appeals to you this is definitely a film worth watching. 4.0*/5.0*
Horror films come in all different sizes and flavors. Gore, ghosts, werewolves, suspense, torture and whatnot. Sheil's Mum & Dad is a little different though. Rather than hit the audience with full-frontal ugliness it gambles on weirdness and plays the freak card. While some might call it another variation on the crazy family theme, it holds more in common with a film like Killers (or Real Killers, as it is also known) than it does with the Chainsaw Massacre or Rob Zombie flicks.
One thing about horror flicks is that you can often derive a lot from the title of the film. The cooler and tougher it sounds, the softer it usually is. And so you have to admit, Mum & Dad leaves a good solid base for some slick and freaky horror fun. Central to the film are both characters referenced in the title. Mum and dad might look like ordinary people from the outside, they certainly are a little different from your regular household setup.
The fun starts when one of their children drags in a Polish immigrant girl who gets "integrated" into the family. It quickly starts to dawn that mum and dad are not as ordinary as they seemed at first and off you go for a good 60 minutes of weirdness. Much like Calvaire, the film plays on equal levels of awkwardness, grit and humor which makes for a pretty compelling viewing. As much as you are repulsed, there's always some mad streak that sports a dark grin.
The film is obviously a low budget affair and even though Sheil does his best to conceal this fact, from time to time it does look its budget. Visually there are interesting shots and sequences but the overall effect remains pretty inconsistent, with some rather amateurish shots in between. Same goes for the soundtrack of the film. Some dark ambient background music and good use of sound effects, but it never really gels into an audiovisual trip.
Luckily mom and dad themselves make the film a pleasure to watch. Their appearance alone, especially dad's, gives the film a pretty twisted feel. Fat English accents and an overly greasy facade only add more flair to the family. Both daughter and son are nice additions too, adding their share of weirdness to the whole setup.
While the level of gore is not noteworthy the film is pretty damn filthy in its own right. The creepiness of the family creates a bigger punch for what is actually shown on screen. On the other hand, the film never loses its touch of humor, keeping it clear from the realm of films like Martyrs. Add some nicely built up tension near the end and what you have is a pretty neat little horror flick that is sure to entertain and repulse at the same time.
Mum & Dad is not as good as any of its influences as Sheil's style is a little less refined. Still, there is potential aplenty and if the idea of a mellowed down mix between Calvaire and Martyrs appeals to you this is definitely a film worth watching. 4.0*/5.0*
Mum & Dad (2008)
** (out of 4)
British horror film about a girl named Lena (Olga Fedori) who is kidnapped by her co-workers (Ainsley Howard, Toby Alexander) and brought back to their mom (Dido Miles) and dad (Perry Benson) who will allow her to live as long as she plays by their rules. What follows is a bunch of torture while Lena tries to get a plan for an escape. MUM & DAD is the latest in a very long line of torture horror films but this one here doesn't depend on a lot of graphic violence and gore. Instead, writer-director Steven Sheil tries to build up a bizarre and rather unique atmosphere that is full of weird characters and situations and for the most part he succeeds. While the film is far from perfect I think there are enough good moments to where fans of the genre should remain mildly entertained while those against these type of films will find enough to be offended by. I think the best thing about the film are the performances from the five leads, all who fit their roles extremely nicely. I was really impressed with Howard who plays the twisted sister Birdie. This character is such a jerk and sleaze bag that you can't help but feel as if Howard was a real person in a real documentary. I thought Fedori also did a nice job in the role of the main girl because she really made you feel for the character and want to see her survive. Both Benson and Miles are extremely creepy as the parents and especially Benson as the twist father with a few too many issues. I think the biggest problem with the movie is that the story itself really isn't anything original and along the way we're really not given any twists or turns. I think a little bit more originality would have helped matters but as it is, MUM & DAD is a twisted little movie that will rub some the wrong way but the targeted audience should be able to make it through.
** (out of 4)
British horror film about a girl named Lena (Olga Fedori) who is kidnapped by her co-workers (Ainsley Howard, Toby Alexander) and brought back to their mom (Dido Miles) and dad (Perry Benson) who will allow her to live as long as she plays by their rules. What follows is a bunch of torture while Lena tries to get a plan for an escape. MUM & DAD is the latest in a very long line of torture horror films but this one here doesn't depend on a lot of graphic violence and gore. Instead, writer-director Steven Sheil tries to build up a bizarre and rather unique atmosphere that is full of weird characters and situations and for the most part he succeeds. While the film is far from perfect I think there are enough good moments to where fans of the genre should remain mildly entertained while those against these type of films will find enough to be offended by. I think the best thing about the film are the performances from the five leads, all who fit their roles extremely nicely. I was really impressed with Howard who plays the twisted sister Birdie. This character is such a jerk and sleaze bag that you can't help but feel as if Howard was a real person in a real documentary. I thought Fedori also did a nice job in the role of the main girl because she really made you feel for the character and want to see her survive. Both Benson and Miles are extremely creepy as the parents and especially Benson as the twist father with a few too many issues. I think the biggest problem with the movie is that the story itself really isn't anything original and along the way we're really not given any twists or turns. I think a little bit more originality would have helped matters but as it is, MUM & DAD is a twisted little movie that will rub some the wrong way but the targeted audience should be able to make it through.
Lo sapevi?
- QuizThe script was written in four weeks.
- Colonne sonoreElevator 1
Written & recorded by Daniel Weston
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Mama i tata
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000 £ (previsto)
- Lordo in tutto il mondo
- 2698 USD
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 1.78 : 1
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