House of Gucci

I was a little bit afraid of diving into this movie as it has an extensive running time of 154 minutes, which is a lot for a biographical drama, but I was pleasantly surprised by how immensely intriguing the story was.

The best part of the movie for me was its visual appeal. "House of Gucci" has something breathtaking in practically every frame and just for that it deserves a watch.

"House of Gucci" is a beautifully shot picture with great people involved. It is somewhat underwhelming and a tad too long, but there are great moments sprinkled throughout the movie.

The film is based on the real murder of Maurizio Gucci and the downfall of the Gucci family. It all begins when Patrizia Reggiani marries into the Gucci family and the rest is history.

Lady Gaga is great as the ambitious Patrizia Reggiani but she is also inconsistent with her performance. Pacino, Driver and Leto are good per usual. It is however a daring choice by the filmmakers to have the actors speak in English with an Italian accent. It is not a huge problem, but it does occasionally take the viewer out of the experience.

The first forty minutes of the movie are great. The characters are well introduced, and the plot is intriguing. The rest of the movie does not maintain this standard. The last 30 minutes are beyond underwhelming and the climax is cold and emotionless.

There are issues with "House of Gucci" but the production design is not one of them. The film is beautifully shot and the locations look great. "House of Gucci" is very stylish and the costume department really outdid themselves.

With everything said, "House of Gucci" is a decent film with outstanding visuals and great acting. If you like fashion, then you should give this movie a watch. It is beautiful and quite enjoyable despite its excessive runtime.

A film so out of its mind that it is operating entirely on impulses, House of Gucci makes for a wild, inconsistent & unabashedly over-the-top biographical crime drama that chronicles the downfall of the Gucci family dynasty without any intent or interest and is surprisingly fuelled by absolutely unhinged performances, each functioning on a separate wavelength and pointed in a different direction.

Directed by Ridley Scott, this tonal nightmare plays out like an (un)intentional parody of the Oscar-bait biopics and is far from the quality of work we expect from the filmmaker at helm. All its elements are at odds with each other, thus resulting in a film so bonkers & unpredictable in its approach & execution that it actually piques the curiosity in a way that's not just unusual or unexpected but also nonsensical.

However, a story treatment this uneven & erratic can only carry on for a while before the appeal goes away and this one goes on for 157 long minutes, all of which is tediously paced. The characters themselves are mere caricatures and the ensemble cast is given the license to render them as such. But none of the actors are ever on the same level or looking for any kind of harmony even when sharing screen together.

Overall, House of Gucci is inarguably the "so bad it's good" film of the year. Laced with irony, drowning in decadence and incongruous in each n every aspect, this overlong & overbearing train-wreck suffers from issues of its own makings and despite boasting an A-list ensemble, it doesn't utilise a shred of their talents. Inadvertently hilarious & downright mediocre, Ridley Scott's latest is what happens when the entire cast n crew is left unsupervised & goes amok.

House of Gucci is a new crime drama directed by Ridley Scott, the director of Gladiator and Alien.

The film is inspired by true events surrounding the family behind the Italian fashion house Gucci. When Maurizio Gucci (Adam Driver) begins a relationship with the outsider Patrizia Reggiani (Lady Gaga), he is disinherited by his father Rodolfo Gucci (Jeremy Irons). He suspects that Patrizia is behind Maurizio's family money. That's how the two have to make it without the support of the Gucci family. Years later, the two are married and have a child together. Maurizio's uncle Aldo Gucci (Al Pacino) thus contacts him again and brings him back into the family business. The Gucci fashion house is once again going under multiple names, leading to creative differences, exposing betrayal, revenge and even murder cases.

There have been many changes in the making of this film. Martin Scorsese, for example, could have directed the film at first, but Ridley Scott was eventually given a directing position. Together with the casting directors, he also had many ideas for the casting of the roles before they finally came to the chosen actors and actresses.

After the many changes in casting and direction, they probably should have looked back at the writing crew of the film, because the final script was written by more novice writers, which can sometimes be seen in the film. The story can sometimes seem a bit messy and so long-winded, because the story makes many jumps in time. Some relationships come across as rushed, which can cause some loss of credibility.

What comes out best in the film about a well-known fashion brand is therefore the costumes and make-up of the characters. Janty Yates can expect film award nominations for this. Still, the film has received complaints from actual members of the Gucci family that the relatives were better dressed in real life compared to the actors in the film. They also credibly convey the places where the story takes place.

Al Pacino comes out the best of the film cast and knows how to provide the best and most believable accent compared to the entire cast. Lady Gaga and Adam Driver have good chemistry together in the film, but their relationship sometimes comes across as weak. Patrizia is clearly showing signs that she is more behind the Gucci family's money than she really loves Maurizio. Their accents can also come across as a bit unusual. Lady Gaga has more of an Eastern European accent than real Italian. Her characters seem to come more from Russia in some scenes. Of the entire cast, Salma Hayek is the only one who has received help with speaking in the correct accent. This is probably because she is married to the man who now owns the Gucci brand. If they had helped the entire cast a little more with their accents in the film, they would have come across a bit more like people from the same country. Who even seems to play in a completely different film is Jared Leto, because in the film he wears a fattening costume and also has a strange shaved hair style. In the film, he comes across as too exaggerated compared to the rest and speaks excessively in a high-pitched voice. He sometimes sounds just like the video game character Mario.

Greetings again from the darkness. I've never purchased or owned anything Gucci, but that didn't prevent me from enjoying the heck out of Ridley Scott's film that brings the longest, most expensive and dangerous real life episode of 'Family Feud' to the big screen. It's co-written by Becky Johnston and Roberto Bentivegna, and is based on the 2001 book, "House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed" by Sara Gay Forden. Brace yourself for a (mostly) true wild ride, and for what is likely to be one of the year's most divisive films - plenty of love and hate (just like the actual story).

What happens when a brand is so closely associated with a family name? The arguments begin on who 'deserves' to be a Gucci, who is a 'real' Gucci, and who should make the decisions that impact the Gucci family and business wealth and reputation. During the extended run time (2 hours, 37 minutes), we see many of the iconic Gucci items: the Flora scarf, the moccasins, the bamboo bag, and the watches. And though high fashion is always present, director Scott has delivered a spectacle of romance, family riffs, extravagance, greed, power, betrayal, revenge, and crime.

Lady Gaga (Oscar winner, A STAR IS BORN, 2018) stars as Patrizia, the newest Gucci. Hers is not blind ambition, but rather calculated and laser-focused. That she implodes a dysfunctional family is only a portion of the story. After marrying Maurizio Gucci (Adam Driver), Patrizia immediately begins manipulating her husband into reconciling with his family and taking on an active role in a business for which he previously had little interest. This is simply step two (the first was marriage) in her grand scheme to control the business and the money. Maurizio's father Rodolfo (Oscar winner Jeremy Irons, REVERSAL OF FORTUNE, 1990) is ailing, so it's Uncle Aldo (Oscar winner Al Pacino, SCENT OF A WOMAN, 1992) to whom Patrizia directs her attention. She plays it like a chess match - only this is more entertaining to watch unfold.

Also in the picture is Paolo Gucci (a truly unrecognizable Jared Leto, Oscar winner, DALLAS BUYERS CLUB), Aldo's son, and a family outcast. Paolo is a wildly creative individual who tends to his pet pigeons and tries desperately to find his place in the family. Jack Huston plays Dominico De Sole, Rodolfo's consigliere and the family attorney. Each of the characters is given their time in the spotlight, including a terrific breakfast scene with Pacino and Irons. Of course this is mostly Patrizia's story, so it's Lady Gaga's performance that will attract much of the attention and commentary. I found her mesmerizing and twisted fun to watch as she proceeded with backstabbing and trickery. Driver's quietly intense approach makes the perfect contrast to hers.

If you are familiar with the story, you know that Maurizio does eventually run the company, and he also tires of Patrizia's family-crushing antics ... which send him back into the arms of Paola Franchi (Camile Cottin, STILLWATER, 2021). This turns the campy and juicy melodrama factor up to 11 (on the Spinal Tap scale). Patrizia's frequent trips to fortune teller and TV psychic Pina Auriemma (Salma Hayek) cause a massive tonal shift in the film, leading to the well-documented conclusion. If all this isn't strange enough, Ms. Hayek is the real-life spouse of the CEO of Gucci's present-day parent company, Kering. Reeve Carney ("Penny Dreadful") has a small, yet vital role as up-and-coming fashion designer Tom Ford.

In this movie, it's easy to describe some performances as hammy or over-the-top, but that's likely to only hold as a first reaction. Leto's characterization of Paolo sticks out so much from the others ... but he was known as eccentric, and at best, was patronized by the family. It seems highly likely that his personality and approach stood in stark contrast to the old-school style of his father Aldo, or the more staid personalities of his Uncle Rodolfo and cousin Maurizio. Lady Gaga as Patrizia is cunning and shrewd in her calculated approach to re-structure the family and the business. She plays whatever games she must to get where she wants to be. I found her first half performance to be truly outstanding. Pacino is the actor who has trademarked hammy performances over the years, yet here, he fully grasps his role and character, and is a delight to watch.

Much of this is documented by history, though the Gucci family claims not all is or was how it seems. Whether the boost in counterfeiting/knock-offs went down in the 70's and 80's as it's portrayed here, might be an area worth researching, but this is much less a case study in business principles as it is one in family dynamics. I'll certainly understand those who argue against the story structure here, but the entertainment value proved to be enough for me. As the Gucci tagline goes, "Quality is remembered long after price is forgotten", but the backstabbing and disloyalty is never forgotten - despite providing great theater (and fashion).

Opens in theaters on November 24, 2021.