VALUTAZIONE IMDb
6,1/10
1630
LA TUA VALUTAZIONE
Cristi, un giovane gendarme rumeno, cerca di trovare l'equilibrio tra due parti opposte della sua identità: quella di un uomo che lavora in un ambiente gerarchico macho e quella di una perso... Leggi tuttoCristi, un giovane gendarme rumeno, cerca di trovare l'equilibrio tra due parti opposte della sua identità: quella di un uomo che lavora in un ambiente gerarchico macho e quella di una persona gay chiusa che cerca di mantenere segreto.Cristi, un giovane gendarme rumeno, cerca di trovare l'equilibrio tra due parti opposte della sua identità: quella di un uomo che lavora in un ambiente gerarchico macho e quella di una persona gay chiusa che cerca di mantenere segreto.
- Premi
- 14 vittorie e 35 candidature totali
Recensioni in evidenza
Maybe, the naked realism remains the basic virtue of this film . A form of realism defined first by language. I suppose, only a Romanian can understand, in real and proper manner, the entire pressure of situations, language, dialogue .
A jandarm and an intervention in a delicate case.
A presumed ex-boyfriend recognize him and having the foulish inspiration to remind to him the past. And the brutal, for me not exactly illegitimate, reaction of jandarm. The rest is the expectation of Cristi about the decision of his supperiors about the violence act of him.
At the final, you discover a courageous and deep honest film, different by many others offered by Romanians directors in the last decades.
Sure, the language is fruste, but it is not exactly a gay movie, an image of Jandarmeria or portrait of a man in difficult , stressed situation.
It is just the portrait, clear, precise of Romanian society. And this is the motif to appreciate it , like the impressive courage of director to propose a sort of mirror front to the viewer.
Presented in gentle manner. A group of men, a.
A jandarm and an intervention in a delicate case.
A presumed ex-boyfriend recognize him and having the foulish inspiration to remind to him the past. And the brutal, for me not exactly illegitimate, reaction of jandarm. The rest is the expectation of Cristi about the decision of his supperiors about the violence act of him.
At the final, you discover a courageous and deep honest film, different by many others offered by Romanians directors in the last decades.
Sure, the language is fruste, but it is not exactly a gay movie, an image of Jandarmeria or portrait of a man in difficult , stressed situation.
It is just the portrait, clear, precise of Romanian society. And this is the motif to appreciate it , like the impressive courage of director to propose a sort of mirror front to the viewer.
Presented in gentle manner. A group of men, a.
If you expected a traditional drama from this film, you'll be a little lost at the beginning... I know I was.
Drama tends to be more concise - every scene and line is supposed to contribute to the arc of the story. But 'Poppy Field' is made to look more like a documentary, with rougher scene changes, spontaneous camera walks, and seemingly mundane lines that doesn't necessarily do much to the story... because there's no real story as such.
What the film does is patching and summing up the various moments of Cristi's day. And there we eventually get a sort of a pattern, a bigger picture, and inner turmoil that oozes out from the character against the given situation.
In that regard, it's well done. Actors and scenes are all realistic and believable. But in the end, probably because I haven't shed off my expectation from more traditional drama, I could not help but feel a bit 'so what?'. I just wanted it to be a bit more invested in Cristi as a person and get a little bit more comprehensive view of the LGBTQ situation in Romania... probably the very fact it left me hungry means the film was successful given its stylistic choice.
Drama tends to be more concise - every scene and line is supposed to contribute to the arc of the story. But 'Poppy Field' is made to look more like a documentary, with rougher scene changes, spontaneous camera walks, and seemingly mundane lines that doesn't necessarily do much to the story... because there's no real story as such.
What the film does is patching and summing up the various moments of Cristi's day. And there we eventually get a sort of a pattern, a bigger picture, and inner turmoil that oozes out from the character against the given situation.
In that regard, it's well done. Actors and scenes are all realistic and believable. But in the end, probably because I haven't shed off my expectation from more traditional drama, I could not help but feel a bit 'so what?'. I just wanted it to be a bit more invested in Cristi as a person and get a little bit more comprehensive view of the LGBTQ situation in Romania... probably the very fact it left me hungry means the film was successful given its stylistic choice.
Loved the feel of this movie, the acting and the observational directing style. I felt for the lead character's complex life and it has a hopeful message ultimately. This film will travel to many festivals and be a hit I imagine and it is an important film too.
This is a brave and poignant movie. It is very simple in its pace and setting and could easily be set for a play.
We know from Polish and Georgian movies that it's very complicated to be openly gay in Eastern European countries. Poppy Field is another illustration of this fact.
Cristi is no hero and no victim. As many closeted gay men, he is caught up in his contradictions and spends a lot of time and energy lying to himself and to the others around him. But you can only maintain the façade for so long, and then cracks start to show. The path to authenticity seems like a crucifixion, and the homophobia expressed in the movie is closely associated with Christianism.
My favorite scene is when Cristi is left alone in a red, empty movie theater. We can feel the tempest going on in his skull. His career, his privacy, his life are all at stakes in one day.
A great movie about resilience, bad faith, and sexual minorities.
We know from Polish and Georgian movies that it's very complicated to be openly gay in Eastern European countries. Poppy Field is another illustration of this fact.
Cristi is no hero and no victim. As many closeted gay men, he is caught up in his contradictions and spends a lot of time and energy lying to himself and to the others around him. But you can only maintain the façade for so long, and then cracks start to show. The path to authenticity seems like a crucifixion, and the homophobia expressed in the movie is closely associated with Christianism.
My favorite scene is when Cristi is left alone in a red, empty movie theater. We can feel the tempest going on in his skull. His career, his privacy, his life are all at stakes in one day.
A great movie about resilience, bad faith, and sexual minorities.
It is scary to see the Romanian reality that some of us know so well displayed on screen in such strong tones. For me, being a victim of a similar assault as portrayed in the movie, it was familiar and disturbing, at the same time. I commend the creators of this movie for their courage. The Romanian society still is exactly as we see it on screen.
Lo sapevi?
- QuizFirst film by the actor Eugen Jebeleanu.
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Dettagli
Botteghino
- Budget
- 932.000 € (previsto)
- Tempo di esecuzione
- 1h 21min(81 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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