Vengeance Is Mine

The person with the better weapon and the element of surprise, gets to tell the truth. Because they have the power, and the truth hurts like a broken bone. In the underworld of London, only the possibility of revenge and the telling of such truths stir an impoverished loner named Harry. It likewise motivates his intended target. In a brutal spree, Harry struggles to gain the upper hand over his adversary. In this insightful, vicious and unconventional tale, there are surprising twists and turns. Harry learns some uncommon and profound good sense. Capable acting, an enthralling story and intriguing sights and sounds, kept me at the edge of my seat.

All the way from across the pond comes a brutal and bloody piece of modern filmmaking.

The lead, Con O'Neill is totally flawless. He portrays A REAL GUY, not an unbelievably clever, or tough cliché. He does not give you anything that the character wouldn't do. This quality of acting is across the whole board. The casting of the movie is dead-on.

This is an intense, refreshingly ORIGINAL tough ride, from start to finish. You are right there with the lead, going through what he is going through, knowing what he knows, and not knowing what he doesn't know...

A fantastic revenge thriller that uses literally every penny of its micro budget perfectly, as throughout this looks visually as well put together as any other multi million dollar Hollywood production. The way it unravels is nothing other than completely gripping as it is a fine example of pure unencumbered story telling that shows the audience the unfolding evens a lot more than it tells them. Performance wise its top of the line, with Con O'Neill giving one of the most timid, yet still perfectly relatable killer performances, but is the smart direction that sets itself apart as it's faultlessly sharp and immensely effective. A gritty must see that is high brow genre movie.

A deeply tense and taught thriller that puts you along side Harry as all the events unfold. I am very accustomed to the actions of characters of your typical Hollywood revenge thrillers that in my mind I was intensely screaming at Harry's actions when the **IT, hit the fan. Then the realization came, this is not a film where the lead character becomes a fuel raged unstoppable hero suddenly becoming an expert on how to kill. But another fantastic element is that he is a dream like state and doesn't really know what is going on around him and hallucinates all sorts of imagery in quiet moments and in violent moment. This is why European thrillers are so cool compared to our USA product and the Brits excel at it.

The surreal quietness is very intense in this film and you just focus everything on the films characters. That is how excellent the directing and the screenplay are, the movie is not afraid of the silence. You become completely aware of how fast your heart is beating in the deadly silence. The direction by Hadi Hajaig was handled expertly and was a true feast for the eyes. Gorgeous cinematography and his utilization of natural light made it easy to get lost in the movie. There are scenes that will make you wriggle and squirm and there are humorous tension releasing moments, that is how tight the script is and you are relieved that you have those moments. Everyone in this cast is on point, I did not feel one off key from any of actors. The gamut of emotions that run through Harry's (Con O'Neill) eyes alone is worth the price of admission. There are some great actor finds Anton Saunders as an unredeemable and terrifying character in the film. Plaudits to the whole unheard of cast. The score from Sarah Lynch is haunting and never over powers a given scene. I know I am gushing over this movie, but if you can talk and truly think about a film long after the lights have come up then gush I must about it!

Do yourself a favor and see it and be kind to your friends and tell them about it and watch it with them. You are guaranteed a long conversation over drinks afterward. This is not a standard revenge film, yes it bleeds a lot of red, but it also bleeds true emotions.

The Europeans have a knack of gripping you in films about lonely disconnected characters who are suffering some sort of crisis who then emerge from ashes of some sort of grief and then seek revenge and it usually takes place slowly and VISUALLY and this is a fine example of that.

Telling a story in pictures seems to be something American film makers have forgotten, they are riddled with tons and tons of dialogue, Irving the explainer film making.

In this film you are given the info and you put the pieces together yourself, treating the audience with respect in that they have some intelligence.

The whole dream thing did occur to me but I continued watching, that shot of the beach at the end could be heaven or it could be just a shot of a beach.