The Narrow Road to the Deep North

My Spanish grandmother was under house arrest during the Japanese occupation of British North Borneo during the war. She told me stories of the treatment of Australian soldiers held captive. This show is serious television. It is part English Patient, Tree of Life, Thin Red Line, and Bridge over River Kwai. It is haunting, erotic, intimate, brutal, humanistic, and historical. This was a show made to honor the fallen and to preserve memories and experiences and is unflinching. It is the kind of series that will penetrate your dreams, make you feel small, and humble you. These kinds of series are not often made. The showrunners are owed gratitude and respect for having pursued this undertaking. It is unabridgedly effective.

One of the best and the hardest show I have ever watched. I sat watching this with my father next to me telling me of the stories his father would tell him of working the Thai-Burma railway in those very conditions. I watch as he had tears telling me this was like a visualization of those very stories. The story was well written and the characters were all play so well. The cinematography was brilliant despite what other reviewers say, you felt as though you were there in that jungle and the soundtrack was haunting and will stick with you. It left me very shaken but was well worth the watch, would highly recommend but be warned it is very full on and doesn't shy away from brutality.

Had high expectations, but was very disappointed. The misty, murky photography made it hard to watch and I gave up. The lead actor mumbles his way through the episodes and Ciarin Hind's Aussie accent is even worse, and he too mumbles. The producer should have hired someone who knew how Aussies spoke in 1941, because they certainly did not call a dinner jacket , a tuxedo, nor say hi in a formal setting. I know the series is based on a book, which I have not read, but the movie, Bridge on the River Kwai was better and if you want to know about the hardships suffered by Aussies in Japanese POW camps, read about Sir Weary Dunlop.

I agree with comments by other reviewers about the dark murky lighting on parts of the series. I know the intent is to create atmosphere but possibly taken too far. The three timelines were also a bit confusing especially as the two main female characters resembled each other in the early episodes. However, those are small quibbles. This is one of the better series I have seen. A compelling story which stays with you for a long time. The acting was superb. There are scenes which are difficult to watch because they are brutal. Not for the squeamish. An important time in history which poses questions relevant today.

In response of some critics about... The cinematography is one of the best I've ever seen. Mist, darkness, murkiness... it feels like material heaviness... rain, mud, humidity... It's so rare to 'feel' the visual in contemporay cinema... It is the meaing of the supersensible, synaesthetic overtones that Ejzenstejn spoke of, perfectly reproduced with digital tools. As for the plot: the first two episodes are absolutely solid and convincing. Kurzel proves to be one of the most prepared directors, in the name of a certain incandescent naturalism that borders on material evocation, as already underlined. TV at its best.