Traccia la storia della TV a tarda notte dal suo inizio, con storie di conduttori come Johnny Carson, Jay Leno, David Letterman, O'Brien, Jimmy Fallon, Kimmel, Jon Stewart e Stephen Colbert.Traccia la storia della TV a tarda notte dal suo inizio, con storie di conduttori come Johnny Carson, Jay Leno, David Letterman, O'Brien, Jimmy Fallon, Kimmel, Jon Stewart e Stephen Colbert.Traccia la storia della TV a tarda notte dal suo inizio, con storie di conduttori come Johnny Carson, Jay Leno, David Letterman, O'Brien, Jimmy Fallon, Kimmel, Jon Stewart e Stephen Colbert.
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8thao
I love late night TV. I watch more of late night shows than films or TV series, so this was something I knew I would love. It is very informantive, has many brilliant clips and good interviews but I was so disapointed by the fact that thy had nothing about Craig Ferguson, other than two 1 sec moments where they say that he was on air and that his show ended. If anyone deconstructed late night it was Craig Ferguson. And no one has been better at interviews than he was.
Also if you're going to talk about social conciousness how can you ignore Last Week Tonight with John Oliver? Or Real Time with Bill Maher?
Also if you're going to talk about social conciousness how can you ignore Last Week Tonight with John Oliver? Or Real Time with Bill Maher?
For basically as long as there has been television, there has existed the concept of "late night" programming hitting the airwaves after the local nightly news. A host, some jokes, a desk, a guest--the setup is now iconic. "The Story of Late Night" lives up to its moniker and does a wonderful job of telling that entire story.
When it comes to late night TV topics, there are three that will always garner the most attention (at least thus far): The institution in and of itself that Johnny Carson became, the David Letterman vs. Jay Leno feud to replace him, and the bungled plan--by network executives--to hand Leno's reigns over to Conan O'Brien. Each of those topics basically commands its own episode here, and are excellently approached in terms of historical context and new interviews with the key players.
Where "Story" really stands out, however, is its ability to "fill in the gaps", so to speak, outside of those main talking points. For example, the first episode was very informative on how the whole genre started and how certain lesser-known pioneers created tenets of the genre that still stand/work to this very day. Also, throughout each episode, context is given on how the late night genre treated people of color, women, and ultimately evolved into newer formats (current events-based, YouTube-driven, pandemic-surviving, etc.).
Overall, "The Story of Late Night" was a joy to watch each week. It made me reminisce, sure, but it also taught me many interesting nuggets about the hosts, producers, and network executives who were key players in the business for decades. Just an all-around, well-done examination of the topic as a whole.
When it comes to late night TV topics, there are three that will always garner the most attention (at least thus far): The institution in and of itself that Johnny Carson became, the David Letterman vs. Jay Leno feud to replace him, and the bungled plan--by network executives--to hand Leno's reigns over to Conan O'Brien. Each of those topics basically commands its own episode here, and are excellently approached in terms of historical context and new interviews with the key players.
Where "Story" really stands out, however, is its ability to "fill in the gaps", so to speak, outside of those main talking points. For example, the first episode was very informative on how the whole genre started and how certain lesser-known pioneers created tenets of the genre that still stand/work to this very day. Also, throughout each episode, context is given on how the late night genre treated people of color, women, and ultimately evolved into newer formats (current events-based, YouTube-driven, pandemic-surviving, etc.).
Overall, "The Story of Late Night" was a joy to watch each week. It made me reminisce, sure, but it also taught me many interesting nuggets about the hosts, producers, and network executives who were key players in the business for decades. Just an all-around, well-done examination of the topic as a whole.
As a fan of the Late Night Wars, and read both of Bill Carter's book's, I just finished this mini series and am somewhat torn. I didn't hate it, but, it felt biased and un even maybe even uncomplete? We get a lot of Fallon ( maybe too much, he pops up too soon and too early on) and Amber Ruffin is on too much .
Another review said how there was no Craig Ferguson. They mention him, but, for someone who was on the air for a decade, on a major network, all you get is a quick 30 seconds?? Even Wanda Sykes, who's show lasted a season got more air time.
Another thing I found odd, Colbert is featured in archive only. I can't imagine he turned the opportunity down to speak. It was fairly good mini series though until the last 30 minutes, it becomes to political and woke.
Another review said how there was no Craig Ferguson. They mention him, but, for someone who was on the air for a decade, on a major network, all you get is a quick 30 seconds?? Even Wanda Sykes, who's show lasted a season got more air time.
Another thing I found odd, Colbert is featured in archive only. I can't imagine he turned the opportunity down to speak. It was fairly good mini series though until the last 30 minutes, it becomes to political and woke.
I would have given 'The Story of Late Night' 10 stars because it's really good but I can't because they only mention Craig Ferguson very briefly to introduce James Corden... Ferguson killed after Letterman for 10 years, his show was amazing and even though the format wasn't very different than other shows, he really changed the way of talking to the audience.
I've been very interested in the history of late night tv since Bill Carter's The Late Shift. This documentary does a good job of showing the origins of late night through the Carson years and the Leno/Letterman war for Late Night. Naturally Conan's Tonight Show tenure was a fascinating parallel. The documentary does provide much needed insight on the shift of late night from nonpartisan to political with the rise of The Daily Show and The Colbert Report, but the last episode felt like more time needed to pass before a real in-depth analysis could be had of the current Late Night lineup.
One thing that I found distracting as a viewer was not what they showed, but what they didn't show. Bill Maher is mentioned briefly in a negative light following the cancellation of Politically Incorrect for his post 9/11 commentary. I'm not a big fan, but he's been hosting Real Time on HBO for nearly 20 years now, but received no mention whatsoever following that event. There was also no mention, not one, about Dennis Miller who hosted two late night talk shows. John Oliver surprisingly was mentioned only once.
Likewise, Craig Kilborn of all people received more airtime on this documentary than Craig Ferguson who hosted the Late Late Show for almost 10 years. I would have loved to see some commentary on his deconstruction of the Late Night format, which includes puppets, a remote controlled robot skeleton sidekick and a two man horse costume that became regular segments on a show that felt very stripped down, yet effortlessly funny.
While a bit off the beaten path, Fox News' Red Eye (which aired at 3am Eastern) and successor show, Gutfeld! Did not receive a mention at all, despite Greg Gutfeld's recent ratings success, sometimes beating all network Late Night shows. I suspect it didn't fit the political narrative that series was painting, and Fox News is direct competition to CNN.
Saturday Night Live, which deserves its own stand alone documentary series, was also the lone sketch show profiled. MadTV and In Living Color received no mention at all. This was very clearly a NBC focused documentary series with The Tonight Show at the center.
Even though I'm a fan of late night tv, the series does feel a little too nostalgic towards the end. The format does feel a little outdated in today's 24/7 streaming world. I think highlighting Conan's departure from TBS would have been a great bookend to this series leaving the door open to what's next for this genre and format.
One thing that I found distracting as a viewer was not what they showed, but what they didn't show. Bill Maher is mentioned briefly in a negative light following the cancellation of Politically Incorrect for his post 9/11 commentary. I'm not a big fan, but he's been hosting Real Time on HBO for nearly 20 years now, but received no mention whatsoever following that event. There was also no mention, not one, about Dennis Miller who hosted two late night talk shows. John Oliver surprisingly was mentioned only once.
Likewise, Craig Kilborn of all people received more airtime on this documentary than Craig Ferguson who hosted the Late Late Show for almost 10 years. I would have loved to see some commentary on his deconstruction of the Late Night format, which includes puppets, a remote controlled robot skeleton sidekick and a two man horse costume that became regular segments on a show that felt very stripped down, yet effortlessly funny.
While a bit off the beaten path, Fox News' Red Eye (which aired at 3am Eastern) and successor show, Gutfeld! Did not receive a mention at all, despite Greg Gutfeld's recent ratings success, sometimes beating all network Late Night shows. I suspect it didn't fit the political narrative that series was painting, and Fox News is direct competition to CNN.
Saturday Night Live, which deserves its own stand alone documentary series, was also the lone sketch show profiled. MadTV and In Living Color received no mention at all. This was very clearly a NBC focused documentary series with The Tonight Show at the center.
Even though I'm a fan of late night tv, the series does feel a little too nostalgic towards the end. The format does feel a little outdated in today's 24/7 streaming world. I think highlighting Conan's departure from TBS would have been a great bookend to this series leaving the door open to what's next for this genre and format.
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