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IMDbPro

Dick Johnson è morto

Titolo originale: Dick Johnson Is Dead
  • 2020
  • VM14
  • 1h 29min
VALUTAZIONE IMDb
7,4/10
7511
LA TUA VALUTAZIONE
Dick Johnson in Dick Johnson è morto (2020)
A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book - staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever. The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.
Riproduci trailer1:48
2 video
18 foto
BiografiaDrammaUn documentario

La premiata cineasta Kirsten Johnson è disposta a usare tutti i trucchi del mestiere per inscenare le morti immaginarie e fantastiche del padre, uno psichiatra ottantaseienne, nella speranza... Leggi tuttoLa premiata cineasta Kirsten Johnson è disposta a usare tutti i trucchi del mestiere per inscenare le morti immaginarie e fantastiche del padre, uno psichiatra ottantaseienne, nella speranza che il cinema la aiuti a piegare il tempo.La premiata cineasta Kirsten Johnson è disposta a usare tutti i trucchi del mestiere per inscenare le morti immaginarie e fantastiche del padre, uno psichiatra ottantaseienne, nella speranza che il cinema la aiuti a piegare il tempo.

  • Regia
    • Kirsten Johnson
  • Sceneggiatura
    • Nels Bangerter
    • Kirsten Johnson
  • Star
    • Michael Hilow
    • Ana Hoffman
    • Dick Johnson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    7511
    LA TUA VALUTAZIONE
    • Regia
      • Kirsten Johnson
    • Sceneggiatura
      • Nels Bangerter
      • Kirsten Johnson
    • Star
      • Michael Hilow
      • Ana Hoffman
      • Dick Johnson
    • 31Recensioni degli utenti
    • 64Recensioni della critica
    • 89Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Primetime Emmy
      • 19 vittorie e 40 candidature totali

    Video2

    Official Trailer
    Trailer 1:48
    Official Trailer
    Dick Johnson Is Dead
    Trailer 1:50
    Dick Johnson Is Dead
    Dick Johnson Is Dead
    Trailer 1:50
    Dick Johnson Is Dead

    Foto17

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster

    Interpreti principali10

    Modifica
    Michael Hilow
    Michael Hilow
    • Consultant
    Ana Hoffman
    • Backup Singer
    Dick Johnson
    Dick Johnson
    • Self
    Kirsten Johnson
    Kirsten Johnson
    • Self
    Chad Knorr
    Chad Knorr
    • Construction worker
    Kevin Loreque
    Kevin Loreque
    • Buster Keaton
    Vasthy Mompoint
    Vasthy Mompoint
    • Backup Singer
    Mary Page Nance
    • Katie Jo
    Ira Sachs
    Ira Sachs
    • Self
    Nicole Tio
    Nicole Tio
    • Backup Singer
    • Regia
      • Kirsten Johnson
    • Sceneggiatura
      • Nels Bangerter
      • Kirsten Johnson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    7,47.5K
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    Recensioni in evidenza

    8TheReelMovieMaven

    Highly original, heart-warming

    I rated this an 8 because, while it's not the world's best documentary, it is completely original, and thought-provoking despite its seeming simplicity. You'll fall in love with Dick Johnson as soon as you meet him, with his childlike, wide-open smile and merry eyes. That love only deepens throughout this funny and awe-inspiring film (for me, especially in the sneak-peeks into the filmmaking process, including the practice of various stuntmen hired to simulate Dick's deaths). The use of color is also highly entertaining, and the voice-over narration by the filmmaker (Dick's daughter) is concise and intelligent without being condescending to the viewer or mawkish about her dread of her father's decline and eventual demise. This film asks viewers how we'll all cope with the passing of a beloved parent, and prepare for our own unknown end.
    7Cineanalyst

    Deadpan

    A movie about a retired psychiatrist named Richard Johnson who pretends to be a stiff, and there's not one dick joke. Freud is rolling over in his grave.

    As made by his daughter, Kirsten Johnson, "Dick Johnson is Dead" is an amusing picture for a documentary about an old widower with worsening dementia moving into a one-bedroom New York apartment with his daughter who films different ways of killing him. The expounding on dying--you know, that everybody's doing it--isn't very profound. The brief overview of the Johnson family's Seventh-day Adventism even less so. The loss of memory is a bit more interesting as it relates to documentary filmmaking, and Kirsten's late mother and Dick's late wife's photography. At one point, Kirsten laments that the only film she made of her mother was when she was well into being affected by Alzheimer's Disease. Although it has been far from always the case, there is a general sense that photographs and motion pictures may outlive the people in them and the memories thereof. Appropriately, then, the documentary is made in the reflexive mode, exposing the filmmaking process, including the staging of Dick's death scenes, and including the filmmaker as a heard and seen presence in the picture.

    Apt as much of that is, what really sells "Dick Johnson is Dead" is the charm of its eponymous would-be corpse. This guy has life figured out. Eat chocolate cake and ice cream and crack jokes with friends and family, don't let stuff bother you too much, and if you're not sure what to do, take a nap or watch TV. The movie may get carried away with some of the heavenly imagery and interludes with cutouts and at other times not seem to be going much of anywhere, but it's worth sticking around for that wisdom from the demented dead man.
    7Jeremy_Urquhart

    It's good but I know I'm missing something...

    It's rare that a movie with so much good stuff in it is also quite frustrating.

    At the risk of going on too long: the main problem for me was the tone. The darkly comedic fantasy sequences never quite meshed with the far more effective (and more frequent) parts of the film that nakedly deal with the inevitability of death, and the immense struggles of aging. There was one fantasy sequence which was surprising moving in a really surreal way, until it clunkily featured an intentionally jarring gag, and I was pulled right out of feeling something profound.

    I just... wasn't on this movie's level- I could tell I really liked it, and almost felt like I could love it, but it never sat 100% right with me. The whole premise of killing him in make believe ways never seemed to gel with the genuine emotions of the more down to earth stuff, and it left me a bit confused. There was surely an intent and a purpose, but it's one I can't grasp.

    I know there's something here I'm missing, and the stuff I got I know I really liked, so I can still say it's a good movie for sure. But it's almost like I'm missing a part of my brain that would enable me to fully "get" this movie, y'know? Almost as confusing for me as I'm Thinking of Ending Things was 😅
    5asc85

    Underwhelming

    Dick Johnson seems like a very nice guy, and it was very nice of him to do this with his daughter. Kirsten Johnson seems like a very nice woman, and this film is like a valentine to her Dad. But now we come to the film itself, which I wanted to see because the overwhelming majority of professional critics loved it. And honestly, I have no idea why. While the film had its moments, much of it was pretty boring, especially the slow-motion fantasy sequences with glitter in the air.

    This film kind of reminded me of Sarah Polley's, "Stories We Tell," which was another personal story about something that happened to her family. Good people, but unless you knew the family, I didn't think it was very interesting. Most film critics inexplicably loved that one too.
    JohnDeSando

    A most unusual doc by a daughter who depicts her dad's death using him while alive. One of the best of the year and upbeat.

    Dying is about the deadliest topic in any medium partly because it reminds us of our last end, or as Alexander Pope said, "Send not for whom the bell tolls, it tolls for thee." An accomplished documentarian, Kirsten Johnson, takes that topic and makes it a sweet future as she orchestrates scenarios for her father's death with him starring while alive in Dick Johnson is Dead.

    It is as if she believes that playing with a bit of gallows humor might at least stave off the Alzheimer's disease for her dad that her mother succumbed to a few years ago. The magic part of this unusual documentary is the love of father and daughter evident in every light-hearted scene. Be he knocked dead by a construction beam or actually experience a heart attack, she and he are collaborating on this doc as professionals (he is a psychiatrist) who know enough about life to make death an acceptable adjunct to a life that was worth living.

    Dick Johnson is not much as an actor depicting his own death, but he is a father who has loved his child, his late wife, and his friends, of which he has a multitude. His love shines through in each frame making this the most realistic fictionalized death on film this year (and most likely the only one).

    My other favorite doc this year is David Attenborough: A Life on Our Planet, which also defeats the death of earth through our own collaboration with Nature. In both films, life is affirmed in the face of daunting realities such as our responsibility for choking the atmosphere or just living till we die.

    Kirstin's loving handling of a potentially crippling topic is a tribute to her as an accomplished filmmaker who can create in the face of heavy emotional weight. It is even more a tribute to her as a daughter who loves her father unconditionally and forever-a state she uses to keep her dad in her mind forever.

    "Because I could not stop for death-He kindly stopped for me." Emily Dickinson

    Thanks to my daughter, Thea, who tipped me off to this exceptional doc-we share several sympathies with the film.

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    Trama

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    Lo sapevi?

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    • Quiz
      When Kirsten Johnson pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
    • Connessioni
      Features Nova: Day the Dinosaurs Died (2017)
    • Colonne sonore
      Gloria in Excelsis Deo
      Written by Antonio Vivaldi (as Antonio Lucio Vivaldi)

      Arranged by Andrea Montepaone

      Courtesy of Spirit Production Music

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    Dettagli

    Modifica
    • Data di uscita
      • 2 ottobre 2020 (Italia)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Official Netflix
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Dick Johnson Is Dead
    • Luoghi delle riprese
      • Seattle, Washington, Stati Uniti(workplace)
    • Azienda produttrice
      • Big Mouth Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 29min(89 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.78 : 1

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